10 Things We Should Do Before We Break Up

At no point in the movie do you feel anything for the characters, and you don't believe they feel anything for eachother. everyone is so cold towards everyone else. lines they say seem to be like someone throwing bricks on the pile, hoping they make up something resembling the wall. everything that happens happens too fast, for no reason, no one's motivation is clear, it looks like someone had cut scenes from bunch of movies, and managed to combined them into something that sort of resembles coherent story if you ignore all the grating gaps. it's sad to have talented actors waste time on nonsense such as this

Abigail (Christina Ricci) is meeting her friend Kate at a bar. It's actually a setup for a blind date with Benjamin Conway (Hamish Linklater). He suggests making a list of ten things to do before they break up. It leads to an one-night stand and a pregnancy for the mother of two.

This is an indie. It's a relatively short indie. I don't sense the chemistry between Ricci and Linklater. They have some cute scenes but non of them achieve relationship takeoff. These are two good actors who are keeping their energy at a medium and that makes their relationship a bit at a medium. When a downturn happens, it doesn't have quite the shock value. The one truly off-putting scene is the best friend. I don't get her attitude. The scene crashes headlong into politics and I don't get it. I don't know anyone like this person. The movie is not fun enough. When it's edgy, it gets awkward. I love these two actors and it's not their problem. The title is fun but the ten things don't matter. This indie has a few interesting ideas and two good leads. It also has a few bad ideas and the leads aren't maximized. Even the closing text frustrated me. Maybe it would be better to have an actual scene to depict their relationship.

With a 70 minute running time you'd think this would be on the short and lightweight side, but the opposite is true. Two very fine lead performances and a grown-up approach to its subject give us a poignant snapshot of a relationship. Things may not work out the way we want them to, but that's what happens when a film maker tries to give us a slice of life instead of crowd-pleasing cliches. And Galt Niederhoffer deserves particular credit for telling the story with economy. It would have been easy to pad it out with another 10-15 minutes to give it a more conventional running time, but that would have detracted from an intelligent, worthwhile movie.

Undecided over this film. It's a great story line except the ending is very abrupt. When the end titles were rolling I was left asking was that it. In one way I can say it's not your typical film where everything has a happy ever after ending but it just left me wanting to know more.

I did have to force myself to watch the first 10 minutes and after that I couldn't turn it off.

This is a terribly depressing movie Not because of its earthiness and refusal to sugar coat But because the lead Male character is written so poorly that it's actually hard to stomach the scenes in which he is central A tired, old, 'I'm afraid of commitment but need to grow up. I want to learn how to love,' narrative that made me want to sit my daughter in front of the screen and say 'NEVER allow a grown man spouting this ugly rhetoric into your life,' it was stale and painful to endure and yet I wanted to see if the story might lift somehow beyond the anodyne. It didn't What do we learn? The mother is fine Being a single mother is fine The kids are fine There is no room for scope with such a cliche of a Male character (manchild) as a lead Nothing to learn from this movie It's an insult to evolved men and to (single) mothers Bad, bad bad movie taking us back in time instead of propelling us forward to conversations that actually matter