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Popeye et Sindbad le marin (1936)

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Popeye et Sindbad le marin

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Sone scenes were created by photographing the animation cels in front of a miniature set, giving a more three-dimensional appearance.
The only Popeye cartoon nominated for an Academy Award.
This was the first Popeye cartoon made in Technicolor.
Ray Harryhausen cites this film as a major influence on his work Le 7ème Voyage de Sinbad (1958).
This was the first of the "Popeye Color Specials", a trilogy of Technicolor features that were released in the 1930s. These features were over sixteen minutes each (three times as long as a regular Popeye cartoon, and so were considered big-budget adaptations), and were often billed in cinemas alongside/above the main feature.

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