A Thrill for Thelma

An MGM CRIME DOES NOT PAY Short Subject.

Living in the luxury provided by robbing parked motorists provides A THRILL FOR THELMA--until the Law starts to close in...

This was the fourth entrant in MGM's series illustrating the futility of crime. Some of the acting is reasonably good and the production values are competent, making the brief film an enjoyable time filler. All of the players are unbilled--William Tannen appears as the MGM Reporter; sturdy Robert Warwick plays the police captain; and Irene Hervey is the luckless Thelma. A fine bit of acting is provided by Robert Livingston as Thelma's violent lover.

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Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.

It's MGM Crime Does Not Pay Series #4. Thelma starts out with all the promise in the world but ends up as one of the woman inmates in the opening scene. She wanted to enjoy herself and becomes entangled by her husband Steve Black. He pulls her further and further into his crimes.

A lot of these Crime Don't Pay shorts are a little silly but this one is actually a good cautionary tale. Most women in prison are there due to their partners' crimes. That doesn't make this good cinema but most of these aren't.

An early entry (No. 4) in the MGM series "Crime Does Not Pay".

Irene Hervey ( who was a lovely leading lady in many MGM films) played Thelma - a girl who yearns for excitement and unfortunately finds it.

Robert Livingston had appeared in a few early musicals but found success as a Western star in the series "The Three Mesquiteers". He plays Steve who is an evil influence on the innocent Thelma.

After initially wanting to go to the police (after their first robbery, they run a car off the road and the driver is killed) - she soon learns to live for thrills.

A lot of the short involves how the police captured this "Bonnie and Clyde" duo - after all "Crime Does Not Pay". The two stars went on to bigger and better things.

As we learn in the fourth episode of MGM's long-running series, crime may not pay, but it's fun while it lasts. Red-headed Irene Hervey wants everything while she's young, so she and her husband, Robert Livingstone, take up heading over to lover's lane and robbing canoodling couples. She has second thoughts, of course, when their first robbery winds up killing someone, but eventually she decides there's a downside to everything, and it can be fun and games even after someone gets hurt. Besides, it's all Livingstone's fault for talking her into it.

Anyway, that's the story she tells to police captain Robert Warwick -- you may remember that he was Raffles The Amateur Cracksman about twenty years earlier, cricketer by day but jewel thief by night, so I have my doubts, especially with MGM Crime Reporter popping up from behind a desk to remind us that CRIME DOES NOT PAY. So don't do that, and don't go 'round breaking ladies' tambourines.

Thrill for Thelma, A (1935)

*** (out of 4)

Fourth entry in MGM's "Crime Does Not Pay" series has Thelma (Irene Hervey) graduating high school and hoping for a thrilling life, which she gets when she meets a man (Robert Livingston) who just happens to be a criminal. Soon the two are running a scheme of robbing people who have pulled their cars over to do various things when the duo sneak up on them and take whatever they have. Everything is going good for Thelma and her boyfriend but soon the cops have a plan. This certainly isn't the best film in the series but there are enough interesting scenes to make it worth viewing. I think the best thing this film has going for it is the performance from Hervey who would go onto have a pretty good career. She's certainly very believable in the part and I thought she came off very natural in her scenes whether they were her freaking out over what's going on or her enjoying all the money it's bringing. Livingston is also very good and gets a scene which seemed to have been influenced by some films of Bela Lugosi as we get a close up of his menacing eyes. The story itself is probably the weakest thing here as there really aren't any surprises as everything that happens is so easy to see coming that no one will be fooled.