L'Échange

I bought this film because Bebe Daniels is in it. I may be a little biased since Bebe was my grandfather's aunt, but I think the movie is terrific. The story is so true to life even today! It has a great message and the written narration is so "deep" for the lack of a better word. I was actually more impressed with Gloria Swanson in this particular film though! She was great! She actually "made" the movie! Bebe's part as a vamp was really good too though! She was the perfect one to play this part! I am not gonna give anything away, just order it and watch it for yourself! My husband and I enjoyed it so much! I must confess I ordered all the Bebe movies I could find because there is a definate family resemblance between she and I! But out of my strange interest in this aspect, I actually ended up finding so much more! I love the Silent Classics and discovered Gloria Swanson in the process! Thank you and take care!!!

Why Change Your Wife? was a movie about a couple undergoing some problems. Robert keeps trying to please his nagging wife, Beth. He tries to please her without success. He tries several things to please her and she continuously turns it down, refusing to change for him. This leads Robert to go out with another women who works in a negligee shop. Eventually she gets a little saucy to spruce herself up and become more appealing in hopes to win Robert back. I loved the romantic drama and the passion behind this silent film. Though it would have been better with sound, I found it very similar to some of the popular movies out today. It was refreshing to see the humor and romantic scandals that were around back in 1920 and how they haven't differed much from the scandals of today. It was a delight to watch.

Director Cecil B. De Mille and actress Gloria Swanson had a monster hit in 1919 with the slightly comic melodrama DON'T CHANGE YOUR HUSBAND about a tired husband who neglects his wife. The next year De Mille and Swanson were reunited for this film, WHY CHANGE YOUR WIFE, which is virtually a remake of the earlier film, only this time the wife is neglectful spouse. This movie is actually a far superior film to the original however because it's played almost entirely for laughs here and Thomas Meighan is a far better actor and more appealing romantic lead than Elliot Dexter in the first film.

Young matron Gloria Swanson is barely 20 but she might as well be 50 the way she dresses and with that nagging, sour attitude of hers. She whines when her husband's dog is indoors, complains about his choice in music, and basically has turned into a fussy aunt. Husband Meighan's attempts at affection are rebuffed and in desperation he decides to buy a sexy gown for her, falling into the lair of vampy clothes model BeBe Daniels. BeBe manages to break up their marriage before Gloria can blink those legendary blue eyes and Meighan scarcely has a moment to breathe before he finds himself in yet another marriage and this one more troublesome than the first.

The cast is terrific here; beautiful, chic Gloria is remarkably believable as the young woman who has gotten old before her time. Thomas Meighan is excellent as the husband who goes from being one wives' puppet to a similar role with the second missus. Silent movie fans who are more familiar with the later silent career of Meighan (actually less than a decade away) when he was a more austere screen presence may be surprised how dashing he was at this point in his career and very much a matinée idol. BeBe Daniels is absolutely delicious as the tramp who ultimately decides "the best thing about marriage is alimony". This delightful romantic comedy stills packs quite a punch after some 90 years.

Although the plot is not as absorbing as in his classics "The Affairs of Anatol" or "Male and Female" Cecil B. DeMille makes this romantic piece of fluff intoxicating still, especially if you enjoyed the romantic and sexual tension between Gloria Swanson and Thomas Meighan in the latter film. "Why Change Your Wife?" was made a year after "Male and Female" and the audience gets to see the two as a married pair: in the first scenes Tommy is shaving and Gloria is getting dressed. The interplay between them is fabulous and funny. She is always interrupting him in front of the bathroom mirror and he can't quite manage to button the back of her dress. So typical and true to life. She lectures him on his personal tastes: "must you have a dog?" and "you should listen to classical music and not tin pan alley" and "you should stop drinking/smoking..." The film shows the affects of nagging upon a marriage, and boy is THAT true to life!

Enter Bebe Daniels. She likes men with curly hair and Tommy Meighan fits the bill. She manages to attract Tommy away from Gloria; even though we know Tommy still loves Gloria, she still needs to be taught a lesson on men and marriage. She learns her lessons the hard way, but therein lies the fun for the audience. The moral of the story here is that wives should remember they are their husbands' sweethearts first, their wives second, and that they should not forget the romance that keeps a couple together and out of the divorce courts.

I don't want to give away more of the plot but see this film. If you are a woman watch it with your husband. You won't regret it.

Today Cecil B. DeMille is probably best known for the overwrought (if thoroughly enjoyable) biblical epic "The Ten Commandments." But during the silent era he made several sophisticated comedies portraying the battle of the sexes such as "Why Change Your Wife," an engaging mixture of bizarre, over the top glamour (the negligee the husband buys his wife is so elaborately constructed I couldn't blame her for looking dismayed when she first saw it) and dead on day-to-day detail about married life—is there a couple who hasn't gotten in each other's way and on each other's nerves when sharing a bathroom? Gloria Swanson plays Beth Gordon, a young wife who cannot resist the temptation to improve her husband, scorning his fox trot records for something called "The Dying Poet." She loses him to the proverbial shop girl, Sally Clark—hilariously played by Bebe Daniels—a character so vulgar she owns a gyrating Kewpie Doll. (This film's frank endorsement of consumerism has often been remarked on, but it rightly acknowledges that what we chose to buy tells as much about our class and character as anything else). The husband soon realizes that he made a mistake, clearly finding Sally's baby talk even more tiresome than Beth's high minded nagging, but it isn't until Beth transforms herself into a sexy knockout wearing the height of pre-flapper fashion that the two reunite.

The movie isn't entirely cynical about romance—it is never really in doubt that Beth and her husband love each other—but it is shrewd enough to recognize that in holding the attention of your partner a little glamour and sophistication doesn't hurt (the husband isn't let off the hook though, and his naiveté in expecting the honeymoon phase to last forever is mocked in a bathroom scene when Sally repeatedly interrupts his attempts to shave just as Beth did earlier).

A side note: All the leading players are engaging, but the violinist (played by Theodore Kosloff) who seduces women by making love to their souls steals every scene he is in.

To sum up, this worldly comedy challenges the common assumption that silent film is little more than slapstick or melodrama.