An insurance agent falls for a client's daughter after writing a policy guaranteeing her single status.An insurance agent falls for a client's daughter after writing a policy guaranteeing her single status.An insurance agent falls for a client's daughter after writing a policy guaranteeing her single status.
George Meeker
- Undetermined Role
- (scenes deleted)
Joan Barclay
- Hat check girl
- (uncredited)
Brooks Benedict
- Man with Doc at Foyot's Bar
- (uncredited)
Featured reviews
Don't Bet on Blondes (1935)
** (out of 4)
Robert Florey (Murders in the Rue Morgue) directed this comedy about a bookie (Warren William) who decides to go straight by becoming an insurance man who sells claims to freaks. William is good as usual and there's a young Errol Flynn in his second role but director Florey does very little with the material and things get really dry before we even hit the 30-minute mark. There are very few laughs to be found and all the romantic side story are pretty boring and don't lead to any real excitement.
** (out of 4)
Robert Florey (Murders in the Rue Morgue) directed this comedy about a bookie (Warren William) who decides to go straight by becoming an insurance man who sells claims to freaks. William is good as usual and there's a young Errol Flynn in his second role but director Florey does very little with the material and things get really dry before we even hit the 30-minute mark. There are very few laughs to be found and all the romantic side story are pretty boring and don't lead to any real excitement.
"Don't Bet on Blondes" is a short Warners comedy from 1935 starring Warren William, Claire Dodd, Guy Kibbee, William Gargan, and Errol Flynn in an early appearance.
William is a bookie who decides to go legitimate and become an insurance man, but a special kind of one. He's going to take high risk cases, and some of them are real doozies: whether a man will have twins, whether someone will lose her voice, etc.
One case concerns a southern man (Kibbee) who is supported by his daughter. He's writing a book proving that the south won the Civil War and he doesn't want his daughter to marry before he finishes it. It's a high risk because she's a gorgeous showgirl (Dodd) and she's practically engaged already.
William steps in as a distraction. You can guess the rest.
Warren William was all but forgotten before TCM; now he's very familiar to viewers and there's a new appreciation for his work. In silents, he played dark, villainous characters; in sound he could be a con man, a detective, or Perry Mason.
William had a wheezing laugh and his line readings often indicated wonderful humor. It's interesting that this type of leading man -- the Barrymore-type profile, the mustache -- went out of style.
This is a fast film, briskly directed, and enjoyable.
William is a bookie who decides to go legitimate and become an insurance man, but a special kind of one. He's going to take high risk cases, and some of them are real doozies: whether a man will have twins, whether someone will lose her voice, etc.
One case concerns a southern man (Kibbee) who is supported by his daughter. He's writing a book proving that the south won the Civil War and he doesn't want his daughter to marry before he finishes it. It's a high risk because she's a gorgeous showgirl (Dodd) and she's practically engaged already.
William steps in as a distraction. You can guess the rest.
Warren William was all but forgotten before TCM; now he's very familiar to viewers and there's a new appreciation for his work. In silents, he played dark, villainous characters; in sound he could be a con man, a detective, or Perry Mason.
William had a wheezing laugh and his line readings often indicated wonderful humor. It's interesting that this type of leading man -- the Barrymore-type profile, the mustache -- went out of style.
This is a fast film, briskly directed, and enjoyable.
Not quite a Damon Runyon type jest, there is that element among the colorful characters. "Odds" Owen (William) morphs from ordinary bookie into insurance adventurer who'll underwrite any thing if the odds are right. So he insures Col. Youngblood for fifty-g's that his daughter (Dodd) and sole support won't marry for at least three years. Good thing Owen's got a crew of roughnecks to discourage potential suitors. Trouble is he sort of likes the fetching daughter himself.
William handles the central role in a compellingly good-natured fashion. Perhaps the programmer's most engaging part is the premise. That Owen will insure most anything if the odds are favorable leads him to insure things like a father not having twins, and a weary woman having a hog-calling voice for contests. The latter is a real room wrecking hoot. I don't suppose Owens' underwriting is illegal even though standard insurers won't take up the novel risks. Still, I doubt that using thuggish "persuaders" appears in the underwriter's handbook.
Overall, it's typical WB 30's fare— fast moving with colorful characters and well-upholstered women. Otherwise, it's an early Errol Flynn walk-on as a luckless suitor, but little more than an entertaining 60- minute time-passer. Still that's usually enough.
William handles the central role in a compellingly good-natured fashion. Perhaps the programmer's most engaging part is the premise. That Owen will insure most anything if the odds are favorable leads him to insure things like a father not having twins, and a weary woman having a hog-calling voice for contests. The latter is a real room wrecking hoot. I don't suppose Owens' underwriting is illegal even though standard insurers won't take up the novel risks. Still, I doubt that using thuggish "persuaders" appears in the underwriter's handbook.
Overall, it's typical WB 30's fare— fast moving with colorful characters and well-upholstered women. Otherwise, it's an early Errol Flynn walk-on as a luckless suitor, but little more than an entertaining 60- minute time-passer. Still that's usually enough.
has bookie William going legit and becoming a high-risk insurer a la Lloyds of London. He and his gang insure all sorts of hair-brained things, such as whether a man (Hobart Cavanaugh) will have twins, whether a husband-caller (Maude Eburne) will lose her voice, etc. But William gets involved in another scheme involving the marriage of a showgirl (Claire Dodd) and the nutty book her father (Guy Kibbee) wants to write. Warners comedy has the usual snappy dialog and the underrated and sadly forgotten Warren William takes great advantage of every line. He had a wonderful, leering kind of comic delivery that made him one of a kind. Mary Treen, Vince Barnet, Herman Bing and, Erool Flynn, in his first substantial part in an American movie, help make this one fun.
The fact that this was the last film Errol Flynn made before he became a mega-star is reason enough to watch this movie. Just after completing "Don't Bet on Blondes", he starred in "Captain Blood"-- one of the biggest hits he ever made and which led to one of the fasted rises to stardom in Hollywood history.
Apart from the Flynn angle (and he's only a relatively minor character), the film is still worth seeing--though I'll admit that the plot is incredibly weird and just plain wacky! Warren William stars as 'Odds' Owen, a professional gambler and bookmaker. However, he's tired of taking bets on horse races...especially since races can and are rigged. So he decides to try something similar but a surer thing...insurance! He plans on insuring bizarro things much like Lloyds of London was famous for at the time (such as insuring that actor Ben Turpin's eyes remain crossed)...especially since the odds of ever having to pay off are slim.
One of the crazy policies he takes is NOT one that is so easy...and Odds shouldn't take it but he did. A goofball author (Guy Kibbee) announces he wants a policy AGAINST his daughter marrying during the next three years! But to make sure that Odds doesn't have to pay off, he sets out to interfere with the young lady's love life! In one case, a poor sap (Flynn) is set-up to make it appear as if he's some sort of gangster and eventually Odds decides the best thing to do is just date her himself! What's next? See the film.
Why does this silly plot manage to work? Warren William! He was a wonderful actor and although mostly forgotten today, he was wonderful and often made ordinary films amazing films. While he's not the sleazy jerk he often played so well in earlier films due to the new Production Code, he IS enjoyable to watch...and is still a bit of a jerk...and he played jerks so very well.
Apart from the Flynn angle (and he's only a relatively minor character), the film is still worth seeing--though I'll admit that the plot is incredibly weird and just plain wacky! Warren William stars as 'Odds' Owen, a professional gambler and bookmaker. However, he's tired of taking bets on horse races...especially since races can and are rigged. So he decides to try something similar but a surer thing...insurance! He plans on insuring bizarro things much like Lloyds of London was famous for at the time (such as insuring that actor Ben Turpin's eyes remain crossed)...especially since the odds of ever having to pay off are slim.
One of the crazy policies he takes is NOT one that is so easy...and Odds shouldn't take it but he did. A goofball author (Guy Kibbee) announces he wants a policy AGAINST his daughter marrying during the next three years! But to make sure that Odds doesn't have to pay off, he sets out to interfere with the young lady's love life! In one case, a poor sap (Flynn) is set-up to make it appear as if he's some sort of gangster and eventually Odds decides the best thing to do is just date her himself! What's next? See the film.
Why does this silly plot manage to work? Warren William! He was a wonderful actor and although mostly forgotten today, he was wonderful and often made ordinary films amazing films. While he's not the sleazy jerk he often played so well in earlier films due to the new Production Code, he IS enjoyable to watch...and is still a bit of a jerk...and he played jerks so very well.
Did you know
- TriviaIn preparation for their book, "The Films of Errol Flynn," authors Clifford McCarthy, Rudy Behlmer, and Tony Thomas arranged for a screening of Don't Bet on Blondes (1935) at Warners. However, the studio's nitrate print was in such bad shape that Warner decided to destroy the print because of its deteriorating, highly flammable state.
- GoofsWhen Youngblood is chatting with Markham, his mint julep jumps from his left hand to his right and then back again.
- Quotes
Col. Jefferson Davis Youngblood: Your charm excuses your accidental Northern birth.
- ConnectionsFeatured in Captain Blood: A Swashbuckler Is Born (2005)
- SoundtracksSweet Georgia Brown
(1925) (uncredited)
Music by Maceo Pinkard and Ben Bernie
Played on a record in Youngblood's home
- How long is Don't Bet on Blondes?Powered by Alexa
Details
- Runtime59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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