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Constance Cummings and Warren William in The Mind Reader (1933)

News

The Mind Reader

Big Business Girl
What does a working girl have to do to get ahead, when all she has in her favor is an incredible face, a lavish wardrobe, and a pair of legs to make any executive wolf howl? Loretta Young juggles two egotistical swains, while Joan Blondell shines as an enticing all-pro homewrecker.

Big Business Girl

DVD-r

The Warner Archive Collection

1931 / B&W / 1:37 flat Academy / 74 min. / Street Date September 14, 2017 / available through the WBshop / 21.99

Starring: Loretta Young, Frank Albertson, Ricardo Cortez, Joan Blondell, Frank Darien, Dorothy Christy, Oscar Apfel, Judith Barrett, Mickey Bennett, George ‘Gabby’ Hayes, Virginia Sale.

Cinematography: Sol Polito

Film Editor: Pete Fritch

Written by Robert Lord, story by Patricia Reilly & H.N. Swanson

Produced and Directed by William A. Seiter

Let’s hear it for the Warner Archive Collection’s voluminous vault of early ’30s Warners, MGM and Rko entertainments, which has given us a real education about this era of filmmaking.
See full article at Trailers from Hell
  • 10/7/2017
  • by Glenn Erickson
  • Trailers from Hell
Constance Cummings and Warren William in The Mind Reader (1933)
‘America’s Got Talent’ Mind Reader Blows Judges Away – Especially Mel B (Video)
Constance Cummings and Warren William in The Mind Reader (1933)
Colin Cloud must be fun at parties — unless you have a deep, dark secret. The mind reader blew away the “America’s Got Talent” judges on Tuesday, when he guessed everything from Mel B.’s lunch to her thoughts — Cloud even surmised her favorite personal adjective. Along the way, the magician-of-sorts also nearly knocked Howie Mandel to the floor with a little iPhone lock-screen trick. It was all pretty cool — just ask speechless guest panelist DJ Khaled. Also Read: 'America's Got Talent' Teen Angelina Green 'Could Barely Talk' Before Golden Buzzer-Winning Song Mel might need a few minutes to recover.
See full article at The Wrap
  • 7/26/2017
  • by Tony Maglio
  • The Wrap
Cummings' Ten-Year Death Anniversary: From Minor Lloyd Leading Lady to Tony Award Winner (Revised and Expanded)
Constance Cummings: Actress in minor Hollywood movies became major London stage star. Constance Cummings: Actress went from Harold Lloyd and Frank Capra to Noël Coward and Eugene O'Neill Actress Constance Cummings, whose career spanned more than six decades on stage, in films, and on television in both the U.S. and the U.K., died ten years ago on Nov. 23. Unlike other Broadway imports such as Ann Harding, Katharine Hepburn, Miriam Hopkins, and Claudette Colbert, the pretty, elegant Cummings – who could have been turned into a less edgy Constance Bennett had she landed at Rko or Paramount instead of Columbia – never became a Hollywood star. In fact, her most acclaimed work, whether in films or – more frequently – on stage, was almost invariably found in British productions. That's most likely why the name Constance Cummings – despite the DVD availability of several of her best-received performances – is all but forgotten.
See full article at Alt Film Guide
  • 11/4/2015
  • by Andre Soares
  • Alt Film Guide
New York's "Essential Pre-Code" Series: Week 1
Each year New York residents can look forward to two essential series programmed at the Film Forum, noirs and pre-Coders (that is, films made before the strict enforcing of the Motion Picture Production Code). These near-annual retrospective traditions are refreshed and re-varied and repeated for neophytes and cinephiles alike, giving all the chance to see and see again great film on film. Many titles in this year's Essential Pre-Code series, running an epic July 15 - August 11, are old favorites and some ache to be new discoveries; all in all there are far too many racy, slipshod, patter-filled celluloid splendors to be covered by one critic alone. Faced with such a bounty, I've enlisted the kind help of some friends and colleagues, asking them to sent in short pieces on their favorites in an incomplete but also in-progress survey and guide to one of the summer's most sought-after series. In this entry: what's playing Friday,...
See full article at MUBI
  • 8/4/2011
  • MUBI
New York's "Essential Pre-Code" Series: Week 2
Each year New York residents can look forward to two essential series programmed at the Film Forum, noirs and pre-Coders (that is, films made before the strict enforcing of the Motion Picture Production Code). These near-annual retrospective traditions are refreshed and re-varied and re-repeated for neophytes and cinephiles alike, giving all the chance to see and see again great film on film. Many titles in this year's Essential Pre-Code series, running an epic July 15 - August 11, are old favorites and some ache to be new discoveries; all in all there are far too many racy, slipshod, patter-filled celluloid splendors to be covered by one critic alone. Faced with such a bounty, I've enlisted the kind help of some friends and colleagues, asking them to sent in short pieces on their favorites in an incomplete but also in-progress survey and guide to one of the summer's most sought-after series. In this entry: what's playing Friday,...
See full article at MUBI
  • 8/4/2011
  • MUBI
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