Nuits d'Arabie

In his second "back to the past" dream film (four years after "Roman Scandals"), Eddie Cantor skewered FDR and the New Deal in this satiric look at the Arabian Nights. Cantor and screenwriter Gene Fowler wanted to do a take on "A Connecticut Yankee in King Arthur's Court," with the difference that, as much as they poked fun at FDR's policies and oratory, the New Deal policies that Cantor institutes in Baghdad don't backfire quite the same way as the Yankee's did at King Arthur's court.

Hobo Aloysius Babson, a film fan and autograph hound, stumbles onto an Arabian Nights film set and gets made an extra. A miscalculation on his medicine sends him into a dream, however, and he finds himself at the court of the Sultan of Baghdad. Giving his name as "Al Babson," they assume he's the son of Ali Baba, and after surviving an assassination attempt made with his stunt knife, he's made an adviser to the king.

The film is full of Cantor's trademark humor, singing and dancing, and the obligatory rueful reference to Cantor's family full of daughters. A troupe of African musicians--who speak no language but Cab Calloway's--provides a terrific swing number (unhappily, Cantor performs it in blackface), and Cantor and Tony Martin deliver a catchy number, "Vote for Honest Abe," that works as a campaign song for Sultan Abdullah.

The production cost over a million dollars, not a little of which went to create an impressive flying carpet effect. Sadly, two of the crew were killed when the carpet fell on them, and Cantor himself got so knocked about and bruised in the scenes on the carpet that he was elected an honorary member of the Hollywood Stunt Men.

The film ends with Al Babson attending a film premiere in which he sees Eddie Cantor (another common Cantor touch), and a host of stars such as Victor McLaglan and Shirley Temple are also seen there (understandably: the premiere was for "Wee Willie Winkie").

All in all, the film is great fun, with fast-paced and topical dialogue and lots of great sight gags (a "W.P.A. Filling Station" for watering local camels). It's very much of its time, so if you're at all familiar with the New Deal era, it will be an entertaining hour and a half.

Eddie Cantor made some wonderful films. My favorite, by far, is "Forty Little Mothers". The movie is sweet and charming...and well worth seeing as are many of his other films ("Thanks Your Lucky Stars"). But he also made a few that are very, very dated and when you see them today they lack an important quality of his better films....they aren't funny. This is definitely the case with "Ali Baba Goes to Town"...a rather unfunny comedy which, inexplicably, has an overall score of 8.1. Why? I have no idea as it's dated and many of the jokes fall very flat.

When the film begins, Al (Cantor) is a hobo traveling by rail to Hollywood. Once there he gets a job as a movie extra on an Ali Baba-like movie. But when he takes too many pain killers, he awakens in ancient Baghdad and everyone thinks he's Ali Baba. He soon becomes buddies with the Sultan (Roland Young) and convinces the guy to enact a lot of American and New Deal reforms which end up backfiring badly. And, as a result, Ali (Cantor) must run or lose his head.

This is a great example of a film that played well in the day but is terribly dated today. All of Cantor's remarks about politics and the Roosevelt administration were fine in 1937 but today they just seem unfunny. And, speaking of unfunny, Cantor's black-face routine is also unfortunately in this picture and is cringe-worthy. And, while some folks absolutely love it (you can only assume this with an 8.1 rating), I thought it among Cantor's worst. Unfunny and dated...badly. About the only part I liked was at the movie premier at the end...when Al AND Eddie Cantor appeared. That was cute....but otherwise...meh.

Ali Baba Goes To Town anticipates the war in Iraq by several decades. Just as we are at war to democratize Iraq and its capital Bagdad, so Eddie Cantor is in Iraq by himself to bring the New Deal to the old caliphate. The populace seems to take to it somewhat better.

Cantor is young Al Babson hitchhiking on a freight car to Hollywood when while doing a little soft shoe to entertain fellow tramps Stanley Fields and Warren Hymer he falls out of the car and in the desert. Not to worry though, he lands in the middle of a sand and sandal Arabian picture that 20th Century Fox was shooting. The film has the look of the kind that Maria Montez would do at Universal in the next decade. He gets hired as an extra.

However in a big scene where he's one of many to pop out of a giant jar, Eddie over medicates himself on his many pills and falls asleep and dreams himself back into old Bagdad. The people he meets there are suspiciously like the stars of the film he's on like June Lang, Tony Martin, and Roland Young. Young makes a rather urbane sultan who takes to Cantor, so much so he makes him his prime minister. Cantor proceeds to introduce the New Deal to Bagdad and gives the people some ideas of democracy.

That does not sit well with a trio of villains, Douglass Dumbrille, John Carradine, and Louise Hovick. If you don't recognize the name Louise Hovick, she was a minor starlet at Fox who would leave their shortly for another career involving exposure under the better known name of Gypsy Rose Lee.

Cantor did this whole thing before and much better in Roman Scandals. In real life Cantor was a number one booster of the New Deal of Franklin Roosevelt and the satire is somewhat blunted. It's also somewhat dated and you'd really have to be familiar with both Cantor and the Thirties to get a lot of the jokes.

Tony Martin is in the film as a young reformer type or what passed for one in old Bagdad. I got a feeling that a lot of his role was left on the cutting room floor. He makes no mention of Ali Baba Goes To Town in his joint memoir with Cyd Charisse.

Ali Baba Goes To Town did not fare well at the box office even with the presence of a whole lot of guest stars in the film via newsreel clips from the premiere of Wee Willie Winkie. By mutual consent Darryl F. Zanuck and Eddie Cantor did not make any more films and Cantor was off the screen for three years.

The film is really for Eddie Cantor fans and for those who'd like to familiarize themselves with one of the greatest entertainers of the last century. But there are far better filmed examples of his work.

Most of this film takes place in a dream. Eddie Cantor (Ali Baba) is a hobo travelling to Hollywood where he wants to hang out with the movie stars and collect their autographs. However, he falls out of the train he is travelling on and ends up on a film set for Ali Baba and the 40 thieves. He is given a part as an extra and waits for his moment. However, he has taken some medication which sends him to sleep.........cue the dream......

The film is fun if you like Eddie Cantor and a few of the cast play dual roles. It pokes fun at legislation that is of its time and this dates it. Also, the songs performed by Cantor aren't particularly memorable and the dancing is nothing memorable either. What does entertain in this film are the novelty numbers and so a mention must go to Jeni le Gon and the Peters Sisters who elevate the film into the worthwhile category.

Gypsy Rose Lee plays a part in this film as the evil Sultana and she is memorable as a baddie. She is mean and must have incorporated dominatrix aspects into her burlesque striptease routines. John Carradine has a very strange outfit in the dream sequence - a sort of inspiration for the New Romantic movement of the early 1980s and a modern-day champion for gender neutrality. He wears a large pearl necklace with matching earrings and what comes across as a clown/joker outfit with angled shoulder pads. He reminded me of Steve Strange in David Bowie's video for "Ashes to Ashes." Carradine's outfit is something that Steve Strange would have worn many years later as he influenced the fashion world and formed his band Visage - "Fade to Grey" is a classic. If you ask me, it's a ridiculous look.

Bright musical comedy with Eddie Cantor as a hobo who wanders onto a movie set and gets hired as an extra. He falls asleep and dreams he's back in ancient Bagdad.

In ancient Bagdad he's taken as a relative of Ali Baba and gets involved in the palace intrigue where the Sultana (Gypsy Rose Lee as Louise Hovick) and her allies are plotting to overthrow the Sultan (Roland Young). Cantor cracks an endless stream of one-liners about Roosevelt's "New Deal," which of course no one understands. The plot then has Cantor running for president against the Sultan. But it's all a dream.

The two show stoppers are the extended "Swing Is Here to Sway" with Cantor joined by dancer Jeni Le Gon and the fabulous Peters Sisters, and the "Twilight in Turkey" number by Raymond Scott and Quintet and danced by the Pearl Twins. Great stuff.

Co-stars include Tony Martin, June Lang, John Carradine, Virginia Field, Alan Dinehart, Stanley Fields, Warren Hymer, and Lynn Bari as a harem girl. The Peters Sisters, Mattye, Anne, and Virginia, just about steal the show from Cantor, who discovered them at a local nightclub and put them right in his movie.

One of Cantor's best.