By Your Leave

In 1934 Frank Morgan who had played conventional if slightly older leading men for the most part got a role that changed his entire career. He played the befuddled Duke Of Florence in The Affairs Of Cellini and got an Oscar nomination for Best Actor. After that for the rest of his career he played mostly variations on what he did in The Affairs Of Cellini. Roles such as in By Your Leave.

Which was a flop play on Broadway that starred Howard Lindsay and Dorothy Gish, but in the days of the big studios they bought even flop plays and turned them into decent entertaining films such as was done here. Morgan and Genevieve Tobin play the parts that Lindsay and Gish did on stage of a respectable married couple who feel their in a rut. The answer is to take separate vacations from each other and see what develops.

Both are tested him by vivacious Marian Nixon, her by explorer Neil Hamilton both are glamorous figures to them. But as this was the days of the new Code you know what the answer would be.

Gene Lockhart made his film debut here as a companion in revelry that Morgan picks up along the way. You'll also see young Betty Grable in a small part. Best of all is Margaret Hamilton as Morgan and Tobin's maid. The future wicked witch acts like a Dutch aunt to the future Wizard of Oz.

By Your Leave is a pleasant entertaining film and one that fans of Frank Morgan should not miss.

Mid-life crisis movie about a guy (Frank Morgan) who proposes the idea to his wife (Genevieve Tobin) that they take separate "no questions asked" vacations. Subject matter could have lent itself to one of those melodramatic weepers from the period but it all stays fairly light. The plot is contrived and not ever as interesting as it sounds on paper. Morgan's stammering performance wears thin pretty fast. Genevieve Tobin plays the wife and looks quite a bit younger than Morgan. They were nine years apart in real life. She was a lovely actress whose face reminds me a little of Joan Blondell. Neil Hamilton (always Commissioner Gordon to me) plays the guy Tobin becomes interested in. Worth a gander for a very young and very adorable Betty Grable. She's almost unrecognizable and had I not been tipped off by another review pointing her out, I doubt I would have realized it was her.

If you took Bob Newhart's stammering, befuddled style and turned it up to 10, you'd have Frank Morgan. I guess some find it a bit grating, but I've always found it endearing. Morgan stars in this familiar story of a man in the throes of a midlife crises.

Margaret Hamilton has a small role in this as well, and while this film did not go on to distinction, a few years later Morgan and Hamilton would forever be remembered as the Wizard and Wicked Witch in The Wizard of Oz. No flying monkeys here though, and nothing to really make this movie stand out. The whole thing pretty much centers on Morgan, and if you like him, you'll find this a pleasant enough way to pass 80 minutes.

Look fast for some early Betty Grable. She only gets about two minutes of screen time. There are a number of other familiar faces for fans of movies from the 1930's.

One of the pleasures of my movie-going life is to watch FRANK MORGAN in just about anything. His well established mannerisms gave many an MGM film a lift, particularly in the '30s and '40s, but here he's doing a job for RKO under Pandro S. Berman's auspices and his lovable presence is somewhat ill served by a less than original script.

But even a mild programmer like this has some compensations. MARGARET HAMILTON plays a nosy maid influenced by astrology and a platinum-haired BETTY GRABLE makes a brief appearance in one of her early starlet roles. But the story revolves around the "seven year itch" aspect of Frank Morgan's marriage and his own inability to accept the fact that he's middle-aged. GENEVIEVE TOBIN makes no particular impression as his understanding wife who reluctantly accepts the idea that they take a vacation from marriage. NEIL HAMILTON has virtually little to do as her romantic interest.

It's Morgan's restless, blustery performance that carries the film, but there's not much plot to carry. Based on a play, it's a theme better handled years later in THE SEVEN YEAR ITCH.