L'habit ne fait pas le moine

"The Smartest Girl in Town" is a typical 1936 film with a typical plot. A wealthy man (Gene Raymond) falls for a model named Cookie (Ann Sothern) who mistakes him for a model. He has his butler (Erik Blore) call Cookie's booker and claim he's from an advertising agency so he can book her again and get close to her during the shoot. Meanwhile, Cookie's sister (Helen Broderick) is trying to marry her off to a supposedly rich foreigner (Erik Rhodes) whom Cookie not only doesn't love but can't understand.

The actors are all good - Helen Broderick always had great line delivery, and Eric Blore is in his usual role. Ann Sothern is beautiful and Gene Raymond is charming. It just doesn't add up to much with its very thin plot. I assume this was a B film since it only ran an hour. It's cute, but nothing special.

Despite a charming and capable cast, this movie was really bad.

The story had a fair-to-middling premise, but the final script was just muddled and silly.

The whole things seems to be based on "Hmmmm. We've got to crank out some film to fill some theaters."

Ann Sothern has long been one of my favorites (I guess I have several), and she is delightful to watch and lovely to look at. She is always charming, even downright adorable.

Gene Raymond is a good-looking and talented guy who seems to be little known these days, and I don't understand why.

Unfortunately, the production is slap-dash and fairly senseless and ultimately not a lot of fun. Except to see Ann Sothern.

This is one of those film in which the dialogue is the star. It is filled with clever repartee. Not exactly realistic, but this is a comedy, after all. And the cast is up to the challenge, delivering the lines with gusto.

Ann Sothern plays the female lead, Cookie--a model who is weary of poverty and vows to change her luck by marrying a rich man. She is quite charming in this role, though I would prefer that her penciled-on eyebrows did not circle her eyes. I exaggerate, and it is not enough to ruin her beauty. In fact, I think the director missed an opportunity to frame that beauty in a meaningful way. Early in the film, she is sleeping in a deck chair, waiting for a shoot to begin. When she removes the hat that is covering her eyes, it is a glamorous shot reminiscent of other actresses' classic introductory shots, e.g. Grace Kelly in "Rear Window". If this shot of Sothern had been the first in the film, it would have been a memorable scene.

Gene Raymond plays the rich playboy, Richard Smith, out to capture her heart. Eric Blore--seemingly a fixture in every RKO production during this era--plays Richard's valet, Philbean, with the customary Blore bluster.

Helen Broderick plays Cookie's sister and delivers some of the best lines. She is determined to help her sister land a guy with greenbacks galore. But neither sister knows that Richard is rich.

"The Smartest Girl" is lightweight fun and only runs 58 minutes.

This film is nearly identical to one of those Fred Astaire and Ginger Rogers movies, except minus music, in place of Astaire is Gene Raymond and in place of Ginger Rogers is Ann Sothern. The supporting characters are taken right from Top Hat or Swing Time. Helen Brodericik, Eric Blore, and Erik Rhodes are all in top form in identical roles from the Astaire/Rogers movies. This particular film is pretty funny, though, mainly because of Eric Blore's power trip when Gene Raymond, his boss, has him pretend to be HIS boss. Blore, always the servant, is hilarious as the pretend-boss. Also, the climactic scene is so bad it's funny. Raymond pretends he's about to commit suicide so that Sothern will prove her love for him. Odd, but charming all the same. 7/10.

Ann Sothern and Gene Raymond are the handsome young leads who are bound to get together eventually in this good-natured, slightly manic comedy.

Sothern plays a model determined to find and marry a rich man. She meets handsome millionaire Raymond during a modeling job on his yacht - but mistakenly assumes he is the male model supposed to meet her there. Raymond (immediately smitten, of course) quickly gathers that it will be more fun if she thinks he is a peer rather than a millionaire, and he begins an elaborate scheme to win her heart as a poor working sap.

A big part of Raymond's scheme is enlisting his valet, Eric Blore, to pretend to switch roles with him. Blore is hilarious as the scandalized employee gradually leaning into his assumed role as boss instead of servant. Helen Broderick is equally good as Sothern's tart-tongued sister and manager. Erik Rhodes has a couple of extremely goofy scenes as a baron with money who would be an eligible suitor for Sothern if he could just stop talking about birds and eggs all the time.

The plot holds hardly any surprises, but there is a neat scene where Sothern washes Raymond's wild mop of hair in her bathroom sink, realizing as she does so that he has become more than just a co-worker. And despite the standard plot, clever dialog and enthusiastic performances throughout make this one lots of fun.