The Big Shakedown

Although this is typical of the low-budget quickies that Warners churned out like hotcakes in the Thirties it offers Bette Davis in her most youthfully appealing "down-to-earth platinum blonde girl" phase. You can find the same character in THREE ON A MATCH, THE GIRL FROM 10TH AVENUE, THE PETRIFIED FOREST and others. She exudes an innocent but intelligent, unaffected femininity that seems to have evaporated by the time she hit her stride with JEZEBEL, so it's good that this phase of her career is preserved - if only to track her evolution as an actress. Note the energy and vitality she injects (perhaps effortlessly) into a supporting role as the girlfriend-wife, stealing every scene she's in - without relying on conventional beauty. It's kind of fun also to see how the scenarists managed to leap from one implausible, contrived plot development to the next - but that's a secondary matter because most of these films were beyond belief. The point was to make a moral point, not to be narratively convincing. The point here being: evil gangsters, beware of the authorities because they'll get you!

Charles Farrell, a great silent screen star, appears with Bette Davis and Ricardo Cortez in "The Big Shakedown," a 1934 film featuring Allen Jenkins and Glenda Farrell.

Farrell and Davis are Jimmy and Norma, a boyfriend-girlfriend who marry later in the film. They run a corner drugstore. Cortez is a post- Prohibition gangster, Dutch Baines, looking for a new racket. Patronizing the store one day, he realizes that Jimmy can make his own products, which are identical to ones on the market. However, he isn't selling them claiming that they are the commercial brands; he makes them so he can sell a house brand for less.

Of course, Dutch sees that if these products are sold under the commercial names, he can use their publicity and brand reputation to make a fortune. He talks Jimmy into making toothpaste and beauty products because Jimmy needs money. He's reluctant to do it and planning to quit when Dutch decides to go into medicine and have Jimmy make drugs. Jimmy flatly refuses; Dutch makes noise about Norma's safety, and Jimmy caves.

This is a typical crime film interesting because of the cast. Davis' role is an ordinary ingénue one that could have been played by anyone. She was still getting a build-up and hadn't yet become a star with a special image. She's blond and pretty. Glenda Farrell has the role of Dutch's girlfriend, whom he throws over. Farrell, with her distinctive speaking voice and likable personality always stands out. Cortez does well playing the tough, uncompromising Baines.

Charles Farrell, whom I used to see as an elderly man (your fifties were considered like the seventies back then) when My Little Margie was in syndication, was good-looking and popular in his day. He had a gentleness about him and also an earnestness which he displays here. He retired in 1941 to become a land developer, but returned for Margie, which was followed by his own show. Then he retired again.

Cortez's career as a leading man was just about over. Though he continued working until he retired, he also became a successful broker on Wall Street.

Of interest, the actor who played the young Jewish boy who buys ice cream (a cone was six cents), Sidney Miller, went on to become a director and composer, and actually revamped the Mickey Mouse Club for Walt Disney beginning in its second season.

Amazing that Bette Davis was the only one to stay full-time in acting.

Back in the days when stardom meant signing a seven-year contract, Bette Davis didn't have much choice but to play the wife of a struggling pharmacist, who gets mixed up with the mob, in this mellerdrama. Hubby Charles Farrell is conscripted by gangster Ricardo Cortez to make counterfeit products like tooth paste and face powder. But when Cortez demands cheap knock-offs of high-priced medication, lives are in danger...Bette's included. She plays the ingénue role surprisingly well without the tics and mannerisms which would mark (and sometimes mar) her later career. Tall, handsome Charles Farrell, on the other hand, couldn't act. To say that he had two expressions is putting it generously. Fortunately, Cortez as the suave hood behind the counterfeiting scheme takes up the slack and Glenda Farrell drops seductively by as a gun moll who knows too much. A pretty entertaining B movie made moreso by the youthful Bette Davis.

B-movie without an original thought in its script. Naive protagonist used by some crooked hood. Check. Pretty ingénue who stands steadfastly by her man while hoping for domesticity. Check again. Wised up, gum chewing doll who gets double crossed, turns informant and pays a price. You bet. And on and on it goes. You can practically see the conventions of the genre click by as the picture unfolds.

It's not that the movie isn't entertaining if you like the formula but it holds zero surprises. The actors all do their jobs professionally. Charles Farrell, one of the better looking men to ever appear on screen, is earnest and callow in the lead but not very memorable. Ricardo Cortez, Allen Jenkins and many other familiar character actors whose livelihood during these years was playing hoods fill their roles expertly but again their roles are standard stuff. Also nobody could play the flashy moll like Glenda Farrell.

The only thing that makes this different than the hundreds of other programmers churned out by Hollywood during the thirties is the presence of a very young Bette Davis as the ingénue. She looks great in her extreme blondness and exudes her customary confidence on screen but her part is a nothing. It's no wonder she ultimately rebelled against Warners since they continued to stick her in junk like this even after she had attained star billing and an Oscar.

Jimmy Morrell (Charles Farrell) and Norma Nelson (Bette Davis) run a local pharmacy. They are getting married and she wants to do bigger business. Meanwhile, gangster Dutch Barnes (Ricardo Cortez) is pushing his brand of beer, but it's been tough going since prohibition ended. Instead, he gets into counterfeiting products with the druggist couple.

This needs a more charismatic gangster to lead. Instead, the big future star is Bette Davis and she doesn't have the flashy central role. This ends up as a passable crime B-movie. That is fine but it's nothing special. It can't elevate beyond its level.