Une nuit sur le mont chauve

ever wondered why the BEEP Walt Disney made such a horrific sequence at the end of Fantasia? well, don't hesitate to watch Une Nuit sur le Mont chauve, because everything you thought was scary about that animated Disney sequence will now be altered in a real life short movie. here we see games with the death and corpses and witches more than the devil on the mountain himself. it's quite frightening, to be exact. it surely scared the hell out of me (really). the music and the nonstop animation with puppets go to an extreme corporation together, while they blend in a lot of troubling scout camp teachers and fire woods from the depths of hell. you want to be scared? go watch this short movie, it will change your definition of horror movies completely.

Like the other reviewers, I caught this late at night, sat there stunned and mesmerized, and I've since tried to get my hands on it. It's the kind of thing the motion picture camera was invented for, but to go into detail would be pointless. Find it, somehow, and watch it.

Une nuit sur le mont chauve (1933)

**** (out of 4)

Also known as A NIGHT ON BALD MOUNTAIN, this pinscreen short from Claire Parker and Alexandre Alexeieff is so wonderful and so ground-breaking that their names deserve to be remembered right up there with Walt Disney. If you think that's too much praise then I'm going to guess that you haven't seen this film. It took eighteen months to complete and you can tell that by the images on the screen.

Pinscreen animation is the use of a screen with moveable pins. Just the thought of making animation like this boggles my mind but UNE NUIT SUR LE MONT CHAUVE does a masterful job of it and it's really hard to believe that this here was made in 1933. It's amazing how wonderful the images look and in fact you could argue that they're much better than a lot of what we see today. The earlier portion of the film deals with a lot of dark subjects and it's perfectly put to the music of Mussorgsky. As great as that looks, I was even more impressed with the later part of the film where there are a lot more whites used. Just check out the sequence with the white horse.

Seven years before Disney used Modest Mussorgsky's Night on Bald Mountain in Fantasia, Alexander Alexeieff and Claire Parker used it in this pinscreen animation short, a surreal classic. The theme of the original composition is a witch's sabbath on the Slavic holiday of St. John's Eve, celebrating the birth of John the Baptist six months before Christ. The extraordinary images that fly by in this animation with such vitality are not simple to interpret, but one gets the sense of devilish forces gathering on a wild night, preceding a battle. One also wonders how in the world these artists managed to create this using their pinscreen board (even given 18 months), as there is such variety in the textures and images, some hazy, some three dimensional, all highly artistic. Disturbing, phantasmagoric, and ultimately peaceful, it had me watching it several times, and wondering if I should give it an even higher rating.

Lyrical, dark, exceptionally interesting animated film. Occasionally charmingly inarticulate but some very special images here. Inspiring work from an early woman director. Saw it last night as part of the Unseen Cinema: Early American Avant-Garde Film 1893-1941 series playing here in Austin. See it if you get a chance.