The Great Buster

Fine documentary on the life and art of silent film star Buster Keaton. Written and directed by Peter Bogdanovich (THE LAST PICTURE SHOW, PAPER MOON, MASK), this was the last film he made as a director, and it's fitting that his final film is a love letter to one of the early stars of film and follows his career from the days of silent films through the Golden Age of Hollywood, all the way through the 1960s on the eve of the New Hollywood revolution. Not only does the film celebrate the life and art of Keaton, the film serves as a document of the evolution of American film and the Hollywood studio system. Featuring contemporary and archival interviews with diverse personalities, including Dick Van Dyke, Johnny Knoxville, Paul Dooley, French Stewart, Richard Lewis, Carl Reiner, Bill Hader, Mel Brooks, Cybill Shepherd, Werner Herzog, Nick Kroll, Quentin Tarantino, Leonard Maltin, Ben Mankiewicz, and Norman Lloyd. While the film serves as a loving celebration of Keaton, it's not particularly revelatory. It works best as an introduction to Keaton for the uninitiated, but is nonetheless worth watching for Keaton fans for the many interviews and rare archival footage of Keaton and his work outside of his classic films.

While maybe not the most definitive look at the man, this does a great job of explaining why and showing why he was so great and will leave you wanting to track down all of his movies you can. IF you've seen lots already and already love him, it's not really much new, unless you really wanted to know what Johnny Knoxville thinks... That said, Keaton was amazing so this is well worth watching.

A 2018 documentary on one of the kings of silent film Buster Keaton directed & narrated by the late, great Peter Bogdanovich. Most people will say Charlie Chaplin others my say Harold Lloyd but in many circles the undisputed silent film champ is Keaton. Tracing his roots as a vaudevillian who was the child in a family act, he soon gained the eye of Fatty Arbuckle who gave him a chance to make shorts w/his studio which afforded him to make feature length productions gaining him worldwide fame & notoriety but as bad follows good, things turn when he became a contract player for MGM. Never having owned his material didn't give Keaton the cache that Chaplin would command so his inventiveness (he was a consummate tinkerer figuring out his gags in advance) were relegated to the sidelines as his talent was further wasted when talkies took over. Happily he found appreciative fans overseas in Europe where he would be feted for his past triumphs & although later in life during the 1960's, dying from cancer he'd continue to work (appearing in some of the Beach Blanket films & tons of ads promoting different products but really a return to form as they were essentially the same kind of shorts he perfected some 40 years before). W/talking heads as varied as Richard Lewis, Dick Van Dyke, Mel Brooks, Werner Herzog, Johnny Knoxville, Bill Hader & former Pathmark shill James Karen to name a bunch, we're giving an unsung cinematic hero his due. My only complaint is the film finishes about 90 minutes in but Bogdanovich tacks on another half hour to illustrate his greatness w/a collection of his most famous sequences making this portion of the doc almost an afterthought but ultimately servicable.

If it wasn't for the lengthy and amazing documentary about Buster Keaton by Kevin Brownlow that was made back in the 1980s, "The Great Buster" would seemed like an even better documentary. The problem is that the 80s film was simply perfect in every way....and was long enough to thoroughly explore the man's art and life. Now, nearly 30 years later is this other film....though "The Great Buster" is a bit different in style. Sure, it shows film clips...but much of it also includes interviews with folks who either knew him or loved his work. Most of this I really enjoyed...though WHY they had Johnny Knoxville among these interviewees is beyond me....especially when he compares "Jackass" and "Bad Grandpa" to the refined and brilliant work of Keaton. It's like comparing a Hummel figurine to a Michelangelo masterpiece! Fortunately, he was only a small part of the film and the rest of it was quite good. Having Peter Bogdonovich narrate was a bit plus, as he's one of the foremost film experts and directors there is....and I highly respect his knowledge and craftmanship you see in making this movie. I could tell it was his labor of love.

For fans of Keaton as well as the unitiated, it's well worth seeing. But do yourself a favor....find "Buster Keaton: A Hard Act to Follow" and see it first. I know it's on YouTube and a few DVDs are floating around out there. It is THE definitive story of Buster Keaton. Then, see "The Great Buster" as well....you'll be happy you did.

I became aware of Buster Keaton in the early 1970s, when THE GENERAL played on PBS, and I bought and read his ghost-written MY WONDERFUL WORLD OF SLAPSTICK. Those were the days when all we had were memoirs with a few stills. Now, almost half a century later, almost all of Buster's work is available if you want to see it and are willing to pay a bit extra for stuff that's out of print. Yet Peter Bogdanovich's documentary tells the same story now. albeit with some clips from the 1960s, and kind words from Quentin Tarrantino and Bill Hader: can't get the young kids in unless there's someone they've heard of.

I understand that. We want people to give Buster a try, and centenarian Norman Lloyd talking about being on the set when Chaplin and Keaton were working together won't do it. Also, the story as offered is a wonderful, simple one that offers a beautiful narrative: great artist makes fatal mistake, then struggles back thanks to the love of a good woman. Yet, once you delve deeper into Keaton's films and his life, it quickly becomes far more complicated than that. So what you are left with are the clips of Buster's stunts.

And what stunts they are! People may argue endlessly about who the greatest slapstick pratfaller was, but no one will ever dispute that Keaton was among the best, and because of that, he created grand gag sequences that no one but Jackie Chan has ever come close to equaling. So if you don't know Keaton, beware. The story, like all finite stories, is hopelessly simplistic and at times false -- Keaton had a lot more control over his Educational shorts than this movie would have you believe, for one -- but take a look at it anyway, for the many clips and short sequences. Because the things this movie gets right is that Buster was one of the greatest film makers of the 1920s, and a daring and enormously effective comedian and actor.