Sorry We Missed You
- 2019
- Tous publics
- 1h 41m
Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of... Read allHoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.
- Nominated for 1 BAFTA Award
- 10 wins & 22 nominations total
- Seb
- (as Rhys Stone)
- Ben
- (as Christopher John Slater)
- Harpoon
- (as Alberto Dumba)
- Council Worker
- (as Darren Jones)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The real life struggles of real people struggling to make ends meet after the financial crash. This is about a family in desperate situations, who are financially and time poor. He's a hardworking self-employed delivery driver, she's an overstretched care worker. Both very demanding jobs, their lives are hard, and their kids are neglected. A serious story for current times, though there are no references to Brexit or politics generally.
If you've seen 'I, Daniel Blake' then you'll have a good idea what to expect, though this isn't about benefits. This is more about what happens when there are no workers' rights. Recommended.
They would eventually reach the hospital close to noon. After getting an earful for not keeping to their time, they would have to seen by the junior most doctor of the team. The senior ones would have left the clinic for more pressing needs. Unable to make a definitive plan of medical treatment for them, these patients who would require most of the expertise from the medical team ended up discarded by the system. They would be given another appointment; the whole ritual needs to be repeated. On top of all these, as they are daily wage earners, absence from work meant the loss of a day's earning.
I thought all these slave-like working conditions would end as the world changed. With globalisation, workers were promised working conditions and preservation of unassailable rights of the workers. Marx's dream of working for sustenance and having leisure time to enjoy the reason for their existence, they thought, would of fruition with the gig economy. They do a gig when and if they want. The workers would be their own boss. They work for themselves; not for the bosses or company. They do not work for a company but with the company. What the company failed to highlight were the fine prints, the exclusion clauses and the penalty they were to be imposed if specific rules are not followed.
Fast forward, and workers realise that the whole economy is just a scam. The same old economic ideology is just re-packaged. The same plot of scheming the poor to feed the rich is in full force. The workers continue breaking their back until a new horizon emerges. Who knows what else would they promise the next time. Meanwhile, like Sisyphus, the unendowed have the find simple pleasures within their unending cycle of hardship, a flicker of hope, resolution, pain and the curse of repeating it all over again.
Still reeling with debts from the 2008 economic downturn, Ricky thought he found a sure way to end his financial woes. The promise of good returns as an independent despatch services provider, he felt his hard work was the only thing that separated him from economic independence. For that, however, he needed to purchase a pickup van. For its down payment, he had to sell off the family car in which, the wife, Abbie, a home care nurse moved around to meet her patients.
Soon everyone realises that it is not all hunky-dory. Ricky has to spend long hours at work. Abbie finds it taxing to meet her demanding schedule. Their two teenage children are left to their devices. The parents are unable to meet up to their school and their children's emotional needs. Ricky's woes only accumulate. He has to pay damages for lost items which are not covered by insurance and to work despite his injuries after mugged.
It looks like the dependence on others will spill over on to the next generation. Their dependency on their digital hand-held devices is not mere addiction. It has become their essential tools to do their school, learning, communication and more. The digital world is another platform that is manipulated by the economic giants to make people fall at the service providers' feet. This is yet another doublespeak and the dehumanising trap of the neoliberal economy. Instead of building an antifragile society that grows stronger with every stress that is hurled upon them, we will be left with a brittle one, needing support at the mere thought of pressure.
Again, our electron microscopic friend, COVID-19 has shown us the fragility of the gig economy. Being locked down for two weeks may be excellent for family time and bonding, but neither bring in the cash nor pays the bills.
We are shown a glimpse of daily life of the Turners. A low income family with limited options and imperfect decisions. Much like the real ordinary men and women out there every day doing what ever job they can to make ends meet whether it's zero hour contracts, sub-contracts, agency work, sole trading or just a crap job you can almost guarantee they've experienced unscrupulous management, no health and safety, no sick pay, no paid holidays, no travel expenses, dodgy cheques, penalties and sanctions.. I know I have. It's a jungle out there and the grim reality is the world is full of people and businesses willing to take advantage of you at every turn and this film tries to capture just that.
I know Loach often uses unknown or first time actors in his films, but he has a way of bringing out really good performances from them. In Sorry We Missed You it's no different. The characters are really believable in their roles. Kris Hitchen's performance is outstanding in this film. He completely owns the role of Ricky. A solid actor, i'll be checking out his other work from now on. Debbie Honeywood does a great job as Abbie, however not not every line of dialogue hits the mark. Her description of her recurring dream and a few other scenes felt more like a run-through of her lines. Though not overly distracting and she more than makes up for it with her kind hearted compassionate performance. Ross Brewster played the part of the depot manager we love to hate so well. Numbers and figures man, not a care in the world for the workers. Prize pick, basically. The type of character I think we've all come across at some point.
I found this so relatable, after all that's the point isn't it. The hard grafting father working his arse off but never seems to be able to get ahead, the loving mother doing everything she can to hold it all together as she watches her family fragment, the self destructive teenage son at that "stupid age" angry, selfish and misunderstood. It made me laugh, it made me sad, it made me angry, infuriated even, and it got me thinking. What more could you want in a film. Fantastic.
Did you know
- TriviaKris Hitchen took inspiration for his part from his time working as a plumber in the years between acting jobs.
- GoofsAt 59 minutes and 37 seconds into the movie the head of a crew member is visible in the background mirror when Ricky is reading a letter from the school.
- Quotes
Abbie Turner: This is my family, and I'm telling you now, nobody messes with my family.
- ConnectionsFeatured in WatchMojo: Top 10 Movies of 2020 (So Far) (2020)
- SoundtracksKnow How
Written by Matt Dike, Isaac Hayes, John Wylie King, Michael Simpson and Marvin Young
Performed by Marvin Young (as Young MC)
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Details
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- Also known as
- Lazos de familia
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- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $28,273
- Opening weekend US & Canada
- $9,436
- Mar 8, 2020
- Gross worldwide
- $8,943,790