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Ramona Edith Williams and Kelly O'Sullivan in Saint Frances (2019)

Metacritic reviews

Saint Frances

83

Metascore

24 reviews · Provided by Metacritic.com
  • 88
    RogerEbert.comSheila O'Malley
    RogerEbert.comSheila O'Malley
    It's truly refreshing to watch a film where nobody has anything figured out, where life proceeds messily and imperfectly. Saint Frances is unpredictable in a very human way.
  • 83
    IndieWireKate Erbland
    IndieWireKate Erbland
    O’Sullivan (who makes her feature screenwriting debut while also leading the film, appearing in every scene), is a real find, the kind of “voice of a generation” talent who spends less time talking about her genius insight and more time simply delivering on it.
  • 79
    Paste MagazineAndrew Crump
    Paste MagazineAndrew Crump
    Saint Frances gets specific, stays lighthearted, but hits like a ton of emotional bricks.
  • 75
    Movie NationRoger Moore
    Movie NationRoger Moore
    Comedy is the most subjective film genre, and all this menstruation, abortion, Catholicism and Meeting Mr. Wrong won’t be to every taste. I found Saint Frances a real indie comedy shot in the arm (first-timer Alex Thompson directed). And I cannot wait to see what O’Sullivan comes up with next.
  • 75
    The Film StageChristopher Schobert
    The Film StageChristopher Schobert
    Saint Frances is a character-driven effort that tackles big themes in a wonderfully down-to-earth manner. That’s a tricky balancing act, but Thompson and O’Sullivan pull it off.
  • 75
    The A.V. Club
    The A.V. Club
    Saint Frances goes down easy. It’s refreshingly small and intimate, and is specific on the lives of very particular women without overreaching to look more politically salient or strike zeitgeist concerns. Bridget’s personal growth is understated, and so, for the most part, are the pleasures of Saint Frances.
  • 70
    The Hollywood ReporterDavid Rooney
    The Hollywood ReporterDavid Rooney
    [A] slender but appealing debut feature. Of note for its nonjudgmental stance on abortion and its normalizing treatment of queer parenting, though not immune to occasional heavy-handedness or caricature, the film has enough modest charms to connect with audiences similarly navigating the bridge between youthful detachment and grounded adulthood.
  • 70
    The New York TimesJeannette Catsoulis
    The New York TimesJeannette Catsoulis
    With a warm heart and a nonjudgmental mind, Saint Frances weaves abortion, same-sex parenting and postpartum depression into a narrative bursting with positivity and acceptance.
  • 65
    TheWrapElizabeth Weitzman
    TheWrapElizabeth Weitzman
    The movie’s most notable asset is the way it resists sketching any of its main characters with a single, easy-to-grasp definition.
  • 63
    Slant MagazinePat Brown
    Slant MagazinePat Brown
    It has almost enough genuine charm and heart to compensate for the moments that feel forced.
  • See all 24 reviews on Metacritic.com
  • See all external reviews for Saint Frances

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