Une fille facile

This movie has the visual style of Call Me By Your Name and just as much action. It's a film set in the summer in Cannes and the main characters are two girl cousins who spend their time together. One, a 16 year naive that doesn't yet know what she wants and a 22 year one that has already found a calling in being an escort for rich men. That's it. The acting is good, the situations believable and we learn how actual people react in actual situations. Yet the film makes no effort in exploring the set up in depth. There are no artificial dramas either. Just a girl figuring herself out. And other than a few breast scenes, it's not particularly erotic either.

Only Contemporary European and French cinema can give you both so much simplicity and grandiosity in a plot.

While at least one of the main actresses in this was about a decade older than the character she portrayed, you almost buy it. And she plays it loose and "innocent". Though most would not call her innocent at all. Not in any sexual way that is, because she really puts herself out there.

And while she is doing that, her friend is the introvert and able to express herself the same way. Now if you are judging one or the other, that is I reckon fair. But remember that we are all different and we do experience things different. This is about a summer that helps both those girls grow to become the person they end up to be.

Maybe not highly philosophical, maybe not the best movie, but it is quite the decent one. If you don't mind the occasional nudity and sexual situation depicted here that is of course. Sparsely used but still some may feel "offended"

Know how to make good movies. This wasn't a blockbuster but was very entertaining and the acting was great. For some reason even though I understand little, if any, French, I understood perfectly what was happening throughout the movie. Maybe some American directors and actors should take some time off from their superhero films and go to France and learn how to make real movies.

Although it's set in the present day, there's a feeling that the events of this film are dredged from distant memories. It begins with the start of Naïma's last school holidays growing up in the strange double world of Cannes. Naïma herself (played by Mina Farid) comes from a normal world where her mother works as a chambermaid in one of the posh hotels frequented by the people from the other world of ridiculous idleness and unfeasibly opulent motor yachts moored on the front.

Out of the blue, Naïma's older cousin, Sofia appears and it's quickly apparent that she is the "fille facile" of the title, her over-tanned body easily flaunted for any passing lothario. Zahia Dehar has apparently some autobiographical experience to draw on in depicting Sofia and she makes the best of a fairly meagre characterisation.

Sofia quickly settles her attentions on Andres (Nuno Lopes) who owns one of the yachts while Naïma tags along and turns, in time, to Andres' sidekick, Philippe. Benoît Magimel plays Philippe, one of the more complex characters, well, but always feels too old to be of much interest to a sixteen-year-old.

Sofia and Andres' relationship is based on the exchange of meaningless sex for expensive presents. There's a retro style to some of the cinematography especially as it lingers sometimes a second of two too long on Sofia's curves and on the couple's antics. It all emphasises the dreamlike feel of the whole movie. Naïma observes the couple with a mixture of distaste and fascination - enough fascination, at least, for her to neglect her Compulsory Gay Friend, Dodo.

About half way through the film, I was reminded of a couple of days from my distant past when my sister and I, naively backpacking around the US, happened upon the lives of a couple superficially similar to Sofia and Andres. But in our short time as his guests, this real guy showed a conflict over his life choices and offered me an alcohol-fuelled, but apparently sincere, apology for the shallowness of his lifestyle.

Sadly, introspection like this was rather lacking from several characters in the movie and that's its major weakness. But for Naïma herself, the story is believable, and for that, it's worth watching. 7/10.