A depressed girl attempts suicide, gets admitted to a mental institution involuntarily. She finds friends, love, and a new outlook on life, but learns some choices are irreversible. She has ... Read allA depressed girl attempts suicide, gets admitted to a mental institution involuntarily. She finds friends, love, and a new outlook on life, but learns some choices are irreversible. She has one life to live.A depressed girl attempts suicide, gets admitted to a mental institution involuntarily. She finds friends, love, and a new outlook on life, but learns some choices are irreversible. She has one life to live.
Lio Tipton
- Bria
- (as Analiegh Tipton)
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I find myself struggling with films of this nature, where individuals with mental challenges possess an acute awareness of everything except their own reality. Instead of confronting the truth and understanding the reasons behind their disconnection, they use substances to get them even further from the real world and then see the problem in the world we live in blaming it for all the misfortune in their lives.
A new female resident arrives at the rehabilitation center, or whatever term is used, and proclaims, "my problem is women..." However, the true issue lies within her troubled mind and flawed thought processes. The detrimental influence of her environment has penetrated too deeply, leading her to engage in self-destructive behavior while casting blame on others. Furthermore, the characters project an image of coolness, as defined by their peers-an assembly of individuals who have been granted the chance to "express" themselves through the dismantling of anything of value in life. It appears that the film allows these troubled individuals to take control of the narrative.
While the screenplay itself is well-crafted, I believe that Nadine Crocker, as a writer, should pivot towards more uplifting themes that showcase triumph rather than destruction. Although some viewers may empathize with the protagonist, I found it difficult to do so, as the narrative is rife with justifications and excuses. The boyfriend's remark, "Some people just feel more deeply than others..." left me questioning, "What exactly does that mean?"
The director seems to manipulate the audience's emotions, ensuring that by the conclusion, sympathy is directed solely towards the female lead, neglecting the collateral damage inflicted upon others. The character of Dean, portrayed by Crocker, did not elicit my sympathy; rather, she came across as bothersome, fragile, and unkind to those who cared for her. When her friend inquires, "How do we fix it?", Dean's response, "Live..." suggests a lack of direction and thoughtful consideration, raising the question of why different outcomes would be anticipated.
The ending felt like an attempt to sweeten the bitterness of the rest of the movie, and I am not sure that Nadine Crocker managed to do it. I understand this film as disappointing brainwashing for unsuspected.
A new female resident arrives at the rehabilitation center, or whatever term is used, and proclaims, "my problem is women..." However, the true issue lies within her troubled mind and flawed thought processes. The detrimental influence of her environment has penetrated too deeply, leading her to engage in self-destructive behavior while casting blame on others. Furthermore, the characters project an image of coolness, as defined by their peers-an assembly of individuals who have been granted the chance to "express" themselves through the dismantling of anything of value in life. It appears that the film allows these troubled individuals to take control of the narrative.
While the screenplay itself is well-crafted, I believe that Nadine Crocker, as a writer, should pivot towards more uplifting themes that showcase triumph rather than destruction. Although some viewers may empathize with the protagonist, I found it difficult to do so, as the narrative is rife with justifications and excuses. The boyfriend's remark, "Some people just feel more deeply than others..." left me questioning, "What exactly does that mean?"
The director seems to manipulate the audience's emotions, ensuring that by the conclusion, sympathy is directed solely towards the female lead, neglecting the collateral damage inflicted upon others. The character of Dean, portrayed by Crocker, did not elicit my sympathy; rather, she came across as bothersome, fragile, and unkind to those who cared for her. When her friend inquires, "How do we fix it?", Dean's response, "Live..." suggests a lack of direction and thoughtful consideration, raising the question of why different outcomes would be anticipated.
The ending felt like an attempt to sweeten the bitterness of the rest of the movie, and I am not sure that Nadine Crocker managed to do it. I understand this film as disappointing brainwashing for unsuspected.
Gripping. Visceral. Haunting. Real.
These are just some words that come to mind when thinking of Nadine Crocker's 'Continue.' This film will grab you and will NOT let you go. Be prepared to be immersed in the world of Dean, a talented, cool, troubled, complicated and beautiful girl who struggles with mental health and addiction. This film starts out strong and does not let you go. The ability Nadine has to grab the viewer and not let them go is truly remarkable.
Not a movie to miss even if you don't struggle with mental health, I guarantee someone you know does and they should see this film.
For fans of 'Girl Interrupted' and 'Requim For A Dream'
These are just some words that come to mind when thinking of Nadine Crocker's 'Continue.' This film will grab you and will NOT let you go. Be prepared to be immersed in the world of Dean, a talented, cool, troubled, complicated and beautiful girl who struggles with mental health and addiction. This film starts out strong and does not let you go. The ability Nadine has to grab the viewer and not let them go is truly remarkable.
Not a movie to miss even if you don't struggle with mental health, I guarantee someone you know does and they should see this film.
For fans of 'Girl Interrupted' and 'Requim For A Dream'
To say that this is an important film almost begs the question.
Of course the topic is important; it has become so nearly taboo that we must use words such as unalived for fear of being outcast and expelled, our online presence itself eradicated.
What really makes this film important is the brilliant manner in which this issue is depicted. It is personal and direct, modest and humble, almost too timid in a way that illustrates and enhances the expression of self and selves, of love and connection and continuance.
All art is expression, its true value lies not in polemic, but in authenticity.
This film is completely and truly authentic. That is what makes it so devastating.
That is what makes it art.
To the fellow who thinks that artists should stick to one job...that is just nonsense. In the realm of film, just look at the works of Charlie Chaplin, of Orson Welles and Woody Allen...even those of Clint Eastwood amongst others. The dangers of being overwhelmed and not up to the task can be overcome by talent and genius, and by sheer intensity and purity of vision.
Of course the topic is important; it has become so nearly taboo that we must use words such as unalived for fear of being outcast and expelled, our online presence itself eradicated.
What really makes this film important is the brilliant manner in which this issue is depicted. It is personal and direct, modest and humble, almost too timid in a way that illustrates and enhances the expression of self and selves, of love and connection and continuance.
All art is expression, its true value lies not in polemic, but in authenticity.
This film is completely and truly authentic. That is what makes it so devastating.
That is what makes it art.
To the fellow who thinks that artists should stick to one job...that is just nonsense. In the realm of film, just look at the works of Charlie Chaplin, of Orson Welles and Woody Allen...even those of Clint Eastwood amongst others. The dangers of being overwhelmed and not up to the task can be overcome by talent and genius, and by sheer intensity and purity of vision.
10twgmx
I have to admit, the movie really tested my patience, but the ending was absolutely worth it. I am glad I continued to watch it to the end.
The movie is not just telling a story. The movie itself has a life. And this is the first movie that made me feel this way.
The subject of the movie is controversial and the ratings reflect that. This is not a movie for everyone. It was not made for your entertainment. The movie was made because it had to be made. Like true art.
This is one of those movies where the ending makes you reevaluate everything. Like The Sixth Sense (1999).
When the credits started to roll, tears were streaming down my face.
The movie is not just telling a story. The movie itself has a life. And this is the first movie that made me feel this way.
The subject of the movie is controversial and the ratings reflect that. This is not a movie for everyone. It was not made for your entertainment. The movie was made because it had to be made. Like true art.
This is one of those movies where the ending makes you reevaluate everything. Like The Sixth Sense (1999).
When the credits started to roll, tears were streaming down my face.
The film 'Continue' showcases a remarkable cinematic achievement through its thoughtful and impactful exploration of a critical yet harrowing subject matter.
Nadine Crocker's dual role as director and actor is very impressive. This woman can do it ALL. The narrative is both refined and captivating, avoiding gratuitousness and cliches. The film's strength lies in its realistic portrayal of mental health and the journey some of us face, the choices some of us make and the journey life can lead us on. I highly recommend watching 'Continue'.
Notably, Kat Foster also delivers a remarkable performance, and the film boasts exceptional casting, refined cinematography, and a resonant soundtrack.
Nadine Crocker's dual role as director and actor is very impressive. This woman can do it ALL. The narrative is both refined and captivating, avoiding gratuitousness and cliches. The film's strength lies in its realistic portrayal of mental health and the journey some of us face, the choices some of us make and the journey life can lead us on. I highly recommend watching 'Continue'.
Notably, Kat Foster also delivers a remarkable performance, and the film boasts exceptional casting, refined cinematography, and a resonant soundtrack.
Did you know
- TriviaBased on writer, director and star Nadine Crocker's life.
- How long is Continue?Powered by Alexa
Details
- Runtime1 hour 55 minutes
- Color
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