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Bérénice Bejo and Martina Gusmán in La quietud (2018)

News

La quietud

Argentina Industry Crisis: Local Biz Fearful Ahead Of “Devastating” Reforms; Almodóvar, Iñárritu, Triet & More Sign Letter Condemning Far-Right Leader’s Plan To Scrap State Film Funding
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Shortly before a momentous vote takes place in Argentina, Deadline spoke with leading film professionals about how “devastating” reforms could derail the country’s movie sector.

On Wednesday, the country’s new far-right President Javier Milei will try to push through a legislative program in Congress that aims to deregulate industries, expand presidential powers, silence dissenters and reimagine or do away with decades-old institutions.

Often dubbed “El Loco” (The Madman) by his critics, Milei, a self-proclaimed “anarcho-capitalist,” only entered politics in 2021 after a colorful career as an economist and TV pundit. His election win late last year was seen by many as an anti-establishment vote fueled by anger over the country’s worst economic crisis in decades.

Argentina’s economy, the second largest in South America, has been in a semi-permanent state of crisis since 2018. The country’s economic woes deepened over the past year, with inflation at a record...
See full article at Deadline Film + TV
  • 1/24/2024
  • by Zac Ntim
  • Deadline Film + TV
Pablo Trapero at an event for 7 jours à la Havane (2011)
Spy Thriller ‘The Tourist’ Acquired by 20th Century, Pablo Trapero Tapped to Direct
Pablo Trapero at an event for 7 jours à la Havane (2011)
20th Century has tapped Argentine director Pablo Trapero to direct an adaptation of Olen Steinhauer’s best-selling spy thriller “The Tourist,” TheWrap has confirmed. Neal H. Moritz and Toby Jaffe are producing.

The book’s plot is described as: “Milo Weaver has tried to leave his old life of secrets and lies behind by giving up his job as a ‘tourist’ for the CIA—an undercover agent with no home, no identity—and working a desk at the CIA’s New York headquarters. But staying retired from the field becomes impossible when the arrest of a long-sought-after assassin sets off an investigation into one of Milo’s oldest colleagues and friends.”

The original 2009 novel inspired three more sequels. It was not only a best-selling novel but also received heaps of praise, with Stephen King saying “The Tourist” was “the best spy novel I’ve ever read that wasn’t written by John le Carré.
See full article at The Wrap
  • 10/3/2023
  • by Drew Taylor
  • The Wrap
Philippe Le Guay shoots L'homme de la cave - Production / Funding - France
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Bérénice Béjo, Jérémie Rénier, François Cluzet and Jonathan Zaccaï star. Produced by Les Films des Tournelles, sold internationally by Playtime. After beginning on 19 October, filming on L'homme de la cave by Philippe Le Guay is now entering the final stretch in Paris. This is the 10th feature from the director, after The Women on the 6th Floor, Cycling With Moliere and Florida (Piazza Grande at Locarno in 2015), among other titles.The cast includes Bérénice Béjo, Belgian actor Jérémie...
See full article at Cineuropa - The Best of European Cinema
  • 11/24/2020
  • Cineuropa - The Best of European Cinema
Michel Hazanavicius, Bérénice Bejo, Michel Franco, Rithy Panh to Deliver Sarajevo Masterclasses
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Director Michel Hazanavicius and actress Bérénice Bejo, Oscar winner and Oscar nominee respectively for “The Artist,” will present individual Masterclasses at the 26th Sarajevo Film Festival this year. Also delivering Masterclasses are directors Michel Franco and Rithy Panh.

The Masterclasses, which like the rest of the festival are running online via ondemand.sff.ban, are organized in cooperation with Variety, and will be available worldwide via the Variety Streaming Room.

Hazanavicius shot his first feature-length film, “Mes Amis,” in 1999. In 2006, he directed his second feature, “Oss 117: Cairo, Nest of Spies,” and then, three years later, “Oss 17: Lost in Rio.”

In 2011, he made “The Artist,” the silent, black-and-white film starring Bejo and Jean Dujardin, which won five Academy Awards in 2012, including best film, director and actor for Dujardin, while Bejo was an Oscar nominee for supporting actress.

The film premiered at Cannes, as did Hazanavicius’ “The Players” and “Redoubtable.
See full article at Variety Film + TV
  • 8/6/2020
  • by Leo Barraclough
  • Variety Film + TV
Mauricio Ochmann to Star in Mexican Remake of Sony Picture’s German Hit ‘25 Km/H’ (Exclusive)
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Mexico’s Mauricio Ochmann is re-teaming with director Pitipol Ybarra for the Mexican remake of the 2018 German hit “25 Km/H” from Sony Pictures Intl. Prods. (Spip).

Ochmann and Ybarra previously collaborated on family drama “Ya Veremos,” which Pantelion/Lionsgate released in the U.S. on Labor Day weekend in 2018. Drama topped the specialty releases that weekend, grossing an estimated $1.8 million over the three-day holiday.

In “25 Km/H,” an estranged brother and sister reunite at their father’s funeral and make a spur of the moment decision to fulfill their childhood dream of driving across Mexico on their old motorbikes. The cross-country adventure allows them to mend their relationship and bring some renewed purpose to their lives.

“We honestly can’t believe our good fortune to be able to reteam Mauricio and Pitipol for this title,” said Laine Kline, head of Spip. “As a duo, they bring that rare quality that...
See full article at Variety Film + TV
  • 6/24/2020
  • by Anna Marie de la Fuente
  • Variety Film + TV
Pablo Trapero at an event for 7 jours à la Havane (2011)
Pablo Trapero, El Estudio Set ‘Carancho,’ ‘Galimberti’ Series (Exclusive)
Pablo Trapero at an event for 7 jours à la Havane (2011)
Madrid — Argentina’s Pablo Trapero, one of the driving forces behind the renaissance of Latin American cinema, is teaming with El Estudio on two ambitious TV series: an English-language U.S. remake of his 2010 hit movie “Carancho” and true-facts inspired bioseries “Galimberti.”

Based out of Los Angeles, Mexico City and Madrid, El Estudio – a major independent TV and movie production house founded by former Sony exec Diego Suárez, Canana head Pablo Cruz, and top Spanish producer Enrique Lopez Lavigne – launched at last month’s Berlin Film Festival.

Trapero and El Estudio are represented by CAA.

“Carancho” comes second in a line of movies – after 2008’s Cannes competition entry “Lion’s Den,” but anticipating “The White Elephant” and 2016’s Venice best director winner “The Clan” – which established Trapero as one Latin America’s masters of crossover movies, mixing the social critique of Latin American art cinema with more broader audience appeal.
See full article at Variety Film + TV
  • 3/23/2020
  • by John Hopewell
  • Variety Film + TV
Pablo Cruz
Pablo Cruz, Enrique Lopez Lavigne, Diego Suarez Chialvo Launch El Estudio (Exclusive)
Pablo Cruz
Sony Pictures Intl. Prods. and El Estudio, a major new independent production player in the Spanish-speaking world, are teaming to produce a Mexican version of breakout Cuban feature “Juan of the Dead,” with Emilio Portés directing.

Chronicling a U.S. zombie invasion of Mexico, the remake marks one in a strong first slate of titles from El Estudio, launched at the Berlin Festival by three of the most connected producers in the Spanish-speaking world: Ex-Canana producer-partner Pablo Cruz, “The Impossible” producer Enrique López Lavigne and former Sony Pictures Intl. Prods. head Diego Suárez Chialvo.

Based out of Mexico, Los Angeles and Madrid, El Estudio has 63 projects in development or production. El Estudio is represented by CAA. Partners on early titles include Sony Pictures Intl. Prods., Netflix, HBO, Lionsgate, Viacom Intl. Pictures, Movistar Plus and Beta Film, El Estudio told Variety, announcing some of its 2020-21 projects:

“Verguenza” stars Mexico’s...
See full article at Variety Film + TV
  • 2/21/2020
  • by John Hopewell and Anna Marie de la Fuente
  • Variety Film + TV
Ricardo Darín
‘An Unexpected Love’, ‘Days Of Light’ bookend 2019 AFI Latin American Film Festival
Ricardo Darín
Some 40% of selections hail from female directors.

The Us premiere of Argentinian rom-com An Unexpected Love starring Ricardo Darín and the world premiere of Days Of Light bookend the 2019 AFI Latin American Film Festival, set to run in Silver Spring, Maryland, from Sept. 12-Oct. 2.

Some 53 films from 23 countries will screen at the 30th anniversary event during National Hispanic Heritage Month. Organisers said nearly 40% of the selections hail from female directors.

An Unexpected Love, directed by Patagonik’s Juan Vera marks Darín’s first outing as producer and he stars in the rom-com alongside Mercedes Morán.

Days Of Light is an...
See full article at ScreenDaily
  • 8/28/2019
  • by Jeremy Kay
  • ScreenDaily
Tiziana Rocca
Sardinia Film Festival Aims to Boost Summer Cinema Attendance in Italy
Tiziana Rocca
For decades, Italy’s box office has suffered the summertime blues due to a scarcity of blockbusters from the Hollywood studios, which noted that Italian audiences were more interested in going to the beach than a movie theater. However, that is changing.

The Filming Italy Sardegna Festival, which runs June 13-16 and is Italy’s single start of summer event, is perfectly positioned to become a prime driver for this crucial seasonal push.

“I’ve been saying for years that summer festivals should promote summer releases,” says Tiziana Rocca, who launched the fest on the island of Sardinia in Italy last year.

Italy’s push for summer releases is the result of a joint effort between the studios and all sectors of Italy’s film industry, largely prompted by the government that recently got all sides to sit at the table and agree to remove this anomaly that was causing...
See full article at Variety Film + TV
  • 6/13/2019
  • by Nick Vivarelli
  • Variety Film + TV
Latido Films scores key sales in Cannes led by Juan Campanella's 'The Weasel's Tale' (exclusive)
Rodrigo Sorogoyen
It has also secured deals for Rodrigo Sorogoyen’s Goya-winning political thriller The Realm.

Antonio Saura’s Latido Flms has sold Juan José Campanella’s The Weasel’s Tale to France (Eurozoom), Portugal (Outsider Films), Italy (Movies Inspired), Greece (Seven Films) and Hong Kong (Edko Films) after market screenings in Cannes.

An Argentina-Spain co-production, The Weasel’s Tale is a black comedy starring Óscar Martínez (The Distinguished Citizen), Graciela Borges (The Quietude) and Clara Lago (Spanish Affair) star. Campanella won the best foreign language Oscar in 2010 for The Secret In Their Eyes.

Latido has also secured deals for Rodrigo Sorogoyen...
See full article at ScreenDaily
  • 5/21/2019
  • by Elisabet Cabeza
  • ScreenDaily
Who ya gonna call? by Jennie Kermode
Ghostbusters: the next generation Photo: Ingrid Mur

Sunday at the Glasgow Film Festival was busy right from the start, with film fans – some of whom admitted to never having seen it before – packing into the free screening of Butch Cassidy And The Sundance Kid. Argentinean family drama The Quietude proved heady stuff that early in the day but for people looking for something there kids could enjoy, a special child-focused screening of the original Ghostbusters amply delivered. It was an event that would be repeated with less drawing and sliming, more swearing and cocktails to entertain adults in the evening. Of course, everyone loved the Staypuft marshmallows.

Heike Bachelier and Andy Heathcote talk about Of Fish And Foe Photo: Pete Copeland

The animated story of a reporter’s experiences in Angola, Another Day Of Life, screened in the afternoon, Michael Winterbottom’s Pakistan-set thriller The Wedding Guest seemed to...
See full article at eyeforfilm.co.uk
  • 2/26/2019
  • by Jennie Kermode
  • eyeforfilm.co.uk
Tao Zhao and Fan Liao in Les Éternels (2018)
Palm Springs International Film Festival 2019 Lineup: 223 Movies From 78 Countries
Tao Zhao and Fan Liao in Les Éternels (2018)
The Palm Springs International Film Festival has announced its 2019 lineup, and it’s prodigious: 223 films from 78 countries, four of them world premieres. Though well known for celebrating future Oscar nominees (and winners) each year, the festival also boasts a deceptively robust world-cinema slate; among the upcoming offerings are Jia Zhangke’s “Ash Is Purest White,” Sergey Loznitsa’s “Donbass,” Cristina Gallego and Ciro Guerra’s “Birds of Passage,” and Ryūsuke Hamaguchi’s “Asako I & II,” to name just a few.

A number of post-screening Q&As will also be held, including with “Black Klansman” author Ron Stallworth and “Support the Girls” star Regina Hall, in addition to a new section celebrating the best films to screen at Psiff throughout its first three decades.

World premieres:

Buck Run (USA), Director Nick Frangione

Carlos Almaraz Playing With Fire (USA), Directors Elsa Flores Almaraz, Richard Montoya (Schlesinger Documentary Competition)

The Last Color...
See full article at Indiewire
  • 12/14/2018
  • by Michael Nordine
  • Indiewire
Pablo Trapero to direct HBO Europe's Spanish-language series 'Patria'
HBO’s first Spanish-language original production will shoot next year

Pablo Trapero, the award-winning Argentinian director of The Clan will be the lead director on Patria, the first Spanish-language original series to be produced by HBO Europe, which is set to shoot in early 2019. Félix Viscarret, the Spanish director whose credits include Dreamers in 1999 and Under The Stars in 2007, will also direct some episodes.

HBO Europe has greenlit the eight-part adaptation of Fernando Aramburu’s bestselling novel about two families living through the tumultuous years of the separtist terrorism of Eta in Spanish Basque Country. The adaptation has been written...
See full article at ScreenDaily
  • 10/22/2018
  • by Louise Tutt
  • ScreenDaily
Toronto: Top Picks & Coverage Roundup
Below you will find an index of our coverage from the Toronto International Film Festival (Tiff) in 2018, as well as our favorite films.Top Picksdaniel KASMANFeatures:1. What You Gonna Do When the World's on Fire? (Roberto Minervini)2. High Life (Claire Denis)3. Monrovia, Indiana (Frederick Wiseman)4. Green Book (Peter Farrelly)5. aKasha (hajooj kuka)6. Rojo (Benjamin Naishtat)7. Roma (Alfonso Cuarón)8. Belmonte (Federico Veiroj)9. If Beale Street Could Talk (Barry Jenkins)10. Hidden Man (Jiang Wen)Shorts:1. Blue (Apichatpong Weerasethakul)2. Arena (Björn Kämmerer)3. Polly One (Kevin Jerome Everson)4. Colophon (Nathaniel Dorsky)5. Please step out of the frame. (Karissa Hahn)6. Wall Unwalled (Lawrence Abu Hamdan)7. Ada Kaleh (Helena Wittmann)8. Alitplano (Malena Szlam)9. Norman Norman (Sophy Romvari)10. Hoarders without Borders, 1.0 (Jodie Mack)Kelley DONG1. "I Do Not Care If We Go Down In History As Barbarians" (Radu Jude)2. High Life (Claire Denis)3. Our Time (Carlos Reygadas)4. Our Body (Han Ka-Ram)5. A Star is Born (Bradley Cooper...
See full article at MUBI
  • 9/25/2018
  • MUBI
Toronto: Correspondences #8 — Pairs and Personas
The Notebook is covering Tiff with an on-going correspondence between critics Kelley Dong and Daniel Kasman.Our BodyDear Danny, For me, one of the jarring components of a film festival is that temperatures are continually in flux, not only outside—it is much colder this week, as I'm sure you know—but also inside the theatre, where I go from one warm movie to a very cold one multiple times a day. I envy that you have seen, at very least, some of the finer genre films here; I myself have been seeing mostly blockbusters, with the occasional arthouse film of relatively smaller scale. But speaking of art cinema: To celebrate the centenary of Ingmar Bergman's birth, Tiff Cinematheque showed its 35mm print of his Persona at a free public screening, just one of an abundance of events offered here outside of the scheduled programming. Since its 1966 release, the...
See full article at MUBI
  • 9/14/2018
  • MUBI
Pablo Trapero at an event for 7 jours à la Havane (2011)
‘The Quietude’ Director Pablo Trapero Discusses His Intimate Portrait Of Reunited Argentine Sisters – Toronto Studio
Pablo Trapero at an event for 7 jours à la Havane (2011)
After bringing his international sensation The Clan to Tiff in 2015, Argentine auteur Pablo Trapero is back at the festival this week with his latest family drama, The Quietude. Marking his fifth collaboration with spouse Martina Gusman, the film examines the complicated, intimate relationship between two sisters (portrayed by Gusman and Oscar nominee Bérénice Bejo), living on separate continents, who are reunited when their father suffers a stroke.

While the visually kinetic film is, first and foremost, “a female portrait of two sisters,” it is notably set against the backdrop of a bloody military dictatorship in Argentina’s past—a past which lingers continuously in the memory of those who lived through it decades ago, but has “nothing to do with [the] reality” of younger generations. “This movie, it’s [portraying] the past in different ways, and different layers of the past. This reencounter is not only about these two sisters, but about...
See full article at Deadline Film + TV
  • 9/7/2018
  • by Matt Grobar
  • Deadline Film + TV
Bérénice Bejo and Martina Gusmán in La quietud (2018)
75th Venice Film Festival: La quietud (The Quietude) Movie Review
Bérénice Bejo and Martina Gusmán in La quietud (2018)
Title: La quietud (The Quietude) Director: Pablo Trapero Cast: Bérénice Bejo, Martina Gusman, Edgar Ramirez, Joaquín Furriel, Graciela Borges. ‘La quietud’ (The Quietude) is an intimate film about the female universe and sisterhood. Pablo Trapero, as he did with the patriarchal ‘El Clan,’ warps matriarchy portraying an unwholesome proximity between siblings, that never becomes incestuous […]

The post 75th Venice Film Festival: La quietud (The Quietude) Movie Review appeared first on Shockya.com.
See full article at ShockYa
  • 9/5/2018
  • by Chiara Spagnoli Gabardi
  • ShockYa
Bérénice Bejo and Martina Gusmán in La quietud (2018)
Venice Film Review: ‘The Quietude’
Bérénice Bejo and Martina Gusmán in La quietud (2018)
Two sisters from an affluent family re-explore their unusually close bonds in “The Quietude,” Pablo Trapero’s beautifully crafted multilayered drama that’s also his most enjoyable film in years. Boasting a trio of actresses at the top of their game and cinematography that constantly impresses with its confident yet unshowy fluidity, the movie deftly enters into the bosom of a family harboring multiple secrets, encompassing the personal and political. Spanish-language films about wealthy people always risk getting slapped with the “telenovela” label, yet the emotions here are real, even if they are at a heightened level. Art-house play seems assured.

Set in pristine flatlands surrounded by a stunning flower garden, La Quietud is a coral-colored dream ranch that would scream “privilege!” if such genteel good taste could ever be accused of raising its voice. It’s the home of counsellor Augusto Montemayor (Isidoro Tolcachir), his wife, Esmeralda (Graciela Borges), and their younger unmarried daughter,...
See full article at Variety Film + TV
  • 9/4/2018
  • by Jay Weissberg
  • Variety Film + TV
Bérénice Bejo and Martina Gusmán in La quietud (2018)
‘The Quietude’ Review: Bérénice Bejo and Edgar Ramírez Do Their Best, but This Family Drama Is a Redheaded Stepchild — Venice
Bérénice Bejo and Martina Gusmán in La quietud (2018)
Title notwithstanding, “The Quietude” offers little respite. Pablo Trapero’s family melodrama stars Bérénice Bejo and Martina Gusman as sisters whose endlessly complicated relationship proves that blood, though thicker than water, isn’t always enough to keep people together. La Quietud is the name of the family ranch outside Buenos Aires where they reunite after years apart; though beautiful, the homestead doesn’t exactly live up to its serene moniker. Dogs roam and birds sing on the rural estate but, like many places suffused with family memories, it contains as much sadness as joy — and, lately, much more of the former.

Both sisters are introduced the same way: from behind, the camera focused on their hair as they enter a building where something of great consequence will befall them. They’re very much two sides of the same coin, resembling each other so uncannily you may find yourself looking up...
See full article at Indiewire
  • 9/2/2018
  • by Michael Nordine
  • Indiewire
Bérénice Bejo and Jean Dujardin in The Artist (2011)
'The Quietude' ('La Quietud'): Film Review | Venice 2018
Bérénice Bejo and Jean Dujardin in The Artist (2011)
Argentine-born actresses Berenice Bejo (The Artist) and Martina Gusman (Leonera) could almost pass for twins in Pablo Trapero’s daringly modern The Quietude (La Quietud), set on the sprawling ranch of a wealthy family with many skeletons in the closet. When a family emergency brings everybody back home, old relationships are resumed and unresolved tensions explode. The winking, rather perverse sexual chemistry between the two charismatic lead actresses, who play sisters (though not twins), is one of the film’s main attractions.

But Trapero’s ambitious attempt to strike a unique tone somewhere between serious drama and humorous daytime TV falls ...
See full article at The Hollywood Reporter - Film + TV
  • 9/2/2018
  • The Hollywood Reporter - Film + TV
Bérénice Bejo and Jean Dujardin in The Artist (2011)
'The Quietude' ('La Quietud'): Film Review | Venice 2018
Bérénice Bejo and Jean Dujardin in The Artist (2011)
Argentine-born actresses Berenice Bejo (The Artist) and Martina Gusman (Leonera) could almost pass for twins in Pablo Trapero’s daringly modern The Quietude (La Quietud), set on the sprawling ranch of a wealthy family with many skeletons in the closet. When a family emergency brings everybody back home, old relationships are resumed and unresolved tensions explode. The winking, rather perverse sexual chemistry between the two charismatic lead actresses, who play sisters (though not twins), is one of the film’s main attractions.

But Trapero’s ambitious attempt to strike a unique tone somewhere between serious drama and humorous daytime TV falls ...
See full article at The Hollywood Reporter - Movie News
  • 9/2/2018
  • The Hollywood Reporter - Movie News
Bradley Cooper and Lady Gaga in A Star is Born (2018)
Tiff Adds More High-Profile Titles, Including Jonah Hill’s ‘Mid90s,’ ‘Boy Erased,’ ‘Hold the Dark,’ and Many More
Bradley Cooper and Lady Gaga in A Star is Born (2018)
The Toronto International Film Festival​ has unveiled its second batch of titles premiering in its Gala and Special Presentations programs next month, including four new Gala titles and a whopping 22 new Special Presentations, plus their star-studded Masters and Contemporary World Cinema sections.

Joining previously announced titles like “A Star Is Born,” “If Beale Street Could Talk,” “High Life,” and “Widows,” are a number of other major awards season titles, including Jonah Hill’s directorial debut “Mid90s,” Joel Edgerton’s “Boy Erased,” Jeremy Saulnier’s “Hold the Dark,” Paul Greengrass’ fact-based “22 July,” and Naomi Kawase’s English-language debut “Vision.”

The festival also announced this morning that that event will open with David Mackenzie’s “Outlaw King” and close with Justin Kelly’s “Jeremiah Terminator LeRoy.”

“We’re rounding out the lineup of Galas and Special Presentations with some of the most exciting films of the year,” said Cameron Bailey, Artistic Director of Tiff,...
See full article at Indiewire
  • 8/14/2018
  • by Kate Erbland
  • Indiewire
Paul Greengrass at an event for Jason Bourne (2016)
Paul Greengrass, Jonah Hill Movies Part of Huge Addition to Toronto Film Festival Lineup
Paul Greengrass at an event for Jason Bourne (2016)
The Toronto International Film Festival has added a lineup of directors that range from Paul Greengrass to Jonah Hill and includes a large contingent of celebrated international auteurs.

The more than 100 additions to the Toronto lineup include Greengrass’ “22 July,” about 2011 terrorist attacks in Norway; Hill’s feature directorial debut, “Mid90s,” with Katherine Waterston and Lucas Hedges in a story of a Southern California teen who discovers skateboarding; “Green Book,” from “There’s Something About Mary” and “Dumb and Dumber” director Peter Farrelly; and Joel Edgerton’s “Boy Erased,” a coming-of-age drama written and directed by Edgerton and starring Nicole Kidman, Russell Crowe, and Lucas Hedges as a teen who is put in a gay conversion program.

The new films span five different sections of the festival: Galas, Special Presentations, Masters, Contemporary World Cinema and Wavelengths.

Also Read: 'Beautiful Boy,' 'A Star Is Born' Highlight Toronto Film...
See full article at The Wrap
  • 8/14/2018
  • by Steve Pond
  • The Wrap
Tony Curran, Aaron Taylor-Johnson, Chris Pine, and Florence Pugh in Outlaw King : Le Roi hors-la-loi (2018)
‘Outlaw King,’ ‘Jeremiah Terminator LeRoy’ to Open and Close Toronto Film Festival
Tony Curran, Aaron Taylor-Johnson, Chris Pine, and Florence Pugh in Outlaw King : Le Roi hors-la-loi (2018)
“Outlaw King,” a biopic about Scottish hero Robert the Bruce, and “Jeremiah Terminator LeRoy,” a look at an infamous literary fabulist, will both screen at this year’s Toronto International Film Festival.

The “Hell or High Water” team of director David MacKenzie and Chris Pine reunite for “Outlaw King,” which will be the opening night gala presentation. It’s being billed as a David-versus-Goliath story, one that chronicles the Bruce’s transformation from defeated nobleman to defiant freedom fighter.

“Jeremiah Terminator LeRoy,” stars Laura Dern as an author who adopts a fictitious persona of Jt LeRoy, a queer man. After her book tops the best-seller list and Jt LeRoy becomes an object of fixation among the literary set, she’s forced to come to terms with the consequences of her creative nom-de-plume. Kristen Stewart co-stars in the film. “Jeremiah Terminator LeRoy” will be the festival’s closing night offering.

In addition,...
See full article at Variety Film + TV
  • 8/14/2018
  • by Brent Lang
  • Variety Film + TV
Dwayne Johnson
Disney's Jungle Cruise Will Have Edgar Ramirez Fighting The Rock
Dwayne Johnson
With Dwayne Johnson, Emily Blunt and Jack Whitehall already set to star in Disney's Jungle Cruise, the production has now added one of its main villains. Edgar Ramirez has signed on to play a bad guy with a "conquistador background." While it remains to be seen how that heritage will play into the story, the plot is said to take place in the early 20th Century in the Amazon jungle.

The story follows Dwayne Johnson, a boat captain who is hired to take a sister (Emily Blunt) and brother (Jack Whitehall) on an expedition with supernatural elements thrown in. The story also features a competing German expedition, with both parties battling wild animals along the way. Filming is slated to begin sometime in May, with shooting expected to last throughout the summer months.

Disney hasn't set a release date for Jungle Cruise at this time, but with filming starting this summer,...
See full article at MovieWeb
  • 4/19/2018
  • by MovieWeb
  • MovieWeb
Bérénice Bejo and Martina Gusmán in La quietud (2018)
Sony International Boards Pablo Trapero’s ‘La Quietud’ With Edgar Ramirez, Bérénice Bejo
Bérénice Bejo and Martina Gusmán in La quietud (2018)
Sony Pictures International Productions is moving into Argentina with La Quietud, its first local-language co-production there. The film hails from Pablo Trapero, who won the 2015 Silver Lion Best Director prize in Venice for El Clan. Sony Pictures Releasing International has taken all distribution rights to La Quietud in Argentina, Uruguay, Brazil, Chile and the U.S., as well as TV rights in Latin America. The thriller stars Martina Gusmán, Bérénice Bejo and Edgar…...
See full article at Deadline
  • 12/14/2017
  • Deadline
Bérénice Bejo and Martina Gusmán in La quietud (2018)
Sony Co-Producing Pablo Trapero's 'La Quietud' as First-Ever Argentine Feature
Bérénice Bejo and Martina Gusmán in La quietud (2018)
Sony Pictures International Productions (Spip), the local-language production arm of Sony Pictures, has come on board La Quietud, the new feature from El Clan director Pablo Trapero, as its first-ever Argentine co-production.

Sony Pictures Releasing International will distribute the film in the U.S. as well as Argentina, Uruguay, Brazil and Chile, and will take TV rights for the title across Latin America. Wild Bunch will handle international sales.

In the intimate thriller, Martina Gusman (Lion’s Den) and Berenice Bejo (The Artist) star as two sisters who try to achieve closure on their common troubled past. Edgar Ramirez (Gold) co-stars. Trapero’s...
See full article at The Hollywood Reporter - Movie News
  • 12/14/2017
  • by Scott Roxborough
  • The Hollywood Reporter - Movie News
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