La nation de l'enfant unique

To me, the One-Child policy made sense when I was younger and didn't know any better. Fix overpopulation and hearken Malthus by limiting household size. Easy, right? This wasn't America after all; individual liberties are fewer in Communist China...because...isn't it for the good of the collective and not the individual? To my understanding, most of the Chinese were just banding together and willingly sacrificing for their country.

The movie paints an entirely different picture. Yes, there were those believed they were rightful functioning as an extension of the Red policy. Yet, almost every single person that Wang interviews had to preface recollections of the forced sterilizations and abortions with four haunting words: "I had no choice."

This movie investigates the intersect between acting willfully for your country and its opposite: being forced to do what are considered "necessary evils" for the longevity of the country.

Wang is skeptical that any of this suffering needed to happen to begin with. She provides a counter-narrative to the Communist state, wondering if the mountains of abandoned girl babies were left to die in vain. In retrospect, the policy's dubious reasons point more towards a mindless allegiance to leadership than any saving grace from starvation. That's how the movie is presented, at least.

Definitely worth the watch.

I began to love the documentary as an art-form much more when I realised that they're less about presenting basic facts, and more about presenting ideas, personal (and often subjective) stories, and visually depicted arguments/opinions. Therefore, I'd never mark a documentary down for being biased, unless perhaps that bias presented a clearly dangerous or insensitive message to its audience.

I say all this because One Child Nation is not aiming to be an "objective" or strictly factual documentary (very few documentaries do, in my opinion, and I believe that's a common misconception which I should nevertheless shut up about now). In just under 90 minutes, director and host/narrator Nanfu Wang provides a succinct and effective history of China's one child policy, before spending most of the documentary interviewing those who lived under and were affected by it. As a result, the documentary does not have a particularly strong through-line, in my opinion, nor a great sense of pacing, as the feeling of going from one subject to another (occasionally linking them effectively) does result in an episodic feel.

There is also a noticeable way in which some of these segments are more interesting than others- One Child Nation is at its most interesting and heartbreaking when Wang focuses in on her family, asking them why they went along with the one child policy and pulling surprisingly few punches. There is also the horrific stories given by an artist who tried to bring attention to the mistreatment of discarded babies through his disturbing photography and artwork. A whole film could have been given to either of these 'segments,' though in the former's case, I could understand how taxing that would be as a filmmaker to interrogate your own family that much, and with the latter, I could see that being too gruesome an angle to spend an entire feature length documentary on.

The lack of flow, solid but not quite incredible conclusion, and occasional repetition are the only slights I have here, and I know I've spent an unfair amount of this review on them. For the most part, this is a very engaging and oftentimes very sad, even hopeless documentary about an entire nation of people being oppressed and manipulated, even to the point where most of the older generations are shown to still believe the one child policy was a good thing. As the documentary goes out of its way to depict, this was not the case, as the sheer number of stories and statistics regarding children being discarded (particularly if a couple had a girl as their only child, as they were seen as less desirable within the culture, being unable to properly 'pass' the family name on) is enough to convince anyone with half a functioning heart that no, this policy was not a decent or ethical one. There are reasons some thought it sensible, but the human cost can't be ignored here, and this documentary succeeded in making me reflect on that, and wonder why I hadn't really thought about the implications of this now retired policy before, despite knowing full well that it had existed.

Good documentaries often provoke and force you to open your eyes and properly think about issues you may not have known existed, or otherwise did not give the time and thought they might have deserved. One Child Nation, despite an imperfect execution, succeeds on this front, and as such I can easily recommend it to documentary fans who are okay with some upsetting subject material. It was shocking and thought-provoking, without feeling manipulative or exploitative, and was well worth the 90 minute running time.

The documentary on China's One-Child Nation leaves you numb and forces you to think to what extent humans can go for their desires. China has been able to control its population to a large extent which would've had a huge impact on its economy and maybe it wouldn't have been here today where it is but at what cost? It's a difficult question and makes you speechless.

The movie is very insightful and brings the topic to the discussion which wasn't the case. It's truly a must-watch.

"As a bookish child, I would come to see the one-child policy as one of the most fascinating and bizarre things about the land of my ancestors, equal parts Aldous Huxley and King Herod." Mei Fong, One Child: The Story of China's Most Radical Experiment

Hearing about China's 1979 one-child policy, lasting 35 years, is one thing. Listening to Asians who lived through it is another. The logic of administrators, some of whom who appear in Nanfu Wang's informative and touching documentary, One Child Nation, almost make sense.

Then you realize who is abandoned and who abducted, mostly girls, and you grimace for them and the families who were torn apart by the rule. Assuredly the females had to go first when authorities discovered families with more than one child because the Asian tradition had always favored males.

Wang having been given a man's name (Nanfu translates into "man" and pillar") shows a deft hand at directing without preaching. She does what I find lacking in too many docs-the other side. Those supporting a one-child policy appear frequently praising it as the salvation of a billion people who would have starved or resorted to cannibalism without the population restraint.

The devastating effects cannot be hidden: babies left in baskets, twins separated forever, human trafficking on a grand scale are just a few of the disorders. Propaganda is always there to reinforce the state's message. Wang presents it all, both good and bad.

But like our dark slavery past or Nazi cleansing, heinous plans to control population never seem to survive. The trail, however, is bloody and harrowing.

Wang has expertly balanced between a depressing subject and an important history lesson: "Don't fool with Mother Nature."

Yes, this film makes a clear case for the serious consequences that happen when paternalistic societies fail to value and provide equal rights for women. Whether it's rabid anti-choice proponents in America who clearly feel that individual women should be denied the right to make reproductive decisions for themselves, or Chinese communist authorities who perpetuate the party line to force abortions and sterilization, the losers are always women and all of society. We all need to learn this lesson and this film makes this point in a devastating and personal way.