Mona Lisa and the Blood Moon

This was all style with very little substance. Writer and director Ana Lily Amirpour's choice of style even started getting annoying real quick with the constant convex fish-eye lens filming, loud overbearing soundtrack and score, and all the bedazzled over-contrasted colors. Then you still have to sit through almost two hours of Amirpour's disjointed, unfocused, underdeveloped and sluggish narrative, that also lacks giving any understanding of the protagonist, of whom Amirpour also failed to direct properly. When you finally get to the end of the movie, you'll roll your eyes in disappointment from the boring unresolved ending, and all the questions you'll still have.