Godzilla : La Ville à l'aube du combat

What people need to remember walking into any Godzilla movie is that the first 45-60 minutes involves talking. The last 30+ are solely dedicated to utterly amazing, feet-flailing excitement. If you consider this, the movie is fantastic: Here's my breakdown.

The art of storytelling is not lost in Japan. They understand the need to lay sufficient groundwork to build your story on. They also understand that conflict drives a story. While it may seem like the story lags, even I had a moment where I had to be reminded of this, it serves a purpose. They could have easily have just presented things to you without offering explanations, but that's a half-hearted story. In Horizon: Zero Dawn, they give you explanations to everything you're witnessing despite its seemingly insane scenario.

The tensions within the first one bubble over now in the second iteration of this three part series. The ideals of each group now reach their critical mass as they begin to question what exactly it is they're willing to sacrifice in order to defeat Godzilla. Not only that, but what it is that they're fighting; the monster, or the idea of it. If it is conflict that drives stories then this truly is a story. Seemingly each scene grasps this concept and seeks to convey it to us.

I'll probably come back and edit this later but this is the best I can offer after just watching it today and without any spoilers. I can say with surety that the efforts of the writers to give us a well-rounded story were felt. If you rate this a 4, I can see that. Much below that and I might call it unfair, even if you don't like the genre. One thing that bothers me is when people toss up a 2* rating with a review that basically says they don't like Godzilla, monster movies, or action in general. If you accept that it is a Godzilla film when you walk into it, at the very least, it won't be a waste of your time.

I dislike stories that revolve around some miraculous but vaguely defined product or technology (in this case the 'nano-metal') that does whatever the plot requires, and as the first film left me with little interest in the characters (whom I found to be trite and flat), the sequel did nothing for me. Much of the movie consists of pretentious expositional pseudoscience, especially with respect to evolution, the limited action sequences differed little from the first film, and again Godzilla appears as a static, ill-defined craggy grey mass. My interest picked up slightly when the small twin girls started talking about their God who had been killed by Godzilla but had left an egg behind but that went nowhere (presumably being a set up for the third film). Ultimately I found this, the 33rd Godzilla movie, slow-moving and uninteresting.

I watched Godzilla 1985 when i was 5 years old, i have been a BIG G fan ever since, i am 36 now. i even forced myself through the 1998 american dung heap. and i am american. i have watched both animated Godzilla movies so far. both are far better then they should have been. in many ways, far better in story then any Godzilla movie ever made. i normally hate it when Godzilla is the bad guy. but not in these, it is done so well. i wonder what the people were expecting who have written the negative reviews... just a mash up of monsters? it has good stories, logical flow, drama, action, charter development. i cant wait for the third, excellent way to fill the gap for the new live action. i hope they do many more.

The story and human character development is very good the film has some decent action. I enjoy for the most part.

If you are old-school Godzilla fan you expect to see 'Godzilla vs MechaGodzilla' in the movie you will be disappointed. If you are Anime fan and Godzilla fan wanted to see something new this is for you.

This second part of the Netflix GODZILLA anime trilogy improved on many aspects of the first film while still keeping the elements of that film which appealed to me. Haruo is given some great character growth particularly in his budding relationship with childhood friend Yuko. What started as a typical cold angry guy and wide eyed innocent girl gets some much needed development. We see new aspects to their personality, all shaped around the deconstruction of dedication.

GODZILLA CITY ON THE EDGE OF BATTLE is a more traditional "Moby Dick" story of how dedication to their mission slowly but surely turns the protagonists into something worse than the creature they are hunting. The callback is rather blatant, right down to the survivors wanting to use a sort of "harpoon" to take down Godzilla (it makes sense in context).

Like captain Ahab of the classic tale, we are presented with the fine line between dedication and obsession. When does one become another? Does one truly have to become a monster to kill a monster? How far will someone go to uphold their dedication to a fleeting ideal? In typical anime style, this theme is fleshed out in both a symbolic and literal level, with parallel thematic developments for our protagonist Haruo, Yuko, and humanity's allies from the stars, the Bilusaludo.

With all these great elements, the anime only suffers if the audience does not accept it's often deconstructive execution of the plot. Expectations are cleverly subverted, underlying themes switch between literal and symbolic, even the monsters are referred to in both an actual and a figurative sense. This might come across as a little confusing for those who do not take the time to think through the story and read between the lines.

Visuals-wise, GODZILLA: CITY ON THE EDGE OF BATTLE retains the cel shaded CGI look of the first film and many of Polygon Studio's work. The animation, which beautifully mimics that of traditional 2D animation right down to the reduced frame rate, is really an acquired taste that may not be for everyone. It is calling back to something old, using something new. Small improvements have been made particularly in the drab mono coloured creatures that populate far future earth. Godzilla himself gets a harsher shading and contrast in lighting which makes him distinct from the already dull grey background.

These little improvements make me hopeful for the upcoming finale to this trilogy. It is not perfect and the improvements may come too slowly for more cynical viewers. Like the animation style, the movies so far are truly an acquired taste that boils down to personal preference. Complex or confusing? Subverting expectations or failing to deliver on its publicity? Perhaps the greater battle is not within Haruo himself, or between monsters, or even between the various factions and Godzilla. Perhaps it is between the fans.