IMDb RATING
7.3/10
4.7K
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The Little Tramp escapes from prison; saves a girl and her mother from drowning; and creates havoc at a swank party.The Little Tramp escapes from prison; saves a girl and her mother from drowning; and creates havoc at a swank party.The Little Tramp escapes from prison; saves a girl and her mother from drowning; and creates havoc at a swank party.
- Director
- Writers
- Stars
Charles Chaplin
- The Convict
- (as Charlie Chaplin)
Monta Bell
- Man
- (uncredited)
Leota Bryan
- Lady in White Dress and Black Shoes
- (uncredited)
Frank J. Coleman
- Prison Guard
- (uncredited)
Marta Golden
- Mrs. Brown - The Mother
- (uncredited)
James T. Kelley
- Old Man
- (uncredited)
Toraichi Kono
- The Chauffeur
- (uncredited)
Janet Sully
- The Girl's Mother
- (uncredited)
Loyal Underwood
- Guest
- (uncredited)
May White
- Large Lady
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I've seen The Adventurer well over a dozen times and each time it is just as funny as the time before. I repeatedly find myself thinking during the first scenes (where Charlie is on the beach and on the lamb from the police) that those scenes must be the high of the movie and as such that the movie will progessively sink from the close of those scenes on. Yet each time I watch the film I am pleasantly refreshed to the fact that the whole film is equally great.
Chaplin is excellent in the film, and his frequent foil in the early movies, Eric Campbell, is also perhaps at his best.
This film is well worth watching (several times).
Chaplin is excellent in the film, and his frequent foil in the early movies, Eric Campbell, is also perhaps at his best.
This film is well worth watching (several times).
In The Adventurer, Charlie plays an escaped convict who briefly manages to enjoy the good life after rescuing a drowning rich woman before the police find him again.
The Adventurer is the last of Chaplin's twelve films for the Mutual Company. Lacking any attempt at the pathos and social commentary that Chaplin injected in some of his previous Mutual shorts, this chase comedy almost appears to be a throwback to his rough-and-tumble roots at Keystone. However, there is one major difference, this film much funnier than anything did at Keystone. While I do not consider this to be his best short, it is arguably his funniest. The chases that bookend the film are hilarious. The middle is hilarious too. The film is a laugh fest through and through. If this film doesn't put a smile on your face, check your pulse.
The Adventurer is the last of Chaplin's twelve films for the Mutual Company. Lacking any attempt at the pathos and social commentary that Chaplin injected in some of his previous Mutual shorts, this chase comedy almost appears to be a throwback to his rough-and-tumble roots at Keystone. However, there is one major difference, this film much funnier than anything did at Keystone. While I do not consider this to be his best short, it is arguably his funniest. The chases that bookend the film are hilarious. The middle is hilarious too. The film is a laugh fest through and through. If this film doesn't put a smile on your face, check your pulse.
Although there isn't quite the depth to "The Adventurer" that many of Chaplin's films have, since most of it is just slapstick comedy, on that level it is still quite a success. It is non-stop fun with a lot of good gags, with good work not only from Chaplin but also from his supporting cast.
Charlie plays a convict who escapes from prison and tries one thing after another to stay free. Early in the movie, when he happens to save a rich girl (Chaplin regular Edna Purviance) from drowning, he is taken into her home, and from there, some hilarious situations and a lot of frantic activity follow.
One of the things that works very well in this feature is the re-use of a couple of the same gags with different details. Chaplin and the rest of the cast also work together well in building up the humor as it goes along. There are also some hints at some of Chaplin's usual social themes. For pure comedy, this is one of the best of Chaplin's short films.
Charlie plays a convict who escapes from prison and tries one thing after another to stay free. Early in the movie, when he happens to save a rich girl (Chaplin regular Edna Purviance) from drowning, he is taken into her home, and from there, some hilarious situations and a lot of frantic activity follow.
One of the things that works very well in this feature is the re-use of a couple of the same gags with different details. Chaplin and the rest of the cast also work together well in building up the humor as it goes along. There are also some hints at some of Chaplin's usual social themes. For pure comedy, this is one of the best of Chaplin's short films.
When I was a young boy (about five years old), my parents couldn't afford a TV and, in order to give me entertainment, my dad bought a second hand silent cine projector and showed me some silent westerns (which I have all but forgotten) and - oh joy, oh bliss - the Essanay and Mutual Chaplin films. The greatest of these - by a long way, in my estimation is 'The Adventurer' indeed, it is one of the very few short films worthy of the term 'masterpiece'.
The Adventurer is a sonata on the number 3. There are three main locations - the beach, the pier and the house. The cliff location in the beach scene is triangular, Charlie and his two pursuers make an hilarious trio, with every combination of characters and apexes of the triangle being explored...
Then we go onto the pier... There we have three sub-locations - the top of the pier, the car and the sea. Charlie explores all of these and then moves onto the house.
Here we also have three locations - upstairs, downstairs and the terrace. You can see dozens of other 'threes' in the film, but the coda, in which Charlie is chased three times round the set is like the delirious coda to Mozart's 41st Symphony when the orchestra seem to take off. There is noting like it in all cinema.
Of course I had no idea about all this subtlety when I was a kid, I just looked and laughed in wonder and said with a pleading thrill in my voice.... 'Play it again, Dad.'
Without these wonderful Chaplin films, I doubt that I would have given my life to the cinema for the last fifty years.
The Adventurer is a sonata on the number 3. There are three main locations - the beach, the pier and the house. The cliff location in the beach scene is triangular, Charlie and his two pursuers make an hilarious trio, with every combination of characters and apexes of the triangle being explored...
Then we go onto the pier... There we have three sub-locations - the top of the pier, the car and the sea. Charlie explores all of these and then moves onto the house.
Here we also have three locations - upstairs, downstairs and the terrace. You can see dozens of other 'threes' in the film, but the coda, in which Charlie is chased three times round the set is like the delirious coda to Mozart's 41st Symphony when the orchestra seem to take off. There is noting like it in all cinema.
Of course I had no idea about all this subtlety when I was a kid, I just looked and laughed in wonder and said with a pleading thrill in my voice.... 'Play it again, Dad.'
Without these wonderful Chaplin films, I doubt that I would have given my life to the cinema for the last fifty years.
Charles Chaplin plays an escaped convict, who saves a rich girl and her mother, and is treated as a hero.But how long can he hide from the law.The Adventurer is a great short silent comedy movie from 1917.The movie has many funny scenes, like when Charlie is chased by the cops.It is great fun to watch these old silent movies and see how much the movies have changed from those days.
Did you know
- TriviaThe chauffeur was played by Toraichi Kono, who was Charles Chaplin's own butler, chauffeur, secretary, and bodyguard from 1916 to 1934.
- GoofsThe sea level: when people are falling into the water we see the tide is in and the water is deep; when they are shown climbing onto the pier, the tide is clearly out as can be seen in the background.
- Quotes
Title Card: [opening title card] The man hunt.
- Alternate versionsKino International distributes a set of videos containing all the 12 Mutual short films made by Chaplin in 1916 - 1917. They are presented by David H. Shepard, who copyrighted the versions in 1984, and have a music soundtrack composed and performed by Michael D. Mortilla who copyrighted his score in 1989. The running time of this film is 24 minutes.
- ConnectionsEdited into Charlot Festival (1941)
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- The Adventurer
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- See more company credits at IMDbPro
- Runtime24 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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