Re loca

2018
1h 34m

IMDb RATING

6.1/10

1.5K

YOUR RATING

Fernán Mirás, Natalia Oreiro, Diego Torres, and Gimena Accardi in Re loca (2018)

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1 Video

32 Photos

Comedy

A woman in her 40s feels stuck in a routine with her career and her love life. She decides to change things a bit, but the ritual she tries has consequences that will turn her life upside-do... Read allA woman in her 40s feels stuck in a routine with her career and her love life. She decides to change things a bit, but the ritual she tries has consequences that will turn her life upside-down.A woman in her 40s feels stuck in a routine with her career and her love life. She decides to change things a bit, but the ritual she tries has consequences that will turn her life upside-down.

See production info at IMDbPro

IMDb RATING

6.1/10

1.5K

YOUR RATING

See production info at IMDbPro

Awards
- 1 nomination total

Alejandro
(as Agustin Aristarán 'Radagast')

Malena Sánchez

Maia

Hugo Arana

Fernando Salaberry

Pilar Gamboa

Valeria

Valeria Lois

Isabel

Diego Peretti

Psiquiatra

Walter Cornás

Guille

Martín Garabal

Toto

Santiago Korovsky

Camarógrafo

Lucas Pose

Nicolás

José Mehrez

Gasista
(as José Merhez)

Suyai Chiodi

Rapera

Toto Rovito

Rapero
(as Santiago Rovito)

Jonatan Jairo Nugnes

Fiestero
(as Jonathan Nugnes)

‘Snow White’ Stars Test Their Wits

Rachel Zegler, Gal Gadot, and director Marc Webb take our Ultimate Disney Quiz.

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Storyline

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Did you know

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Trivia
Both Natalia Oreiro and Diego Torres are actors, singers and music composers with international hits.

Connections
Remake of Sin filtro (2016)

Soundtracks
Me Vuelvo Cada Día Más Loca
Written by Celeste Carballo
Performed by Celeste Carballo (Vocals and guitar), Gonzalo Lattes (Guitars), Pablo Rizzi (Bass), Pedro Colpachi (Drums) & Guillermo Beresñak (Keyboard)
Produced by Guillermo Beresñak

User reviews2

Featured review

3/10

A dreadful version

I just tried to watch Re Loca. I had already seen the Spanish version Sin Rodeos (the original is from Chile), and I liked it . But in the Argentinian version, what Natalia Oreiro does is painful to see. She is a bad actress, with little redeemable elements, but the character she plays doesn't help. Her character is supposed to become strong, assertive, bold. But instead, she turns out being cruel, rude and vulgar. Her transformation is not funny or inspiring as it was in the previous versions. So all in all, the movie fails miserably.