Zvenigora
- 1928
- 1h 8m
IMDb RATING
7.1/10
1.2K
YOUR RATING
An old Ukrainian man protects and searches for a legendary treasure in the midst of political upheavals.An old Ukrainian man protects and searches for a legendary treasure in the midst of political upheavals.An old Ukrainian man protects and searches for a legendary treasure in the midst of political upheavals.
Nikolai Nademsky
- Grandpa
- (as N. Nademskiy)
- …
Semyon Svashenko
- Timoshka - first grandson
- (as S. Svashenko)
Aleksandr Podorozhnyy
- Pavel - second grandson
- (as L. Podorozhnyy)
Polina Sklyar-Otava
- Oksana
- (as P. Otawa)
- …
Georgi Astafyev
- Scythian leader
- (uncredited)
Leonid Barbe
- Monk
- (uncredited)
Nikolay Charov
- Pavel's Friend
- (uncredited)
Vladimir Lanskoy
- Spectator
- (uncredited)
Mariya Parshina
- Timoshka's wife
- (uncredited)
A. Simonov
- Fat Officer
- (uncredited)
Vladimir Uralskiy
- Peasant
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
Looking at the few reviews I've read, I'd like to strike a balance. I'd just bought the recently issued 3 film boxed set of Dovzhenko's War Trilogy, of which, this is the start. I bought the set as it was an absolute bargain, making it little more than the fairly well-known 'Earth' that I'd heard about and wanted to see.
Firstly, I took 'cinematic poetry' to be just that, images and scenes that evoked a story rather than simply reciting it in the usual way. Thus heavy symbolism plays a huge part and I have to disagree with those that say one has to know the subject to appreciate it. I use that word, 'appreciate' rather than 'understand' and it is the very nature of the genre here, known as 'avant-garde' that further takes into realms of fantasy, or, pretentious waffle, if that's how you take it.
Avant-garde is not my favourite genre either but when you consider that this is still the Silent Era - normality would be having a fixed camera, on a studio set and the actors moving around in front of it, in all but the most expensive and adventurous productions. The Russians, at this point, as well some notable German film-makers were doing much more and experimenting with double exposures, cutting, fading, all-sorts, simply to extend both the boundaries of their imagination and cinematic technology.
Of course, film has moved on an awfully long way and so has people's entertainment. These moving images are both historical; a recreated scenario now wouldn't anywhere near the same authenticity - and human. As in stills photography of those days, it is capturing people and their lives that would have seemed so special and fascinating, marrying that up with story-telling would take longer as both film-makers and the public got used to this exciting, new medium. Marx unashamedly exploited artists of all kinds for propaganda purposes and these have, understandably, been seen in a bad light in the West, but thank goodness now, we are finally seeing them for what they are, not were - pioneering and hugely influential.
I'm no historian or film expert and in effect, I haven't really reviewed the title itself but hopefully cast a light on it as a subject. However, I would say that the Mr Bongo reproduction, from the restored print is very good, with hardly a blemish and features a new(?) stereo orchestral score.
Firstly, I took 'cinematic poetry' to be just that, images and scenes that evoked a story rather than simply reciting it in the usual way. Thus heavy symbolism plays a huge part and I have to disagree with those that say one has to know the subject to appreciate it. I use that word, 'appreciate' rather than 'understand' and it is the very nature of the genre here, known as 'avant-garde' that further takes into realms of fantasy, or, pretentious waffle, if that's how you take it.
Avant-garde is not my favourite genre either but when you consider that this is still the Silent Era - normality would be having a fixed camera, on a studio set and the actors moving around in front of it, in all but the most expensive and adventurous productions. The Russians, at this point, as well some notable German film-makers were doing much more and experimenting with double exposures, cutting, fading, all-sorts, simply to extend both the boundaries of their imagination and cinematic technology.
Of course, film has moved on an awfully long way and so has people's entertainment. These moving images are both historical; a recreated scenario now wouldn't anywhere near the same authenticity - and human. As in stills photography of those days, it is capturing people and their lives that would have seemed so special and fascinating, marrying that up with story-telling would take longer as both film-makers and the public got used to this exciting, new medium. Marx unashamedly exploited artists of all kinds for propaganda purposes and these have, understandably, been seen in a bad light in the West, but thank goodness now, we are finally seeing them for what they are, not were - pioneering and hugely influential.
I'm no historian or film expert and in effect, I haven't really reviewed the title itself but hopefully cast a light on it as a subject. However, I would say that the Mr Bongo reproduction, from the restored print is very good, with hardly a blemish and features a new(?) stereo orchestral score.
- tim-764-291856
- Oct 9, 2012
- Permalink
Storyline
Did you know
- TriviaThe film was restored in 1973 at the Mosfilm studio with the assistance of Dovzhenko's widow, film director Yuliya Solntseva.
- Alternate versionsIn 2011, the film was digitally restored and added with music score by the Oleksandr Dovzhenko National Centre. Running time of this version is 97 minutes. The music composed and performed by FUTUREthno, a Ukrainian-Polish band playing "ethnic music of the future". It was released in 2011, as part of the "Ukrainian Re-Vision" DVD-collection. Because the original Ukrainian intertitles were lost when they were cut and replaced with Russian intertitles in the mid-1930s, this restoration used Dovzhenko's script (published in "O. Dovzhenko's Works", 5 volumes, Kyiv: Dnipro, 1985) to reinstate the Ukrainian intertitles.
- ConnectionsEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
Details
- Runtime1 hour 8 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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