Red Joan
- 2018
- Tous publics
- 1h 41m
IMDb RATING
6.4/10
15K
YOUR RATING
The story of Joan Stanley, who was exposed as the K.G.B.'s longest-serving British spy.The story of Joan Stanley, who was exposed as the K.G.B.'s longest-serving British spy.The story of Joan Stanley, who was exposed as the K.G.B.'s longest-serving British spy.
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Red Joan is a cosy bland film inspired by the true story of granny spy Melita Norwood. She was unmasked as a KGB agent late in her life.
Judi Dench plays the elderly Joan Stanley who is taken in for questioning by the police as a suspected Soviet spy.
Her son Nick (Ben Miles) is a barrister who helps her as she is questioned. Nick learns that his mother was a scientist who worked in the laboratory that developed the atom bomb.
The flashbacks scenes had young Joan (Sophie Cookson) as an idealist communist sympathiser. She is fascinated by Leo (Tom Hughes) and his cousin Sonya who are supporters of the Russian revolution.
Joan gets a job within the Tube Alloys project. The government project that secretly developed the atomic bomb.
After the bombing of Hiroshima. Joan finds herself passing secrets so the Soviets also have parity in the nuclear arms race.
Joan also falls in love with her boss, Professor Max Davis (Stephen Campbell Moore) who is later suspected of possible espionage.
This is a plodding, sludgy film with an interminable romance subplot. This is really a television film.
Just because it is based on true facts does not meant it will be an interesting movie. This does not hold a candle to films/tv shows about the Cambridge Spies; Philby, Burgess, Blunt, Maclean.
There are some good performances but it is a movie with no thrills.
I also did not buy the fact that Russia would not had been able to have developed the atomic bomb without Joan's help. After the war, Russian bought over their own share of Nazi scientists who had worked in developing the bomb.
Judi Dench plays the elderly Joan Stanley who is taken in for questioning by the police as a suspected Soviet spy.
Her son Nick (Ben Miles) is a barrister who helps her as she is questioned. Nick learns that his mother was a scientist who worked in the laboratory that developed the atom bomb.
The flashbacks scenes had young Joan (Sophie Cookson) as an idealist communist sympathiser. She is fascinated by Leo (Tom Hughes) and his cousin Sonya who are supporters of the Russian revolution.
Joan gets a job within the Tube Alloys project. The government project that secretly developed the atomic bomb.
After the bombing of Hiroshima. Joan finds herself passing secrets so the Soviets also have parity in the nuclear arms race.
Joan also falls in love with her boss, Professor Max Davis (Stephen Campbell Moore) who is later suspected of possible espionage.
This is a plodding, sludgy film with an interminable romance subplot. This is really a television film.
Just because it is based on true facts does not meant it will be an interesting movie. This does not hold a candle to films/tv shows about the Cambridge Spies; Philby, Burgess, Blunt, Maclean.
There are some good performances but it is a movie with no thrills.
I also did not buy the fact that Russia would not had been able to have developed the atomic bomb without Joan's help. After the war, Russian bought over their own share of Nazi scientists who had worked in developing the bomb.
If you think you know all there is to know about the spy history since 1945, you will find this film pretty interesting and revealing. i have not heard about the ''granny spy'' until now and its a good melodramatic, historic flick, made for the newest generations.
judi dench does a remarkable appearance in this drama that jumps back and forth in history, the present is spun around police interrogation, and dialouges with her gobsmacked lawyer son, and the past where we follow the main from studies at cambridge into advancing into assistant at the nuclear research institute.
its has some romantic interludes here and there, the way they are made weakens the production, because its not profound enough . the score is classic style british drama series style of music, and gives a nice float to the motion.
its worth a glance thinks the grumpy old man if youre into the war and cold war history, and the keywords are like in many other features to forgive , bow and forget. recommended
judi dench does a remarkable appearance in this drama that jumps back and forth in history, the present is spun around police interrogation, and dialouges with her gobsmacked lawyer son, and the past where we follow the main from studies at cambridge into advancing into assistant at the nuclear research institute.
its has some romantic interludes here and there, the way they are made weakens the production, because its not profound enough . the score is classic style british drama series style of music, and gives a nice float to the motion.
its worth a glance thinks the grumpy old man if youre into the war and cold war history, and the keywords are like in many other features to forgive , bow and forget. recommended
This is what I call a false biopic. These are usually extremely well made movies with good production values, well acted and directed but they also play fast and loose with the actual facts as to make them more "interesting" to the audience. This genre is very popular, especially in the UK, as they are good award bait and popular with the audiences. These are usually never bad movies and I can't really give them a bad rating, but they also almost always leave me a bit flat and, to be honest, I am getting a bit tired of them. So, Red Joan falls in this category and I have nothing more to add about it, except that at least the creators, having changed almost everything regarding the true story, gave us the courtesy of changing the name of the titular character, a move which I think is at least a bit more honest.
Judi was very good of course, but doesn't feature hugely. Film was ok but felt like a missed opportunity. Could have been better. Meandered through an interesting story in a pedestrian manner. Last 10 mins it picked up. 6/10.
Critics blast this film as a missed opportunity. I heartily disagree, spy films do not all have to be fast paced intrigue. This film is a slow burn and thoughtful character study on the motivations of a woman in extraordinary positions.
Did you know
- TriviaThe closing credits note the real-life Melita Norwood incident as having "inspired" the film. At the end of this movie, the reporters outside of Joan Stanley's (Dame Judi Dench's) home ask, "How much money did you get?" She answers, indignantly, "Nothing." In reality, Norwood stated, "I did what I did, not to make money, but to help prevent the defeat of a system which had at great cost given ordinary people food and fares which they could afford, a good education, and a health service." (New York Times report 13.9.99.) At that time, the U.K.'s newly elected Labour (Socialist) government under Prime Minister Clement Attlee (shown and played in this movie by Robin Soans), had introduced its first publicly (taxpayer) funded welfare state. On the first day of the new parliament, Labour members sang the socialist anthem the Red Flag.
- GoofsCall boxes from that era had two buttons. 'A' and 'B'. 'A' being pressed if the call is answered and 'B' for return of money if not answered. When Joan makes a call from a public phone box, the person answers the phone and Joan immediately has the conversation without first pressing button 'A'. The person would have been unable to hear her without her first doing that.
- Quotes
Joan Stanley: I was fighting for the living, I loved my country!
- ConnectionsFeatures Le cuirassé Potemkine (1925)
- SoundtracksSweet Serenade
Written and Performed by Geoffrey Peter Gascoyne
Courtesy of KPM Music
Published by EMI Production Music
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Red Joan: Au Service Secret de Staline
- Filming locations
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Box office
- Gross US & Canada
- $1,579,730
- Opening weekend US & Canada
- $38,949
- Apr 21, 2019
- Gross worldwide
- $10,647,493
- Runtime1 hour 41 minutes
- Color
- Aspect ratio
- 2.35 : 1
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