The Droving

A slow-burning British horror that's about as unconventional as they come, 'The Droving' is a treat for anyone who can accept its pace and minimalist approach.

The story is about Martin, a military man who returns home to search for his lost sister who went missing around the time of a mysterious festival known as The Droving.

It's hard to say much without spoiling it, but this is the type of folk horror that relies heavily on its atmosphere, with the setting and dialogue contributing immensely. The film gradually builds up its unease through Martin's solo investigation; the tension snowballs into an uncomfortable knot in the stomach as he makes discoveries, before uncoiling into something despicable and ambiguous.

Overall, 'The Droving' is refreshingly different yet atmospherically potent, suppressing the urge to go full-on horror without sacrificing all the feelings fans of the genre are well acquainted with.

7.5/10

This is the second folk horror feature directed by George Popov and written by Popov and Jonathan Russell.

Although the film does not feel derivative, we can certainly see the influence of classics of the genre, like The Wicker Man and Kill List. There is also something of Get Carter in here too.

The film is at its best when concentrating on the impressive landscapes and the main protagonist. Some of the other performers are not as strong and the climax is let down slightly by this.

However, the film has a good story and score and is definitely worth a watch for fans of the folk horror genre, who will find plenty to enjoy in it.

I really enjoyed this modern day twist on a dark folk tale,the scenery is amazing and really gives an otherworldly feel to the film. The main actor was really good too, well done! Good spooky film for a cold, wet June night in lockdown!

Set in a beautiful location with a creepy Wicker Man village vibe, the tension and sinister feel slowly builds in this great indie thriller. Also really liked the opening score, it sets the haunting tone of this film well.

Within minutes the haunting soundtrack during the opening credits sets a precedent for the entire movie. Playing alongside scenes of the breath-taking British countryside, the atmospheric score puts the movie on a high pedestal. And I'm pleased to say it meets every expectation from thereon.

The movie itself has an air of nostalgia about it. Almost like watching The Wickerman for the first time again. Yet, George Popov manages to steer 'The Droving' down its own path, taking us on a unique voyage of mystery, suspense and folklore. Filmed in Cumbria, featuring the rolling hills and stunning landscape of the Lake District, 'The Droving' features an enthralling storyline that slowly unravels keeping us guessing all the way.

Daniel Oldroyd stars as the lead character, Martin; a tormented soldier whose complex characteristics are brilliantly portrayed. Martin initially comes across as a friendly, down-to-earth guy, albeit sometimes blunt and straightforward. Yet, as the movie progresses the complexities of his character start to surface, with a driven, focused and sometimes callous demeanour replacing his previous niceties. Oldroyd's portrayal of his character's oscillating mental state was perfectly executed and kept the movie flowing from beginning to end.

Overall, 'The Droving' was a breath of fresh air in an industry that often feels stagnant with the same, tired methodology. The combined efforts of Popov and Jonathan Russell seem to be able to draw on the influences of British classics, yet give them a unique identity of their own. With stories that resonate with an audience eager for something new, there's no telling what heights their next venture can take them