The twisting, real-life story of Charles Sobhraj, a murderer, thief and seductive master of disguise, who was a hidden darkness in the mid-70's on Asia's hippie trail.The twisting, real-life story of Charles Sobhraj, a murderer, thief and seductive master of disguise, who was a hidden darkness in the mid-70's on Asia's hippie trail.The twisting, real-life story of Charles Sobhraj, a murderer, thief and seductive master of disguise, who was a hidden darkness in the mid-70's on Asia's hippie trail.
- Nominated for 2 BAFTA Awards
- 13 nominations total
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The series is suspenseful, but what really irritated the hell out of me is van Knippenberg's accent when he speaks Dutch, there would've been several really good Dutch actors that could've pkayed his part. A big let down for my concern.
Superb acting from the leads. Phenomenal costume and set design, and a great score.
You're skin crawls from the sheer creepiness of Charles Sohbraj the pure Sociopath.
This is a tense and gripping drama and the time hopping device is used to great effect as it underlines a cat and mouse came that spans across 5 or 6 countries over 20 years plus. Other reviewers said this instilled confusion and detracted from the plot... but it doesn't.... It enhances it as it keeps things flowing and on edge.
If you enjoy simple mindless and linear storytelling... watch Cobra Kai (which is still great).
This was a quality series that grips from beginning to end.
You're skin crawls from the sheer creepiness of Charles Sohbraj the pure Sociopath.
This is a tense and gripping drama and the time hopping device is used to great effect as it underlines a cat and mouse came that spans across 5 or 6 countries over 20 years plus. Other reviewers said this instilled confusion and detracted from the plot... but it doesn't.... It enhances it as it keeps things flowing and on edge.
If you enjoy simple mindless and linear storytelling... watch Cobra Kai (which is still great).
This was a quality series that grips from beginning to end.
I really enjoyed the show. I wasn't too bothered by those constant time jumps while those seemed to have annoyed quite a lot of people. But those accents...Jenna Coleman speaking french especially. I'm french myself so this really annoyed me. Why didn't they just cast someone who actually speaks the language?! I like Jenna Coleman, but I think she's just not a great fit here. Otherwise great production.
This is very very good.
I just happened on it, and immediately realised this was going to be a lot nastier story than I usually like, but I haven't been able to turn it off and I've also watched the second episode and found it even better.
This is a biography of the French serial killer Charles Sobhraj, who operated during the 60s and 70s on the Asian hippie trail, namely Bangkok, and the chasing of him by an idealistic young Dutch embassy attaché, amidst complete apathy, acceptance or downright corruption of all authorities, and against the express wishes of his vile, racist ambassador: the murdered victims were only "beatniks" and "scum".
A good representation of the times, the ignorance, the sexism, the rivalries between countries, the casual racism, the colonialism etc.
You quickly realise everybody is in on everything that's going on there, and the whole situation is rotten to the core.
An international cast, a realistic atmosphere and a smothering suspense building bit by bit, as well as the casual horror of what was done to the poor victims. Still, the culprit is managing to be handsome and charming, as he must have been in real life. The script goes constantly back and forth between events, and one must concentrate a little to follow the story, and the characters who are proving to be more and more complex and real.
This series is shaping to be quality viewing. Bear in mind it is unsettling, all the more for it having happened, but once you start watching you'll find impossible to look away. On the whole, excellent acting* in the "somebody real" line, and fabulous soundtrack of all the French hits of the day, Jacques Dutronc, Serge Gainsbourg, Charles Aznavour... there's an absolute attention to detail for everything, visual and audible.
*and the majority of the actors are of the nationality they are representing, which is a change. (Notable exception is Marie-Andrée, who was from Québec, but whose French is atrocious. However if you don't speak French you'll just read the subtitles when she speaks French and she is convincing when she does speak English anyway.)
Recommend.
Edit: I should like to add a few points. First, the flashbacks. They are definitely not annoying, nor are they difficult to follow, unless you have the IQ of a mosquito. However it appears from other reviews that if you are used to being spoon-fed run of the mill American series you may get irritated. Be that as it may, the structure of the story as related serves several purposes and is very cleverly done. First, gradual character exposure. By the end of episode 2 we have a ludicrous amount of important characters, compared to fictional movies, and every single one of them is clearly defined, and I know who everyone is exactly, through their clever gradual introduction. (this reminds me a bit of the Gandalf tactic in the Hobbit books when introducing 12 dwarves to an irate Beorn, via an addictive progressive adventure story that he can't help wanting to know the end of) Second, the story we are shown sort of just precedes the latter discoveries by the young Dutch embassy man (captioned at present time). This rather neatly puts us in HIS shoes, chasing for a murderer, and not in the ones of the several point of views we're also given. Third, going back to the same scene later but with new information and viewing it in a different way. All without losing the rhythm and the flow of the story. It's all very clever and very very well done.
Finally I'd like to analyse why I feel compelled to watch this when I don't do gangster and killer movies, because they are people I find nasty and uninteresting: the series doesn't glorify, or admire a killer, or gives him excuses, but essentially is an effective social critique of post colonial society at the time, while posing background reasons for such a behaviour and letting us understand it. Without excusing it. The film is much broader than "Charles Sobhraj". Even though it is, to all intents, only about Charles Sobhraj.
An international cast, a realistic atmosphere and a smothering suspense building bit by bit, as well as the casual horror of what was done to the poor victims. Still, the culprit is managing to be handsome and charming, as he must have been in real life. The script goes constantly back and forth between events, and one must concentrate a little to follow the story, and the characters who are proving to be more and more complex and real.
This series is shaping to be quality viewing. Bear in mind it is unsettling, all the more for it having happened, but once you start watching you'll find impossible to look away. On the whole, excellent acting* in the "somebody real" line, and fabulous soundtrack of all the French hits of the day, Jacques Dutronc, Serge Gainsbourg, Charles Aznavour... there's an absolute attention to detail for everything, visual and audible.
*and the majority of the actors are of the nationality they are representing, which is a change. (Notable exception is Marie-Andrée, who was from Québec, but whose French is atrocious. However if you don't speak French you'll just read the subtitles when she speaks French and she is convincing when she does speak English anyway.)
Recommend.
Edit: I should like to add a few points. First, the flashbacks. They are definitely not annoying, nor are they difficult to follow, unless you have the IQ of a mosquito. However it appears from other reviews that if you are used to being spoon-fed run of the mill American series you may get irritated. Be that as it may, the structure of the story as related serves several purposes and is very cleverly done. First, gradual character exposure. By the end of episode 2 we have a ludicrous amount of important characters, compared to fictional movies, and every single one of them is clearly defined, and I know who everyone is exactly, through their clever gradual introduction. (this reminds me a bit of the Gandalf tactic in the Hobbit books when introducing 12 dwarves to an irate Beorn, via an addictive progressive adventure story that he can't help wanting to know the end of) Second, the story we are shown sort of just precedes the latter discoveries by the young Dutch embassy man (captioned at present time). This rather neatly puts us in HIS shoes, chasing for a murderer, and not in the ones of the several point of views we're also given. Third, going back to the same scene later but with new information and viewing it in a different way. All without losing the rhythm and the flow of the story. It's all very clever and very very well done.
Finally I'd like to analyse why I feel compelled to watch this when I don't do gangster and killer movies, because they are people I find nasty and uninteresting: the series doesn't glorify, or admire a killer, or gives him excuses, but essentially is an effective social critique of post colonial society at the time, while posing background reasons for such a behaviour and letting us understand it. Without excusing it. The film is much broader than "Charles Sobhraj". Even though it is, to all intents, only about Charles Sobhraj.
This is well done and well acted. A grade A production. Its only flaw is the bouncing timeline. It is hard enough to pay attention with subtitles, let alone with the timeline going back and forth. Entertaining but NOT a relaxing watch. I'd advise you to learn French or take up speed reading because during fast exchanges of dialogue, those subtitles fly by fast.
Half a point off for the bad wigs.
Half a point off for the bad wigs.
Did you know
- TriviaBased on a true story, Charles Sobhraj was dubbed 'The Serpent' due to his conniving ways and constant escape from reprimand. He was also nicknamed the 'Bikini Killer' due to the clothing worn by his victims.
- GoofsAll the dialogues between William Brand (Ambassador van Dongen) and Billy Howle (Herman Knippenberg) are in genuine and comprehensible Dutch, though their pronunciation and intonation make it evident they don't really master the language.
- ConnectionsFeatured in Jeremy Vine: Episode #4.10 (2021)
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- The Serpent
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- See more company credits at IMDbPro
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