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Fantômas II: Juve contre Fantômas (1913)

News

Fantômas II: Juve contre Fantômas

Girls Delightful In Cuba Stop: Orson Welles' "Too Much Johnson"
Orson Welles' Too Much Johnson, screened for the first time to a full house at Pordenone Festival of Silent Cinema, comes trailing clouds of mystery like so much else in the life and work of its maker.

We know Welles shot the film in 1938 with a newsreel cameraman, intending it as a series of insert sequence within a play he was producing with the Mercury Theater. For various reasons, the three sequences, intended to carry the exposition in William Gillette's 1894 farce, were not ready or could not be projected when the play opened, and as a result the show was not a success.

Now George Eastman House has restored what it describes as Welles' cutting copy, apparently discovered in a warehouse in Pordenone itself. It consists of several reels of loosely ordered material with multiple takes, and was presented without any alteration apart from the preservation necessary to make the material projectable.
See full article at MUBI
  • 10/30/2013
  • by David Cairns
  • MUBI
Kino Releasing FANTÔMAS DVD Box Set in September!
Rarely do I run full press releases for new home video titles, but this is a special exception. Kino International, in association with Gaumont Films in France, has announced the release of a 3-dvd box set of all five of Louis Feuillade's Fantômas films. The box set's street date is September 21, 2010. None of these films have never been legitimately available on DVD in North America so this really is a cause for celebration. See the press release below for full details.

Kino International Releases A 3-dvd Box Set With Five Feature Films Starring The French Character FANTÔMAS

New York, NY - August 4, 2010 - Kino International, in a special arrangement with Gaumont Films in France, is proud to release for the first time in the United States a 3-dvd box set with a total of seven previously unreleased films featuring the French character FANTÔMAS, created by Marcel Allain (1885-1969) and...
See full article at Screen Anarchy
  • 8/6/2010
  • Screen Anarchy
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