Clash of the Wolves

This was recently on TCM as part of its tribute to the 100th anniversary of Warner Brothers, founded in 1923, although they were making films earlier than that. As such, this is one of the earliest of the films that were shown as part of that tribute, and in fact it is doubtful Warner Brothers would have survived its first ten years without Rin Tin Tin and the silent films in which he starred.

In this entry, Rin Tin Tin is Lobo, half dog- half wolf leader of a pack of wolves. The motto of the pack is "death to the wounded wolf!" This is written into the script as a plot device so that Lobo, after being wounded, has a reason to leave the pack and wander into the desert versus being torn apart by the other wolves. Lobo is characterized as half dog so his abrupt domestication by a human is at least theoretically possible.

The human centers of the story are the daughter of a rancher, May Barstowe, and a "tenderfoot" prospector, Dave Weston (Charles Farrell). There is a particularly sinister looking villain who wants to both jump Weston's claim AND his girl. Complications ensue.

This was a great vehicle for Rin Tin Tin in showing that the dog truly got how to "act". You can literally see the dog show anger, love, and confusion at appropriate times. The camera work is very good, and overall the script and production values are better in this Rin Tin Tin film versus some of the others I've seen although they all have their charms.

I do have to mention one area where the film does show its age - that being the so called "comedy" of Heinie Conklin, who plays May's father's most trusted ranch hand, Alkali Bill. So May's father, a self made ranch owner, thinks that Weston is not manly enough for his daughter, but THIS guy, who makes a mess of everything he touches, is his employee numero uno? Plus Conklin is just not funny. However he does give me a greater appreciation for the great silent comics such as Buster Keaton, since THIS was apparently their contemporary competition!

I'd recommend this one pretty highly if it comes your way, and it just might since it has been very recently restored.

Clash of the Wolves (1925)

*** (out of 4)

A fire breaks out in the forest so Lobo (Rin Tin Tin), the leader of his wolf pack, must take his wife, pups and other wolves down into the desert. Once there the wolves are constantly attacked by some villagers who think that the wolves are going to eat their cattle. Lobo is eventually injured and near death but one of the villagers ends up saving his life and of course Lobo will be there if the man ever needs help. I really wasn't expecting much out of this film but I was curious to see my first Rin Tin Tin film and it's funny I watched this after the Brando documentary because this dog has got to be the greatest actor next to ol' Brando. Why do I say that? There's a long scene in the movie where Rin Tin Tin is near death and for the life of me I can't figure out how they got the dog to do what they did. I'd like to think this dog was just that talented but in my brain I'm thinking they had to have actually injured the dog to get the reactions because there's certainly a look of pain in his eyes. Outside of that, this film is pretty entertaining on all levels as it has a nice love story, some funny moments as well as some great action with Rin Tin Tin jumping into harms way constantly to be the hero.

A tremendous showcase for the greatest of canine performers. The movie only falls short in the idiotic slapstick by Heinie Conklin. A young Charles Farrell does a decent job as the human lead, and June Marlowe is excellent and very natural as his girl. But it's Rin Tin Tin who steals the show and the hearts of the audience as a half breed wolf dog who learns the ways of civilization.

I have to dispel a couple of misstatements by other reviewers here. According to Susan Orlean's outstanding biography of Rinty, he performed all of his own stunts in this movie, and he was not injured in any way during the production. It was all acting. His master, Lee Duncan, traveled with the dog and gave live presentations in which he had Rinty demonstrate all of the pain takes and other complex actions from the movie on stage, with Duncan standing ten feet away and controlling the dog through hand gestures. He did this to prove that the dog was never in any real pain on screen. Contemporary accounts describe Rinty's performances as uncanny.

In the first Academy Awards presentation, Rinty received the most votes of any actor for best performance, but the Academy decided it would demean the award if it was given to a mere dog, so they gave it to Emil Jannings instead. Bad mistake. There was nothing mere about Rin Tin Tin.

With good action, a likable animal star, and well-chosen outdoor settings, this is an enjoyable movie to watch. The story is made up of some familiar elements, but it moves at a good pace, and the technique is solid and often impressive.

The plot has Rin Tin Tin as the leader of a pack of wolves trying to survive near a populated area, and it combines his story with that of a prospector (played by Charles Russell) who's trying to win the daughter of a wealthy rancher at the same time as he has to outwit a crafty claim jumper. It's the resulting action scenes that make the movie so entertaining, and that also display some resourceful filming technique. Rin Tin Tin really is the biggest star, and all of the scenes with him and his stand-ins look very realistic, and work quite well. He even has believable reactions to the rather goofy ideas that the prospector and his comic-relief buddy (Charles Conklin) concoct in trying to domesticate him.

There are also lots of other scenes involving groups of animals, and it must have taken a lot of careful planning to make them look so good. At times they capture large-scale action, and at other times the camera is able to capture the speed of its star in motion. Almost all of the story takes place outdoors, and the settings help create the right atmosphere for the story. Overall, this is an entertaining movie with several strengths to it.

We all know it: dogs (or half-breed wolves, as is Lobo - Rin Tin Tin - in the present film), are highly intelligent persons.

Perfectly fit for the hard and sometimes merciless life of the wild, Lobo suddenly changes the rough instinctual habits instilled in him by mother nature when Dave Weston, a young prospector, relieves the dog's pain by removing from his paw a large thorne, like Androcles and the lion. It (I'd rather say: he, the dog) is now tame, and deserts the pack, his mate and the puppies, to become, all in a jiff, the loving pet in Dave's log cabin near the village.

The village's people have always known Lobo and are very aware of the dangers the dog/wolf has ever represented for their cattle and for themselves. It is therefore important to make Lobo unrecognizable, otherwise he will be immediately shot to death. And the device Dave and friends devise for that purpose has something magical, inexplicable and at the same time devoid of all sense: they put on Lobo's snout a fake beard! You heard me: a fake human beard. And it works!

Lobo then, in the course of the movie, performs all and every number that are requested from a canine or wolfish film-star, and something more: understands or even prevents every wish - spoken or unspoken - of his owner, talks with him by body language, takes spectacular leaps of any sort, attacks villains (though never killing them, it will be unproper), and so on, on a series of events none of which appears to be less predictable. Except when Dave, that is left alone, wounded, with no help or horse, in the middle of the desert, is found in the next scene in perfect health in the jolly company of his girlfriend and Lobo.