14 nominations
- 2020 Nominee Primetime Emmy
- Outstanding Cinematography for a Limited Series or Movie
- 2020 Nominee Primetime Emmy
- Outstanding Sound Editing for a Limited Series, Movie or Special
- Glenn Freemantle (sound designer and co-supervising sound editor)
- Ben Barker (sound sesigner and co-supervising sound editor)
- Gillian Dodders (dialogue editor)
- James Wichall (dialogue editor)
- Danny Freemantle (sound effects editor)
- Robert Malone (sound effects editor)
- Dayo James (sound effects editor)
- Nick Freemantle (sound effects editor)
- Lilly Blazewicz (foley editor)
- Emilie O'Connor (adr editor)
- 2020 Nominee Primetime Emmy
- Outstanding Sound Mixing for a Limited Series or Movie
- Lisa Piñero (production mixer)
- Mitch Low (production mixer)
- Howard Bargroff (re-recording mixer)
- Glen Gathard (foley mixer)
- 2020 Nominee Primetime Emmy
- Outstanding Special Visual Effects in a Supporting Role
- Andrew Whitehurst (vfx supervisor)
- Sarah Tulloch (vfx producer)
- Anne Akande (vfx producer)
- Samantha Townend (vfx co-producer)
- Giacomo Mineo (on-set vfx supervisor)
- George Kyparissous (fx supervisor)
- Stafford Lawrence (animation supervisor)
- Jon Uriarte (lead compositor)
For "Episode 8"
- 2021 Nominee Golden Reel Award
- Outstanding Achievement in Sound Editing - Episodic Long Form - Effects and Foley
- Glenn Freemantle (supervising sound editor, sound designer)
- Ben Barker (supervising sound editor)
- Danny Freemantle (sound effects editor)
- Nick Freemantle (sound effects editor)
- Robert Malone (sound effects editor)
- Dayo James (sound effects editor)
- Lilly Blazewicz (foley editor)
- Peter Burgis (foley artist)
- Zoe Freed (foley artist)
S1.E3 Episode #1.3 (2020)
- 2020 Nominee OFTA Television Award
- Best Cinematography in a Non-Series
- 2020 Nominee OFTA Television Award
- Best Sound in a Non-Series
- 2020 Nominee OFTA Television Award
- Best Visual Effects in a Non-Series
- 2021 Nominee AMPS Award
- Excellence in Sound for a Television Drama
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