A district attorney and a reporter try to find the killer of a D.A. who uncovered a massive stock fraud.A district attorney and a reporter try to find the killer of a D.A. who uncovered a massive stock fraud.A district attorney and a reporter try to find the killer of a D.A. who uncovered a massive stock fraud.
Louis Calhern
- Christopher Bruno
- (as Louis Calhearn)
Inez Courtney
- Susan Bibens - Telephone Operator
- (uncredited)
Oliver Cross
- Nightclub Patron
- (uncredited)
Max Davidson
- Abe Cohen - Tailor
- (uncredited)
Chester Gan
- Alpha Delta - Houston's Servant
- (uncredited)
Joseph W. Girard
- Nichols
- (uncredited)
Harrison Greene
- Al - the Bartender
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Not really sure what to say about this one, aside from I didn't like it much. The actors were all fine, there were a few laughs here and there. The ending wasn't too bad, but I suppose after the mess of a plot that came before it, that's not a huge feat. Half the time you have no idea what's going on, and by the time you might have a clue, you don't care anymore. This plods along at a pace most snails would be ashamed of, and I found myself fighting to stay awake the whole time. Don't get me wrong, I don't mind a slow-paced movie, so long as it keeps your attention. This doesn't. Overall, is this a good movie? No, not really. Could it cure insomnia? I wouldn't be surprised.
3.5/10
3.5/10
A fast paced action drama featuring Pat O'Brian as a hard drinking, woman chasing reporter who is on a first name basis with everyone from the District Attorney to mob chiefs and down to hit men on the street. The story opens with a corporate bigwig contracting with the local mob chief (Louis Calhern) to have the District Attorney killed. The newly appointed District Attorney, who happens to be engaged to one of the corporate bigwigs' daughter, and, is, of course a friend of Pat O'Brian. From here it is a race to expose the wicked corporation, in a sort of 1933 Enron scandal, and to keep the new District Attorney alive.
Remembering that this is a 1933 film, it is years ahead of itself in technology, film noir effects, and settings. Everyone dresses for dinner. Even our fearless reporter has a manservant to whom he gives the night off to allow the plot to thicken unfettered at his Art Deco apartment. One scene has bullet identification, which I thought didn't come into being for another 50 years; however here, performed by our reporter hero, rather than the police.
This dated movie holds up to today's standards, and could have even been a basis for the film Chinatown. The corporate leaders get their rewards, the new District Attorney gets the girl, and Pat O'Brian gets another phone number or two for his private file.
I would rate this movie 5 ½ on a scale of 10.
Remembering that this is a 1933 film, it is years ahead of itself in technology, film noir effects, and settings. Everyone dresses for dinner. Even our fearless reporter has a manservant to whom he gives the night off to allow the plot to thicken unfettered at his Art Deco apartment. One scene has bullet identification, which I thought didn't come into being for another 50 years; however here, performed by our reporter hero, rather than the police.
This dated movie holds up to today's standards, and could have even been a basis for the film Chinatown. The corporate leaders get their rewards, the new District Attorney gets the girl, and Pat O'Brian gets another phone number or two for his private file.
I would rate this movie 5 ½ on a scale of 10.
Apart from some occasionally stiff acting by the leads, plus the usual enthusiastic reporter portrayal, this time by Pat O'Brien, this is a pretty terse and believable tale of Your Wrongs Will Eventually Find You Out. The overall technology was poor of course, but ignorable. Some cogent scripting was going off here, much too detailed to go into - take my word for it! However, Neil Hamilton as the D.A. says that if he could he would line up against a wall all crooked businessmen and shoot them ... if caught a fair trial was obviously guaranteed then.
Best bit: The two minute scene in the dark where Pat O'Brien and Evelyn Brent are lying on a bed both pretending to be drunk and playful for their own reasons. Your mind can run riot listening to them goofing around as shadows!
Out of dozens of similar early 30's films in this vein I've seen, TWGM must come near the top.
Best bit: The two minute scene in the dark where Pat O'Brien and Evelyn Brent are lying on a bed both pretending to be drunk and playful for their own reasons. Your mind can run riot listening to them goofing around as shadows!
Out of dozens of similar early 30's films in this vein I've seen, TWGM must come near the top.
I got this as part of a collection of horror movies. I can't for the life of me figure out how it even remotely fits in the package. This is a pretty good drama about the results of corruption, much like the Enron scandal, where a group of businessmen steal from the company, and invest in stocks, hoping ot raise even more. It backfires, of course, and a series of people need to be shut up for them to stay anonymous. The first district attorney is killed and then implicated in a scandal. The new, young attorney, swears to get to the bottom of it, putting himself and others in danger. It all plays out quite nicely. It's a nicely done film with pretty strong performances, especially for its time.
Before signing with Warner Brothers and after getting his big break with his screen debut in The Front Page, Pat O'Brien appeared in a variety of films of varying quality for different studios. This one is for poverty row Majestic Pictures and for a poverty row film it boasts an impressive cast. But I can safely say that everyone here has done better work in their career. Mind you this is a cast that includes Evelyn Brent, Mary Brian, Neil Hamilton, Louis Calhern and J. Carrol Naish.
District Attorney Wallis Clark who is investigating a crooked stock scheme is set up in a love nest by Evelyn Brent and murdered by trigger man Naish. O'Brien is a crime reporter with all kinds of friends in low places and Hamilton is Clark's upright assistant who succeeds him. But both had a high regard for Clark and both want justice for his daughter Mary Brian and both kind of like her.
Turns out some of O'Brien's low place friends are indeed responsible. But they work for some blue chip Wall Street crooks. In 1933 blue chip Wall Street crooks were very popular villains.
The World Gone Mad should have been a better film. Except for the end which has a great climax where the blue chip crooks get their's, this is a sluggish film. Again at a major studio this would have been a better film.
District Attorney Wallis Clark who is investigating a crooked stock scheme is set up in a love nest by Evelyn Brent and murdered by trigger man Naish. O'Brien is a crime reporter with all kinds of friends in low places and Hamilton is Clark's upright assistant who succeeds him. But both had a high regard for Clark and both want justice for his daughter Mary Brian and both kind of like her.
Turns out some of O'Brien's low place friends are indeed responsible. But they work for some blue chip Wall Street crooks. In 1933 blue chip Wall Street crooks were very popular villains.
The World Gone Mad should have been a better film. Except for the end which has a great climax where the blue chip crooks get their's, this is a sluggish film. Again at a major studio this would have been a better film.
Did you know
- TriviaOne scene takes place in from of a theatre where posters for The Vampire Bat (1933) are on display. "The Vampire Bat" was one of Majestic's biggest hits, and remains the most widely seen of its existing films. It had gone into release about three months before the release of this film.
- Quotes
Lionel Houston: The public looks to the law for protection from these leeches who've chiselled and gouged and sweated them out of their hard-earned dollars, and given them nothing but death and misery in return. If I had my way I'd line 'em all up against a wall and shoot 'em. But as long as the law doesn't permit that, I can at least send them away for as long as the law *does* permit.
- ConnectionsReferenced in Cinemassacre's Monster Madness: The Screaming Skull (2010)
Details
- Release date
- Country of origin
- Language
- Also known as
- The Public Be Damned
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.37 : 1
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