The Climb
- 2019
- Tous publics
- 1h 38m
IMDb RATING
6.7/10
5.3K
YOUR RATING
A look at the friendship between two guys that spans over many years.A look at the friendship between two guys that spans over many years.A look at the friendship between two guys that spans over many years.
- Director
- Writers
- Stars
- Awards
- 3 wins & 8 nominations total
- Director
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- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I greatly enjoyed the way "The Climb" was filmed, with its complicated tracking shots and eccentric musical interludes. But I couldn't stand the characters in it and I didn't care at all about their story, so it's a shame so much style was wasted on lame material.
The movie examines the relationship between two buddies and ponders why one of them, Kyle (played by Kyle Marvin), puts up with the other, Mike (played by Michael Angelo Corvino), despite the fact that he is a complete jerk and ruins moment after moment of Kyle's life. The answer to that question, as the movie disingenuously concludes, is that Mike is the only person who knows what's best for Kyle, and though he's been nothing but a toxic presence for the entire length of the film, he's been right all along. Ugh, give me a break.
I don't have any patience at all for the man children Marvin and Corvino bring to life in this movie. Corvino especially, doing his best Casey Affleck impersonation, is intolerable. Clearly we're supposed to find him maybe at times frustrating but overall charming, which justifies woman after woman finding him irresistible even though he's repulsive, and which is why Marvin's doormat character can't tell him to take a flying leap. The problem is that Corvino is never as funny and charming to us as he thinks he is to himself. It's no surprise that he co-wrote the film with Marvin and directs it. Someone with more distance from the character needed to take the reins of this movie if we were to have any sympathy for him.
I actually liked quite a few moments in this movie, but more because of how they were staged than because of what was happening in them. It's a movie full of wasted potential.
Grade: B-
The movie examines the relationship between two buddies and ponders why one of them, Kyle (played by Kyle Marvin), puts up with the other, Mike (played by Michael Angelo Corvino), despite the fact that he is a complete jerk and ruins moment after moment of Kyle's life. The answer to that question, as the movie disingenuously concludes, is that Mike is the only person who knows what's best for Kyle, and though he's been nothing but a toxic presence for the entire length of the film, he's been right all along. Ugh, give me a break.
I don't have any patience at all for the man children Marvin and Corvino bring to life in this movie. Corvino especially, doing his best Casey Affleck impersonation, is intolerable. Clearly we're supposed to find him maybe at times frustrating but overall charming, which justifies woman after woman finding him irresistible even though he's repulsive, and which is why Marvin's doormat character can't tell him to take a flying leap. The problem is that Corvino is never as funny and charming to us as he thinks he is to himself. It's no surprise that he co-wrote the film with Marvin and directs it. Someone with more distance from the character needed to take the reins of this movie if we were to have any sympathy for him.
I actually liked quite a few moments in this movie, but more because of how they were staged than because of what was happening in them. It's a movie full of wasted potential.
Grade: B-
Was looking forward to this based on the plot and reviews. You don't get hugely invested in the characters. It has some good moments but tried pretty hard to be Coen Brothers esque.
I actually really enjoyed this & although it was a bit silly in places, there was enough abstract bits & random obscure French & Ukrainian pop music to keep me interested. Great soundtrack.
Saw this at fhe Film Festival Munich 2019 (in German: Film Fest München). An intriguing collection of nice finds, augmenting the at-first-sight downthrodden path of triangle relationships where two men compete for one woman, but there is so much more at that. A parallel topic is male bonding, said to be stronger than between man and wife but even so often falsified, but nevertheless working out surprisingly here in a very original way. We watch a series of separate stories, mostly some time passed in between, each having the same two men as center of attention. Each chapter carries a specific title, foreshadowing what we are going to see as dramatic development(s). For instance, in the first chapter with the title "I'll kill you!" comes to light that one of the men had a sexual relationship with the fiancée of the other one (no fatalities, however, despite the title of this chapter).
That said, I would have preferred that each of the chapters was introduced not only with an intriguing title but also with some context and a time frame. A spoiler-free example of the latter is the start of chapter 2. We obviously attend a funeral, but I was left too much time wondering who and why. Th "who" question is answered implicitly when the funeral leader invites "her husband" to say something. The "why" remains unanswered, and ditto how much time elapsed between chapter 1 and 2. The chapter ends in a very unusual way, when the husband gets into a fight with churchyard personnel around a shovel. Expect more such unexpected turns of events in this movie. This is one of its trademarks.
My feeling that I had to grasp for context happened similarly with subsequent chapters, where new protagonists were thrown on us without telling who-was-who. Nevertheless, the respective stories become clear after some time to get acquainted. Most important aspect of this movie is that the turns of events are unexpected and ample humor is included, contrasting with the also prevalent sadder moments. It all makes up a perfect mix. In other words, just like real-life outside the cinema runs its course, with ups and downs, and for better or for worse.
When ignoring the flaws in storytelling (assuming these flaws are real and not just my fault), watching this movie is a rewarding experience, not the least of the humor-riddled dialogs. Take for instance a "how long" question in the opening chapter, that was answered "still 2 miles", obviously not the assumed answer how long the offending sexual relationship had lasted. And the "I'll kill you!" exclamation was not to be taken literally, as we can see when the front cyclist hits a passing car, triggering its driver to leave the car and tries to attack him. The ranks are closed very fast in their combined effort to contain the angry car driver, and the earlier death threat is forgotten on the spot.
All in all, each of the chapters has its own merits, are well written and treat relevant situations and real people with real attitudes and opinions. The stories are diverse in topic and show different people in different circumstances, sharing our two main protagonists as common denominator. Indeed, their connection and their chemistry remain the central theme throughout the running time. Seeing them go through all these phases and events makes watching this movie a memorable experience.
That said, I would have preferred that each of the chapters was introduced not only with an intriguing title but also with some context and a time frame. A spoiler-free example of the latter is the start of chapter 2. We obviously attend a funeral, but I was left too much time wondering who and why. Th "who" question is answered implicitly when the funeral leader invites "her husband" to say something. The "why" remains unanswered, and ditto how much time elapsed between chapter 1 and 2. The chapter ends in a very unusual way, when the husband gets into a fight with churchyard personnel around a shovel. Expect more such unexpected turns of events in this movie. This is one of its trademarks.
My feeling that I had to grasp for context happened similarly with subsequent chapters, where new protagonists were thrown on us without telling who-was-who. Nevertheless, the respective stories become clear after some time to get acquainted. Most important aspect of this movie is that the turns of events are unexpected and ample humor is included, contrasting with the also prevalent sadder moments. It all makes up a perfect mix. In other words, just like real-life outside the cinema runs its course, with ups and downs, and for better or for worse.
When ignoring the flaws in storytelling (assuming these flaws are real and not just my fault), watching this movie is a rewarding experience, not the least of the humor-riddled dialogs. Take for instance a "how long" question in the opening chapter, that was answered "still 2 miles", obviously not the assumed answer how long the offending sexual relationship had lasted. And the "I'll kill you!" exclamation was not to be taken literally, as we can see when the front cyclist hits a passing car, triggering its driver to leave the car and tries to attack him. The ranks are closed very fast in their combined effort to contain the angry car driver, and the earlier death threat is forgotten on the spot.
All in all, each of the chapters has its own merits, are well written and treat relevant situations and real people with real attitudes and opinions. The stories are diverse in topic and show different people in different circumstances, sharing our two main protagonists as common denominator. Indeed, their connection and their chemistry remain the central theme throughout the running time. Seeing them go through all these phases and events makes watching this movie a memorable experience.
I was expecting the usual indie film, lacking in execution and with a sloppy and forgettable story. I was instead very surprised, as it has many inventive ideas and the script is well written. It is splitted in 7 parts and each chapter is like a long uninterrupted shot, with very few cuts in the middle. This make the story flow very nicely.
The friendship between Mike and Kyle will be tested a lot, but they always manage to reconcile, no matter what. The title of this movie is just perfect. For the whole time I had the feeling that this relation is a really difficult climb on a hill that will never end, and eventually finish where the two friends will just give up on each other. In the end things will be fixed, and finally we see the descent. This small indie project does not have a big budget, nor important names casting on it, however it delivers a nice story and a thoughtful narrative. There are here and there some sequences that are just a little bit too long and boring, but it is just one hour and a half long, so honestly not a big deal and I wouldn't cut anything out.
Among all these independent films, this is surprisingly good: characters are deepen, and you can easily bound with the two protagonists, it has a some good funny moments and overall is a simple and enjoyable movie. I personally recommend it, especially if you are searching for a light-hearted watch.
The friendship between Mike and Kyle will be tested a lot, but they always manage to reconcile, no matter what. The title of this movie is just perfect. For the whole time I had the feeling that this relation is a really difficult climb on a hill that will never end, and eventually finish where the two friends will just give up on each other. In the end things will be fixed, and finally we see the descent. This small indie project does not have a big budget, nor important names casting on it, however it delivers a nice story and a thoughtful narrative. There are here and there some sequences that are just a little bit too long and boring, but it is just one hour and a half long, so honestly not a big deal and I wouldn't cut anything out.
Among all these independent films, this is surprisingly good: characters are deepen, and you can easily bound with the two protagonists, it has a some good funny moments and overall is a simple and enjoyable movie. I personally recommend it, especially if you are searching for a light-hearted watch.
Did you know
- TriviaIt was scheduled to be released on March 20, 2020. Because the COVID-19 pandemic, was rescheduled to July 17, 2020. Newly, because the COVID-19 pandemic, was delayed to October 9, 2020. And finally, to November 13 2020.
- ConnectionsFeatures Le grand amour (1969)
- SoundtracksToo Good
(Trop Beau)
Music by Gilbert Bécaud
French lyrics by Louis Amade
English lyrics by Norman Gimbel
Performed by Gilbert Bécaud
Courtesy of Parlophone/ Warner Music France
- How long is The Climb?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Сходження
- Filming locations
- Col de Vence, Alpes-Maritimes, France(while cycling uphill Mike informs Kyle that he has slept with his fiance)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $234,429
- Opening weekend US & Canada
- $97,639
- Nov 15, 2020
- Gross worldwide
- $711,639
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 2.00 : 1
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