Metacritic reviews

Life, like love is messy. The beauty of the film is the way Miele, through the dilemma of Adrienne and Matteo, asks us to look at our own messy lives and see it through fresh eyes.

Wander Darkly is not some misty-eyed golden-hued stroll down memory lane. The title of the film is eloquent. Darkness threatens every moment.

Chemistry wise, Miller and Luna work wonders together. Miller’s intense dynamic range: from impassioned to ebullient and afraid, plays well off of Luna’s boyish charm. They imbue these characters with troves of insecurities and mountains of love.

Wander Darkly is a hard watch that is worth it, as the movie will pull a few tears from your eyes at the end.

Some may find this a path too well trodden by other movies, but what's refreshing is to see it through the eyes of a female protagonist for a change.

What really keeps Wander Darkly together is yet another convoluted, conflicted, and honest performance from Miller.

The film’s greatest strength is the pairing of Miller and Luna, an immensely charismatic duo who give Adrienne and Matteo’s relationship (not to mention her metaphysical crisis) credibility even where Miele’s script does not.

There are tips and too-obvious clues about what’s really going on here. And Miele drags out the finale, too, trying to bring on the tears. But Miller and Luna give this romance a history, weariness and testy spark that keeps Wander Darkly going even after we’ve guessed what its destination is.

Although the whole thing’s a bit of a jumble, the L.A.-set film becomes more immersive as we slowly adjust to its ambitious conceit and unique rhythms. A solid third-act twist helps square the preceding puzzle pieces and takes us out on a satisfying and moving note.

What could have been a profound study of grief and psychological trauma is diluted with needless structural and stylistic obfuscation.