IMDb RATING
6.3/10
8.7K
YOUR RATING
When Countess Marya Zaleska appears in London, mysterious events occur that lead Dr. Von Helsing to believe that the Countess must be a vampire.When Countess Marya Zaleska appears in London, mysterious events occur that lead Dr. Von Helsing to believe that the Countess must be a vampire.When Countess Marya Zaleska appears in London, mysterious events occur that lead Dr. Von Helsing to believe that the Countess must be a vampire.
- Awards
- 1 win & 1 nomination total
Halliwell Hobbes
- Hawkins
- (as Halliwell Hobbs)
Claud Allister
- Sir Aubrey
- (as Claude Allister)
Agnes Anderson
- Elena
- (uncredited)
John Blood
- Bobby
- (uncredited)
David Dunbar
- Motor Bobby
- (uncredited)
Douglas Gordon
- Attendant
- (uncredited)
Owen Gorin
- Groom's Friend
- (uncredited)
Featured reviews
Dracula's Daughter begins right where Tod Browning's Dracula left off, and ironically sees vampire slayer, Van Helsing in trouble with the law for the murder of Count Dracula. This follow up doesn't have the same quality feel about it that the original had, and it seems clear that this was always meant to be very much a 'B' movie picture. But at the same time, its lots of fun to watch; and the fact that it begins straight after the ending of the Bela Lugosi film ensures that it's credible as far as Universal's series is concerned, and that fact will also give many fans of the original film a good reason to see it. The plot starts properly when a young woman turns up at the police station, wanting to know if Count Dracula really is dead. We then follow her as she tries to undo her family curse, aided by psychiatrist Dr. Jeffrey Garth. However, around the same time that this is going on; corpses begin appearing around London, and jailed Van Helsing is convinced that vampires are roaming the streets of London again.
Unfortunately, this follow up doesn't feature the bloodsucking demon of the first film, and as the title suggests; follows his daughter instead. Gloria Holden excels in the title role as the daughter of Dracula. She's seductively sexy and has a definite air of understated evil about her at the same time. The rest of the support cast back her up excellently, and while nobody other than the title character is a real standout; the ensemble comes together nicely. Atmosphere is obviously a big thing here, and director Lambert Hillyer does a great job of photographing the locations, and ensures that the film benefits from a malevolent aura at all times. The story is obviously nowhere near as great as the original, which was based on the novel by Bram Stoker; but it's good enough. Writing a follow-up to Dracula can't be easy, and while the plot isn't too engaging, it's always at least interesting. There's an underscore of black humour hanging around just behind the central plot, and overall I would say this is a worthy sequel, although it's not a patch on the original film.
Unfortunately, this follow up doesn't feature the bloodsucking demon of the first film, and as the title suggests; follows his daughter instead. Gloria Holden excels in the title role as the daughter of Dracula. She's seductively sexy and has a definite air of understated evil about her at the same time. The rest of the support cast back her up excellently, and while nobody other than the title character is a real standout; the ensemble comes together nicely. Atmosphere is obviously a big thing here, and director Lambert Hillyer does a great job of photographing the locations, and ensures that the film benefits from a malevolent aura at all times. The story is obviously nowhere near as great as the original, which was based on the novel by Bram Stoker; but it's good enough. Writing a follow-up to Dracula can't be easy, and while the plot isn't too engaging, it's always at least interesting. There's an underscore of black humour hanging around just behind the central plot, and overall I would say this is a worthy sequel, although it's not a patch on the original film.
"Dracula's Daughter" is a trailblazer in many respects. It's the earliest film I can think of that features a truly sympathetic vampire protagonist. It's also the earliest mainstream film that I'm aware of with such a strong lesbian subtext. (Actually, it's not even a "sub" text, it's plain as day!) As you might expect, these rather surprising elements make it a highly memorable viewing experience - perhaps even more memorable than its predecessor, Lugosi's "Dracula," which is basically just a truncated version of Bram Stoker's novel.
Unfortunately, "Dracula's Daughter" misses the mark of greatness that it probably deserves. The film is only about an hour and ten minutes long, so there isn't sufficient time to fully develop Countess Zaleska, the title character. And it's extremely frustrating that the first fifteen minutes or so are basically squandered on a lot of painfully unfunny business involving two comedy constables. The humor has aged really, really badly, unless you somehow find it convulsively hilarious when one of the constables reacts to every strange and dramatic happening around him by saying "oooh..."
I tend to complain that modern-day horror features too much dumb comedy that hurts its credibility, but "Dracula's Daughter" is living proof that studios were injecting silly rubbish into otherwise good horror material as long as seventy years ago!
The serious parts of the film work well, however. Countess Zaleska and her faithful servant, Sandor, have some interesting exchanges about the loneliness of immortality and the darkness of the vampire's universe. The scene when Zaleska burns her father's body is also very moody and dramatic. (How does one get a job like Sandor's, anyway? Don't you think it would be fun to play personal servant to a glamorous female vampire? No? Maybe it's just me, then.)
If the film has another flaw, aside from the comedy, it's the human protagonist, Dr. Garth. Otto Kruger plays the character as stubborn and really rather abrupt. He'll spew a few lines of psycho-babble at the countess, then charge out of the room and leave his job with her half-done at best. A more attentive psychiatrist might perhaps have made for a more sympathetic and proactive hero. As it is, he's basically just an irritating presence who distracts us from the "villains," who are infinitely more interesting and more worthy of our time.
Unfortunately, "Dracula's Daughter" misses the mark of greatness that it probably deserves. The film is only about an hour and ten minutes long, so there isn't sufficient time to fully develop Countess Zaleska, the title character. And it's extremely frustrating that the first fifteen minutes or so are basically squandered on a lot of painfully unfunny business involving two comedy constables. The humor has aged really, really badly, unless you somehow find it convulsively hilarious when one of the constables reacts to every strange and dramatic happening around him by saying "oooh..."
I tend to complain that modern-day horror features too much dumb comedy that hurts its credibility, but "Dracula's Daughter" is living proof that studios were injecting silly rubbish into otherwise good horror material as long as seventy years ago!
The serious parts of the film work well, however. Countess Zaleska and her faithful servant, Sandor, have some interesting exchanges about the loneliness of immortality and the darkness of the vampire's universe. The scene when Zaleska burns her father's body is also very moody and dramatic. (How does one get a job like Sandor's, anyway? Don't you think it would be fun to play personal servant to a glamorous female vampire? No? Maybe it's just me, then.)
If the film has another flaw, aside from the comedy, it's the human protagonist, Dr. Garth. Otto Kruger plays the character as stubborn and really rather abrupt. He'll spew a few lines of psycho-babble at the countess, then charge out of the room and leave his job with her half-done at best. A more attentive psychiatrist might perhaps have made for a more sympathetic and proactive hero. As it is, he's basically just an irritating presence who distracts us from the "villains," who are infinitely more interesting and more worthy of our time.
Dracula's Daughter is a Universal monster movie made in 1936, picking up where the original Dracula left off. The opening scene has the police discovering that Dr. Van Helsing has just staked Count Dracula. The plot moves quickly on with two strands, one involving a friend of Van Helsing.....Dr. Jeffrey Garth....in pursuit of defending his colleague and the other strand involving the daughter of Dracula....Marya Zaleska....in London trying to rid herself of her family curse finding it an impossible task. The two strands finally meet and intertwine. The movie has some rather obvious shortcomings. One is Otto Kruger, whom is irritating as one reviewer earlier stated. He is lacklustre and pompous in a very hollow way. The film also lacks a credible story line and is given in to the temptation of assuming a great deal from the viewer. However, Dracula's Daughter still is a very enjoyable film. It has wonderful atmosphere, grand sets(particularly when in Translyvania), and a good performance from Holden as the lead and Van Sloan in a reprise of his role as the good doctor Van Helsing. Above all it has a wonderfully eerie, disturbing, and macabre performance from Irving Pinchel as the servant of the female vampire. He is her reminder of what she is, and he never lets her forget that curse which forces her to live by night and sleep by day.
Right after the success of James Whale's "Bride of Frankenstein" (sequel to "Frankenstein", also directed by Whale), Universal Studios decided to make a sequel to their other horror classic film, Tod Browning's "Dracula". Story says that the studio chose Whale again for the project, but his script proved to be too outrageous and subversive that was immediately rejected. It would be Garret Fort, writer of the first "Dracula", who would give flesh to the sequel's screenplay and the experienced director Lambert Hillyer was set to direct it. Like "Bride", this sequel would be focused on a feminine version of the previous monster; it's name, "Dracula's Daughter".
The film starts right after the original ends, with Count Dracula killed by Professor Van Helsing (Edward Van Sloan), however, to his misfortune, he is arrested for the murder of the Transylvanian nobleman and sent to prison as nobody believes he killed an ancient vampire. Realizing that nobody will believe him, Van Helsing asks the help of his dear friend, Dr. Jeffrey Garth (Otto Kruger), a former student of his who has become a prominent psychiatrist. While this events happen, a mysterious woman steals Dracula's body and a new series of murders start, complicating Van Helsing's defense and Garth's investigation. To make things worse, Countess Marya Zaleska (Gloria Holden) arrives and her seductive charms will prove too strong for Garth to resist them.
Unlike "Frankenstein", where there was still material in the source novel to build up a sequel; in "Dracula"'s case things get complicated, as the monster is effectively killed at the end. However, Garret Fort builds up an original story of mystery, horror and even nods to screwball comedy. "Dracula's Daughter"'s themes of betrayal, deception, and the quest for redemption are dark indeed, but Fort manages to add some light-hearted moments that break the suspense in an appropriate manner. Another highlight is that the vampire's sex appeal is enhanced and explored even further than posterior sequels of the now-franchise.
Director Lambert Hillyer had a big experience directing many low-budget films, ranging from westerns to crime dramas, so he was used to work with similar budget constrains. The movie's strength is in its story, and Hillyer knew it, so he keeps a simple yet very effective style that, while nothing too impressive, manages to create the perfect atmosphere for the plot. With nothing more than his well assembled cast and Fort's excellent screenplay, he conceives a film that maybe won't be remembered as influential, but will surely tell its story properly and deliver what it promises.
The cast is vital in this film, as their job is what sets apart the film from other Universal sequels. Otto Kruger is a very good lead actor, with nice looks and an ease for this kind of characters. He has great chemistry with both Gloria Holden and Marguerite Churchill and his performance is one of the film's highlights. Holden portrays the seductive Countess with power and grace in a complicated role as her character is at the same time dominated by a strong sex appeal and a sad and tragic fate. Churchill is superb in her comedy role, and more than mere comic relief, she adds the touch of screwball comedy to the film, giving her energy and charm. And finally, Edward Van Sloan returns as the experienced Van Helsing, and while his role here is more as a spiritual guide to Kruger, he gives another fine performance.
The film's main weakness is without a doubt its low-budget, that not only forced the choice of Hillyer as a director, but it also made it have less production values than other sequels. In a way, this may had been of help, as Hillyer's style bends together perfectly with low-budget projects and also gave the film a look closer to crime melodrama, which was rising in popularity at the time. Sure, Bela Lugosi is definitely missed, but "Dracula's Daughter" makes up for his absence with a witty (and bold for its time) screenplay and a well-assembled cast.
Time has left this film unappreciated, but there is a lot in there to praise, and while nowhere near the best of the Classic Universal Horror films, "Dracula's Daughter" is better than many of the films of its time, and an essential viewing for any fan of Gothic horror. 7/10
The film starts right after the original ends, with Count Dracula killed by Professor Van Helsing (Edward Van Sloan), however, to his misfortune, he is arrested for the murder of the Transylvanian nobleman and sent to prison as nobody believes he killed an ancient vampire. Realizing that nobody will believe him, Van Helsing asks the help of his dear friend, Dr. Jeffrey Garth (Otto Kruger), a former student of his who has become a prominent psychiatrist. While this events happen, a mysterious woman steals Dracula's body and a new series of murders start, complicating Van Helsing's defense and Garth's investigation. To make things worse, Countess Marya Zaleska (Gloria Holden) arrives and her seductive charms will prove too strong for Garth to resist them.
Unlike "Frankenstein", where there was still material in the source novel to build up a sequel; in "Dracula"'s case things get complicated, as the monster is effectively killed at the end. However, Garret Fort builds up an original story of mystery, horror and even nods to screwball comedy. "Dracula's Daughter"'s themes of betrayal, deception, and the quest for redemption are dark indeed, but Fort manages to add some light-hearted moments that break the suspense in an appropriate manner. Another highlight is that the vampire's sex appeal is enhanced and explored even further than posterior sequels of the now-franchise.
Director Lambert Hillyer had a big experience directing many low-budget films, ranging from westerns to crime dramas, so he was used to work with similar budget constrains. The movie's strength is in its story, and Hillyer knew it, so he keeps a simple yet very effective style that, while nothing too impressive, manages to create the perfect atmosphere for the plot. With nothing more than his well assembled cast and Fort's excellent screenplay, he conceives a film that maybe won't be remembered as influential, but will surely tell its story properly and deliver what it promises.
The cast is vital in this film, as their job is what sets apart the film from other Universal sequels. Otto Kruger is a very good lead actor, with nice looks and an ease for this kind of characters. He has great chemistry with both Gloria Holden and Marguerite Churchill and his performance is one of the film's highlights. Holden portrays the seductive Countess with power and grace in a complicated role as her character is at the same time dominated by a strong sex appeal and a sad and tragic fate. Churchill is superb in her comedy role, and more than mere comic relief, she adds the touch of screwball comedy to the film, giving her energy and charm. And finally, Edward Van Sloan returns as the experienced Van Helsing, and while his role here is more as a spiritual guide to Kruger, he gives another fine performance.
The film's main weakness is without a doubt its low-budget, that not only forced the choice of Hillyer as a director, but it also made it have less production values than other sequels. In a way, this may had been of help, as Hillyer's style bends together perfectly with low-budget projects and also gave the film a look closer to crime melodrama, which was rising in popularity at the time. Sure, Bela Lugosi is definitely missed, but "Dracula's Daughter" makes up for his absence with a witty (and bold for its time) screenplay and a well-assembled cast.
Time has left this film unappreciated, but there is a lot in there to praise, and while nowhere near the best of the Classic Universal Horror films, "Dracula's Daughter" is better than many of the films of its time, and an essential viewing for any fan of Gothic horror. 7/10
This movie literally starts off were "Dracula" finished. Since it is a sequel you would expect only more of the same old routine but "Dracula's Daughter" is surprising original and good on its own. This ain't your average bloodsucking vampire movie.
Thing that was best about this movie is that they came up with a quite original and solid story that goes deep enough and features some strong and interesting characters. It's not like they wanted to surpass the original "Dracula" movie or became too dependent on the events that occurred in that movie. Instead they just tried to be original and create a new and different kind of vampire movie.
Only returning character is professor Von Helsing (why did they ever changed his name?) played by yet again Edward Van Sloan. Van Sloan truly was a fantastic actor, I already loved him in "Dracula" and in this movie he reprises his role with just as much flair. Another actor that impressed me was Irving Pichel as the creepy looking Sandor.
It's definitely a movie worth watching. It never becomes scary, mysterious or tense really but the story and acting are what makes this movie a very solid one.
8/10
http://bobafett1138.blogspot.com/
Thing that was best about this movie is that they came up with a quite original and solid story that goes deep enough and features some strong and interesting characters. It's not like they wanted to surpass the original "Dracula" movie or became too dependent on the events that occurred in that movie. Instead they just tried to be original and create a new and different kind of vampire movie.
Only returning character is professor Von Helsing (why did they ever changed his name?) played by yet again Edward Van Sloan. Van Sloan truly was a fantastic actor, I already loved him in "Dracula" and in this movie he reprises his role with just as much flair. Another actor that impressed me was Irving Pichel as the creepy looking Sandor.
It's definitely a movie worth watching. It never becomes scary, mysterious or tense really but the story and acting are what makes this movie a very solid one.
8/10
http://bobafett1138.blogspot.com/
Did you know
- TriviaOriginally, Universal wanted to make a sequel based on Bram Stoker's short story 'Dracula's Guest' and negotiated with Stoker's widow Florence. During the talks between the two, it was discovered that Bram Stoker had not complied with one requirement of the U.S Copyright office with his novel 'Dracula', which rendered it public domain in the United States. Because Florence wanted more creative control over the sequel, and Bela Lugosi wanted more money to reprise the role of Count Dracula, Universal instead hired John L. Balderston to write a new story.
- GoofsAlthough the film takes place mostly in London, telephones consistently ring one ring at a time, whereas British phones have always used a double ring.
- Quotes
Lady Esme Hammond: Sherry, Marya?
Countess Marya Zaleska: Thank you, I never drink... wine.
- ConnectionsFeatured in Shock Theater: Dracula's Daughter (1959)
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- La hija de Drácula
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 11 minutes
- Color
- Aspect ratio
- 1.37 : 1
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