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More than 80 years after its release, the first adaptation of "The Lost World" remains as one of the most influential silent films ever, due to Willis O'Brien pioneer advances in the field of special effects, as it showcases the first time stop motion animation was used to create creatures on a feature length film. These innovation was of huge importance for this and future films, and earned Willis O'Brien and his dinosaurs a place in history as an iconic image in film history, only surpassed by another of O'Brien's creations: King Kong.

Based on Arthur Conan Doyle's novel of the same name, "The Lost World" is the tale of Prof. Challenger's (Wallace Beery) epic quest looking for the living dinosaurs who supposedly live in the deep Amazonic jungle, according to the journal of his fellow explorer Maple White, who disappeared in his last exploration. Maple's daughter, Paula (Bessie Love) joins the expedition looking for her missing father, as well as Sir John Roxton (Lewis Stone), an experienced hunter friend of Challenger. Prof. Summerlee (Arthur Hoyt) goes as well, hoping to prove that Challenger is a fraud, and finally, reporter Edward Malone (Lloyd Hughes) joins the expedition, hoping to prove his girlfriend Gladys (Alma Bennet) that he is brave enough to face death.

Cleverly adapted by Broadway playwright Marion Fairfax (who also adapted in 1922 another of Conan Doyle's works, "Sherlock Holmes"), the film is an excellent mix of action and adventure that even when it's not entirely faithful to the novel, keeps the spirit of wonder and fascination with the unknown. From the obsessive Challenger to the incredulous Summerlee, every character is very detailed and for the most part well constructed, giving each one of them a defined personality and a certain degree depth absent in many silent films.

However, the film's best remembered characteristic is the incredible special effects by Willis O'Brien, who after mastering his craft in short films got his first work in "The Lost World" and changed special effects forever. His imagery is very vivid, and very detailed considering the limited resources he had. Sadly, Harry O. Hoyt's direction takes zero advantage of Fairfax's story and O'Brien's effects, and delivers a simplistic and unoriginal work that adds nothing to the whole work and seems to let the cast and crew do their job. It's not a bad direction as a whole, but it feels uninterested on the many possibilities a film like this posses.

The cast is quite effective, and really does a great job with what they have, starting with legendary Wallace Beery, who as Prof. Challenger delivers one of the best performances in a silent film. Without the aid of sound, Beery shows a wide range of emotions in his complex character and is great in both drama and comedy. Lloyd Hughes is very good as the cowardly Malone, and showcases a talent for comedy as well as a romantic figure, as his character shows interest in Paula White, played by Bessie Love, who makes a fine counterpart to Hughes and delivers a natural, and fresh performance. Lewis Stone completes the cast and his dignified performance as Sir John Roxton is very effective.

It's safe to say that "The Lost World" owes more to O'Brien and Fairfax than to O'Hoyt, and that probably with a more experienced director the film would had been even better. However, the film's real problem has nothing to do with the way it was made, but with the way it was preserved during most of its history. Nowadays there is not a complete version of the movie, most home video versions are of the 64 minutes version, while one (Image) is of a 93 minutes reconstruction. And while probably that version is the closest we can be to the original runtime of the film, it sadly has modernized the dialogs, to the point that some lines are rewritten to fit our modern standards.

Hopefully, one day we'll be able to see "The Lost World" as it was intended to be, but meanwhile, we can still appreciate the enormous importance of its amazing special effects, and how it forecasts films like "Jurassic Park" in many ways. This epic tale of action, adventure and horror has probably not seen a better adaptation than this, the movie that set everything for the arrival of King Kong and changed special effects for ever. 8/10

The Lost World (1925) D: Harry O. Hoyt. Bessie Love, Lewis Stone, Wallace Beery, Lloyd Hughes, Alma Bennett, Arthur Hoyt, Margaret McWade. The special effects film of its time, a story based on the novel by Arthur Conan Doyle about an expedition to a lost world where dinosaurs rule. The version I watched was the most complete (running 93 minutes). Being a silent film, the actual plot is hard to follow but the special effects are terrific for a 77-year-old dinosaur movie. The most complete version was compiled from 8 different sources; that probably explains why the film seems very choppy and incomplete. All in all, a historically entertaining movie and certainly recommended to silent film buffs. RATING: 7 out of 10. Not rated.

I'm so glad that this film has been fully reconstructed to its almost original length - we can finally see The Lost World the way its filmmakers meant it to be seen. We can also see the problems and strengths more clearly as well. First, let's get the weaknesses out of the way: it takes its precious time a bit too much, the ape man looks so hilariously awful that it betrays the film's earnestness, a poorly written minor character is regrettably in blackface, and the film has several clumsily edited montages that do nothing but pad the movie's running time. I also didn't believe in the love triangle nor in the romantic leads' attraction for each other, but then that's because I'm almost never impressed by love triangles in general.

Now that we've gotten all the negative aspects out of the way, let's talk about the film's overwhelmingly positive assets. The stop-motion dinosaurs are rightfully the film's highlight; Willis O'Brien poured his heart and soul into animating these creatures. Even better, he gives each one of the animals their own unique personality: viciousness, tenderness, even grumpiness. I secretly wish that the dinosaurs took up more screen time - maybe bring all of them to London so they can wreak havoc on Professor Challenger's naysayers; but that's the little monstrous child in me desiring that.

Another delightful positive belongs to the energetic cast - most of them were up to the challenge and deserve to be mentioned right alongside their claymation attractions. Bessie Love gives a heartbreaking performance in an admittedly stock character as all she wants is her dear father to be alive and well. Meanwhile, Wallace Beery makes for an entertaining Professor Challenge that one can see why his creator, Sir Arthur Conan Doyle, was more proud of him than with his most famous character, Sherlock Holmes.

A major revelation for those watching Flicker Alley's new Blu-Ray is that the film is visually sumptuous. After decades of existing in inferior black-and-white prints, The Lost World finally can be seen in its original tints that add a true artistry to it. It makes the film have the timeless feel of a Romantic etching or painting. This further proves how sophisticated silent movies were as an art form back in their heyday, as actual effort was spent to make the filmmaking experience an intensely moving one. No wonder why this film sparked the dinosaur craze that is still present today; it's really a well-done crowd pleaser!

In this 1925 silent era film, a Professor Challenger (Wallace Beery) leads a group of British explorers to South America, to prove to the civilized world that there exists a land of living prehistoric creatures. What the explorers find is exactly that ... a rugged Amazon plateau inhabited by all kinds of dinosaurs. It's a wonderful film concept befitting Sir Arthur Conan Doyle's adventure novel. The dinosaurs were brought to cinematic life via stop-motion animation, the first time that the then new technique had been applied, on such a grand cinematic scale. For its visuals alone, "The Lost World" is an important film.

The problem I have is not with the film, but with the way the film has been mishandled in the eighty years since it was released. Much of the original film was lost or cut out, a sad commentary on the way our culture has underestimated the value of silent films. Recently, the film has been at least partially restored. That, in turn, has led to confusion as to the extent to which the film being watched reflects the original.

My understanding is that there is or was: (1) an original full length version, no longer available; (2) a thirty-two minute version shown as a short film; (3) a sixty-three minute original DVD version; and (4) a ninety minute restored, extended DVD version complete with soundtrack and commentary. None of these versions are exactly alike, and there may be other versions as well.

The version I watched was on DVD, and was sixty-three minutes in length; there was no soundtrack, no commentary. Since this version is vastly different from the original, and different from other versions, a conventional critique would be unfair. All that I can do is to make a couple of general observations.

The special effects were impressive for their time. But what I most liked was the film's sense of three-dimensional scale, as shown in many scenes, the tree bridge to the plateau, for example, or the rope ladder hanging down the side of the cliff with a person climbing down. Such scenes convey a sense of distance and height, important to any physical adventure or risk. What I found disconcerting was the scenes of dinosaurs detached from the characters. Most of the time, but not always, these dinosaur scenes were shown from the POV that would be optimal for the cinematic viewer, rather than from the POV of the characters. In other words, the dinosaurs were usually shown out of context to the film's narrative.

"The Lost World" (1925) is an important contribution to early cinema. Although the film may be somewhat tedious to watch and technically crude by today's standards, depending on version, the film will most surely be appreciated by film historians and by technicians interested in the evolution of cinematic special effects.

Modern audience members won't exactly be scared or thrilled by the living, breathing dinosaurs in this 75 plus year old classic. They will see a visually amazing silent classic. THE LOST WORLD tells of an exhibition that finds mammoth dinosaurs on a plateau in the Amazon. A brontosaurus is brought back to London. Willis O'Brien's stop-motion animation is rather fluid, (as compared to the short animated comedies he made around 1918) There are also neat uses of matte work, rear screen and double exposures.

The recent DVD re-issue of LOST WORLD is a keeper. It even has LOST WORLD animation out-takes with single frames of O'Brien and his assistant accidently caught on film. Requied viewing for the student of cinematic special effects.