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Memory: Les origines d'Alien (2019)

Metacritic reviews

Memory: Les origines d'Alien

70

Metascore

18 reviews · Provided by Metacritic.com
  • 83
    The PlaylistJordan Ruimy
    The PlaylistJordan Ruimy
    This is a hearty, four-course meal for film fans, which, once again, demonstrates that the study of a film can be just as invigorating an experience as the actual film itself.
  • 80
    The GuardianPhil Hoad
    The GuardianPhil Hoad
    What this solemn and enlivening documentary plunge into the history of Ridley Scott’s sci-fi classic reiterates is the idea of film as a collective art form – not just the wider circle of writers, performers and technicians beyond the director, but in the case of the truly great films, serendipitous access to a deeper collective unconscious to which we all have the keys – even if few know how to use them.
  • 80
    Los Angeles TimesJustin Chang
    Los Angeles TimesJustin Chang
    A rich and diverting piece of film scholarship.
  • 70
    The New York TimesBen Kenigsberg
    The New York TimesBen Kenigsberg
    While it is generally engaging to learn about the influences of the screenwriter Dan O’Bannon or the artistic process of H.R. Giger (who designed the alien), the documentary is at its least fawning when it focuses on technique.
  • 60
    CineVueChristopher Machell
    CineVueChristopher Machell
    Memory certainly makes a good go of it, weaving together industrial production history with its mythic, pulp and artistic inspirations. The disparate strands of Alien’s origins have never quite been connected like this in a popular documentary, but billing this as the “untold story” of Scott’s film is a bit of a stretch.
  • 60
    Empire
    Empire
    Falls slightly short of being the definitive Alien doc, but Memory is slick and thoughtful, and will deepen your love of a classic.
  • 60
    Film ThreatNorman Gidney
    Film ThreatNorman Gidney
    Alexandre O. Philippe is a fine filmmaker and documentarian. Memory – The Origins of Alien, however, is a bit of a class on story structure and theory.
  • 60
    New Orleans Times-PicayuneMike Scott
    New Orleans Times-PicayuneMike Scott
    An admirably full portrait of a film that reflects, with thrilling discomfort, the darker recesses of our minds.
  • 58
    The A.V. ClubIgnatiy Vishnevetsky
    The A.V. ClubIgnatiy Vishnevetsky
    The result often feels superficial; it is neither a definitive account of the creation of Scott’s touchstone of horror and sci-fi, nor a cogent analysis of its aestheticized subtexts, those gritty and unnerving surfaces and the things lurking underneath.
  • 58
    IndieWireDavid Ehrlich
    IndieWireDavid Ehrlich
    Caught somewhere between a genealogy project, an oral history, and an in-depth video essay about the iconic scene that seared “Alien” into our imaginations, it reaffirms the film’s basic power without probing deeply enough to achieve any power of its own.
  • See all 18 reviews on Metacritic.com
  • See all external reviews for Memory: Les origines d'Alien

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