Young Jim Hawkins is torn between his loyalty to his benefactors and his affection for lovable rogue Long John Silver in their struggle to recover a buried pirate treasure.Young Jim Hawkins is torn between his loyalty to his benefactors and his affection for lovable rogue Long John Silver in their struggle to recover a buried pirate treasure.Young Jim Hawkins is torn between his loyalty to his benefactors and his affection for lovable rogue Long John Silver in their struggle to recover a buried pirate treasure.
- Awards
- 4 wins total
- Pirate of the Spanish Main
- (as Douglas Dumbrille)
Featured reviews
Robert Louis Stevenson's wonderful 1883 tale of devious deeds, derring-do & hidden doubloons is given a first rate production by MGM in this swaggering, boisterous film. Although many of the lead actors are American and make no pretense of hiding their Yankee accents, this in no way hinders the enjoyment or appreciation of the film's many qualities. The story has been necessarily streamlined a bit, but the excisions are judicious and the robust flavour of the original novel remains.
Bulbous & bulgy, with a gimlet eye & a baby's grin, Wallace Beery makes a unique Long John Silver. As willful as an infant and as ruthless as a Mafia don, he completely manages to steal every scene he's in. Acting as innocent as any cherub, he gleefully commits murderous mayhem at every turn, while hobbling about on his crutch in feverish pursuit of Flint's buried treasure. Beery had the rare - and enviable - ability to take a wretched sinner like Silver and transform him into a lovable old rogue. He makes this role his own and is unforgettable in it.
OUR GANG star Jackie Cooper makes a sturdy Jim Hawkins. His screen chemistry with Beery, so important to the plot, is still as good as it was previously in THE CHAMP (1931). Cooper was a talented child actor and could easily go from excited high jinks to blubbery tears with ease. Here, he gets to personify every lad's dreams of fabulous exploits & personal glory.
A trio of accomplished performers portray young Cooper's three friends: Otto Kruger as noble Doctor Livesey; Nigel Bruce as blustery, big-hearted Squire Trelawney; and Lewis Stone as sternly courageous Captain Smollett. All three acquit themselves very well.
Consummate character actor Lionel Barrymore adds another portrait to his gallery - that of the bullying, rumsoaked Billy Bones, whose possession of the treasure map is the instigation of the film's problems. Although the role is really quite brief, Barrymore makes the most of it, slashing wildly about with his cutlass and singing Fifteen Men On A Dead Man's Chest' with passionate fury. It is a shame the plot gave him no scenes with Beery - they would have been memorable together.
Stevenson's story creates a few small, choice cameo roles which are here delightfully delineated - Charles McNaughton as the scurvy Black Dog; William V. Mong as the fearsome Blind Pew; and a terrific Charles Chic' Sale as canny old Ben Gunn, all jerks and fidgets and ridden with fleas. Dorothy Peterson, a fine actress, plays Mrs. Hawkins.
The seafaring scenes on board the Hispaniola, filmed along the coast of California, are particularly well produced.
What might be over looked often is that part of the reason this is so so good is that it is well based on the Robert Lewis Stevenson novel. The rest goes to the most often overlooked Direction of Victor Fleming.
Fleming proves in this early film that his work in the films Wizard of Oz & Gone With The Wind is no accident (some critics have called him an erratic Director for hire). He does a great job directing this cast & this story. Some of the sequences show how good a director Fleming really is.
After seeing this film recently, I am now convinced that Victor is a much better director than his detractors give him credit for. While this film does not have all the whiz bang special effects that newer pirate films have created, the great acting & directing more than makes up for that.
Add to that the amazing fact that this film brings in so much good stuff that it only needs 101 minutes to cover a major novel is enough to make you wonder if some of the new longer films about pirates just aren't very efficient in telling their tales.
For a scene stealing actor like Wallace Beery playing Long John Silver is no stretch at all. He dominates this version over the entire cast and as he's in most of the scenes after Lionel Barrymore as Captain Billy Bones dies and leaves his map to that intrepid band of treasure hunters. Barrymore gets his innings in as well as the bloodthirsty pirate captain who double-crossed his crew and had the presence of mind to die in Dorothy Peterson and Jackie Cooper's inn.
It's a real toss up between who is loudest, biggest eyerolling, larger than life Silver, be it Wallace Beery or Robert Newton in the later version done by Walt Disney. Both these men were remarkably similar in acting styles. But Beery was a cheap soul who had few friends in Hollywood and Newton was the life of that alcoholic party that was his life. I wouldn't want to choose which was better.
Beery and Cooper had their act down pat from The Champ. It's always a source of amazement to me how Cooper couldn't stand Beery and Beery among his dislikes was children in general. Yet you'd never know it seeing them together as Jim Hawkins and Long John Silver.
Otto Kruger as Dr. Livesey, Nigel Bruce as Squire Trelawney, and Lewis Stone as Captain Smollett are perfectly cast in their roles. But they really have trouble keeping up with Beery.
MGM gave the film the usual high gloss production values and Treasure Island is one of those films that always seems to be so right for screen that few variations are ever made on the book. A great tribute to the visual quality of Stevenson's writing.
And you can enjoy this and the Disney version for generations to come.
Did you know
- TriviaJackie Cooper did not like his performance, writing in his autobiography that he felt an older English boy should have played Jim Hawkins.
- GoofsWhen Dr. Livesey's coach knocks down Blind Pew, he lies lengthways as the horses go over then but is then seen widthwise as the coach passes over him.
- Quotes
Long John Silver: Silver's the name, Long John Silver they calls me. At your service, sir.
Squire Trelawney: Mr. Silver, Trelawney's my name, Squire Trelawney. And this is our cabin boy: Jim, Jim Hawkins.
Long John Silver: Aye, Matey. Smart as paint I'll warrant.
Jim Hawkins: Smart enough to see you've only one leg, sir.
Squire Trelawney: Jim Boy!
Jim Hawkins: Yes, sir.
Long John Silver: You're pretty smart, Jim. So was that French gunner who touched off the ball that blew that ol' leg o' mine overboard.
- Alternate versionsAlso available in a colorized version.
- ConnectionsFeatured in MGM: When the Lion Roars (1992)
- SoundtracksYo Ho Ho and a Bottle of Rum
(uncredited)
Traditional
Played and sung by an offscreen chorus during the opening credits
Reprised a cappella at the inn by Lionel Barrymore and the guests
Reprised a cappella by Jackie Cooper twice
Variations played as background music often
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Details
- Release date
- Country of origin
- Language
- Also known as
- Treasure Island
- Filming locations
- Emerald Bay, Santa Catalina Island, Channel Islands, California, USA(principal shooting location)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,537,520
- Gross worldwide
- $4,957,320
- Runtime1 hour 50 minutes
- Color
- Aspect ratio
- 1.37 : 1