Snowed Under

A nice cast, consisting of George Brent, Gladys George, Frank McHugh, Genevieve Tobin, and John Eldredge star in "Snowed Under," a 1936 Warner Brothers film.

Alan Tanner (Brent) has new play opening in a week, but the play has no acceptable third act.

In order to get it done, Tanner goes to a cottage, which at the moment is snowed under to work in peace. Not happening. His blonde neighbor (Patricia Ellis) is crazy about him and shows up.

The play's producer, Arthur Layton (Porter Hall), dispatches Alan's first wife Alice (Tobin) to keep him on task. Unfortunately Alan's second wife, Daisy (Farrell), shows up and demands her alimony.

Soon the women are screaming at one another and fighting over who can help Alan more. And the neighbor wants to know where she stands. Meanwhile Alan can't get any work done.

This is a madcap comedy, and for some reason I found it incredibly loud and a little too crazy, a fun premise, but forced. Despite going over the top, it has a sophistication to it.

Frank McHugh is a scream as a deputy sent to arrest Alan, who just may find some peace if he can only get to jail. With a little more attention, this film would have been much better.

The producer of a play is having trouble with playwright Alan Tanner (George Brent) in that he can't seem to finish the third and final act of a play that is due to go into rehearsals. He taps Alan's first wife, Alice (Genevieve Tobin), to go to Tanner's home in Connecticut to help him finish that play. She shows up, Alan is more than a little glad to see her, and it looks like the play is on its way to getting finished. But then the deputy sheriff (Frank McHugh) shows up with a warrant for Alan's arrest for non-payment of alimony to the second wife, along with said gold-digging second wife (Glenda Farrell) and her lawyer (John Eldridge). Then Alan's current girlfriend (Patricia Ellis) sneaks back into the house, refusing to leave. With the sheriff's car wrecked and a blizzard in progress, all of these people have to spend the night under one roof. Complications ensue.

The way this is set up - playwright whose life has spun out of control due to missing his first wife after having cheated with, married, and divorced a gold digging showgirl but who also has a new girlfriend who is really too young for him but is used to having her way because her family is wealthy - It could have been spun into a Douglas Sirk film if you wanted to take the plot outline and make a melodrama. But like I said, it is obvious from the farcical beginning this is going to be light entertainment all the way and you can pretty much see the end from the beginning. It doesn't outlast its welcome at 62 minutes and is a nice way to pass the time if you are recovering from a nervous breakdown without a serious tense moment in its entire running time.

Playwright George Brent is having trouble with his new play. He's got two good acts written but the third act refuses to come. He retires to a quiet house in the country to really concentrate…but his peace and quiet are quickly and completely overrun by wives, lawyers, sheriff's deputies and a big snowstorm.

A lively cast makes this one fun—everyone on the screen is hilarious in one way or another. Genevieve Tobin is charming and clever as Brent's first ex-wife, recruited by Brent's producers as the one person capable of helping break his writer's block. Tobin and Brent are the closest to sane of any characters in this movie.

Glenda Farrell is at her rowdiest as Brent's second ex-wife, showing up with milkman/deputy sheriff Frank McHugh in tow, hoping to collect some alimony. Glenda's initial entrance is just a riot: McHugh has preceded her into the house by a couple of minutes when she bursts in shouting, "Fine way to treat a lady! You gonna let me sit out there in the car all night?" McHugh doesn't miss a beat: "Have you been nipping at my applejack?" Farrell: "All right, so sue me!"

Patricia Ellis is also following Brent around, apparently imagining that she can capture his affections by showing up unexpectedly in his bedroom. Among all of these distractions, it's no wonder Brent isn't getting any work done.

It's not exactly sophisticated but sure has some laughs—lots of fun for fans of silly 30s comedies.

Snowed Under casts George Brent as a playwright who is working to get a third act right for producer Porter Hall. To get away from it all he's taken a mountain cabin up in snow country to get some privacy and the creative juices flowing.

Privacy is about the last things he gets in this somewhat claustrophobic comedy where all three women in his life come for a visit. Ex-wife Genevieve Tobin arrives first, current estranged wife Glenda Farrell is second who brings along lawyer John Eldredge and Deputy Sheriff Frank McHugh to get either her back alimony or Brent in the pokey. Finally there's current girlfriend Patricia Ellis who kind of sneaks in when no one is looking.

Snowed Under is short and fast paced comedy in which Glenda Farrell stands out in this cast. Brent learns that old adage of it's cheaper to keep her.

We kind of know right away who Brent winds up with, still Snowed Under is a lot of fun with an impeccably cast ensemble.

Snowed Under (1936)

*** (out of 4)

Surprisingly entertaining comedy about a writer (George Brent) who flees to a cabin in Conneticut to try and finish up a play that is due in a week. The show's producer gets worried so he sends the writer's first wife (Genevieve Tobin) to try and help him and before long his second wife (Glenda Farrell) shows up demanding that he be thrown in jail over back alimony. SNOWED UNDER is a pretty far-fetched little comedy but the terrific cast and its fast-pace makes it a real winner and it's really too bad that the film isn't better known because it's a pretty good little gem. I think the strongest thing the film has going in its favor is the terrific cast with Brent, Tobin and Farrell leading the way with their top-notch performances. You've also got Patricia Ellis playing a young woman also in love with the writer, Frank McHugh as a deputy sent to arrest him and John Eldredge and Helen Lowell are also good in their supporting bits. The entire cast works so well together and the dialogue they're having to spill is flying out a mile a minute. The dialogue is delivered in an extremely fast way and the entire cast does well to really push it and make it funny. Some of the best moments deal with the three women constantly fighting amongst each other trying to see why one wants to be with the writer or why they were ever with him. The sequence where the writer decides he wants to go to jail instead of staying in the house was pretty good. The location, a small house in the woods, is the perfect setting and you really do feel as if you're in this place with all these characters as things start to go crazy. Fans of the 30s comedies should really enjoy this and it certainly deserves to be better known.