IMDb RATING
6.5/10
1.1K
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A courtesan and an idealistic young man fall in love, only for her to give up the relationship at his status-conscious father's request.A courtesan and an idealistic young man fall in love, only for her to give up the relationship at his status-conscious father's request.A courtesan and an idealistic young man fall in love, only for her to give up the relationship at his status-conscious father's request.
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Featured review
For more than two decades I have been a journalist, with extensive experience writing about historic Hollywood. Along the way, I have read much about this movie: about how horrible it was, the critical reception (quite unpleasant), how it ruined careers, etc.
Last night I finally had the chance to see the beautifully restored version on Turner Classic Movies.
I cannot speak for the world of 1921 (being much too young, of course), but this movie must rank up there with one of the top ten films of the silent era. The acting, while not perfect, exhibits little of the hamminess and showiness that earmarks the typical 1920s silent. Nazimova is spectacular in her performance of the dying woman of ill repute. The design elements are tremendous -- especially considering how unique they were in their time. Beautifully realized sets, costumes, props, etc.
Other versions of this movie have been made before and since, but this version far outweighs the more familiar version with GG (next to whose photograph the word "hamminess" appears in the dictionary).
The only downside to this otherwise marvelous film is the appearance by Valentino -- whose popularity must have been a product of the times, as I still cannot fathom how he ever got more than a bit part in a Hollywood film.
Of special note are the French flashbacks that pop up throughout the film. They bring a special poignance to the finale that is especially touching.
Last night I finally had the chance to see the beautifully restored version on Turner Classic Movies.
I cannot speak for the world of 1921 (being much too young, of course), but this movie must rank up there with one of the top ten films of the silent era. The acting, while not perfect, exhibits little of the hamminess and showiness that earmarks the typical 1920s silent. Nazimova is spectacular in her performance of the dying woman of ill repute. The design elements are tremendous -- especially considering how unique they were in their time. Beautifully realized sets, costumes, props, etc.
Other versions of this movie have been made before and since, but this version far outweighs the more familiar version with GG (next to whose photograph the word "hamminess" appears in the dictionary).
The only downside to this otherwise marvelous film is the appearance by Valentino -- whose popularity must have been a product of the times, as I still cannot fathom how he ever got more than a bit part in a Hollywood film.
Of special note are the French flashbacks that pop up throughout the film. They bring a special poignance to the finale that is especially touching.
Storyline
Did you know
- TriviaThe original play opened in Paris in 1852. The first Broadway production opened on 9 December 1853. There have been 15 Broadway revivals of the popular play, the last (to date) in 1935.
- Quotes
Title Card: Winter. Paris, magic city of pleasure, yet beneath its tinseled gaiety throbbing with life's grim note of passion and tragedy.
- Alternate versionsOn 14 February 2002, Turner Classic Movies (TCM) broadcast the television premiere of the film with a new score by Peter Vantine, and a running time of 70 minutes. Vantine won the privilege of providing the score from a nationwide contest conducted by TCM, in which there were 375 entries. This version can be seen as a special feature on the Warner Bros. Home Video DVD for Le roman de Marguerite Gautier (1936), released in 2005.
- ConnectionsFeatured in Legendy mirovogo kino: Alla Nazimova
Details
- Runtime1 hour 12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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