A lone writer lives a life of isolation until her world changes by the appearance of a strange young girl.A lone writer lives a life of isolation until her world changes by the appearance of a strange young girl.A lone writer lives a life of isolation until her world changes by the appearance of a strange young girl.
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A fine Irish genre/indie film. Somewhat customary for Irish genre work, the film has a very solid dramatic foundation with slimmer genre elements layered on top. It probably wouldn't be too hard to frame this as a full-on drama simply by tinkering with the styling, instead director Randal Plunkett goes for a darker, more mysterious approach and adds minor mystery and horror touches to his first full-length feature. The result is a rather stylish affair that heralds a promising career.
The film revolves around Simone, a bitter woman who lives alone in the countryside. She drinks a lot, listens to metal and spends her time trying to write her second novel. One night, driving home wasted, she hits a young girl on the side of the road. Reluctantly, she loads her into her car and lets her spend the night. The girl won't reveal where she's from and even though Simone isn't looking for company, she can't just kick her to the curb.
The Green Sea is a film that thrives on atmosphere. The soundtrack and soundscapes in particular stand out. Not even so much the metal tracks, which are more incidental and little more than background noise, but the haunting melodies and distorted rumbles that give the film a dense mood. Coupled with a grim and desaturated color palette, a lingering camera and sharply edited segments that drive up the tension, it makes for an impressively stylized film.
Plunkett does well to keep the mystery intact while revealing just enough to give the necessary context to the plot. The performances are solid, and the finale is memorable. The Green Sea loses a tiny bit of steam in the middle part, I guess a runtime closer to 90 minutes would've fitted the film a little better, other than that I had no real complaints about this one. I'm already looking forward to seeing what Plunkett will come up with next.
The film revolves around Simone, a bitter woman who lives alone in the countryside. She drinks a lot, listens to metal and spends her time trying to write her second novel. One night, driving home wasted, she hits a young girl on the side of the road. Reluctantly, she loads her into her car and lets her spend the night. The girl won't reveal where she's from and even though Simone isn't looking for company, she can't just kick her to the curb.
The Green Sea is a film that thrives on atmosphere. The soundtrack and soundscapes in particular stand out. Not even so much the metal tracks, which are more incidental and little more than background noise, but the haunting melodies and distorted rumbles that give the film a dense mood. Coupled with a grim and desaturated color palette, a lingering camera and sharply edited segments that drive up the tension, it makes for an impressively stylized film.
Plunkett does well to keep the mystery intact while revealing just enough to give the necessary context to the plot. The performances are solid, and the finale is memorable. The Green Sea loses a tiny bit of steam in the middle part, I guess a runtime closer to 90 minutes would've fitted the film a little better, other than that I had no real complaints about this one. I'm already looking forward to seeing what Plunkett will come up with next.
I went in with zero expectations and found this movie to be surprisingly impactful.
The actors were very well cast, and each portrays their character with quality. Katherine Isabelle plays the unpredictable, traumatised Simone with the genuine feel of lurching from one extreme to the next in search of something to take her away from her own memories. Hazel Doupe is an excellent stand offish, quiet kid, and is able to say much with visual cues, in comparison to the rants and outbursts of her co-star.
Of particular note is the character Justin, played by Dermot Ward, who seems to have a sincere desire to help. His interactions and attempts to assist Simone in opening up seem heartfelt and genuine. I'm surprised I've not seen more of this actor.
I was impressed with this movie overall. The house seemed dark and cold. The relationships between Simone and the Kid seem strained, whilst between Simone and Justin it seems awkward and frustrating. The Director definitely did well to convey the mistrust and fear of intimacy.
I would definitely recommend this movie.
The actors were very well cast, and each portrays their character with quality. Katherine Isabelle plays the unpredictable, traumatised Simone with the genuine feel of lurching from one extreme to the next in search of something to take her away from her own memories. Hazel Doupe is an excellent stand offish, quiet kid, and is able to say much with visual cues, in comparison to the rants and outbursts of her co-star.
Of particular note is the character Justin, played by Dermot Ward, who seems to have a sincere desire to help. His interactions and attempts to assist Simone in opening up seem heartfelt and genuine. I'm surprised I've not seen more of this actor.
I was impressed with this movie overall. The house seemed dark and cold. The relationships between Simone and the Kid seem strained, whilst between Simone and Justin it seems awkward and frustrating. The Director definitely did well to convey the mistrust and fear of intimacy.
I would definitely recommend this movie.
Boring lot of tosh.
A drunk takes in a child to clean her house what she drinks and talks rubbish all day.
A skinny man with glasses pops up now and then.
Drunk is redeemed and stops drinking.
Don't watch this. It tries to be arty in a modern way by the hiding the message of to he film in amongst the poor acting and nonsense story.
A drunk takes in a child to clean her house what she drinks and talks rubbish all day.
A skinny man with glasses pops up now and then.
Drunk is redeemed and stops drinking.
Don't watch this. It tries to be arty in a modern way by the hiding the message of to he film in amongst the poor acting and nonsense story.
I wasn't expecting this to be as good as it was. I am not a big fan of films on Prime or Netflix and so settled down to be mildly entertained. I had never seen a film by Randal P before apart from a Zombie movie on Youtube. Later I discovered this is his first feature film and that's why. I have to say I thought the cinematography in the film was exquisite. I enjoyed the pace and the characters and was gripped throughout. Would highly recommend. Well done to Randal on his 1st film and looking forward to the next one.
Lord Dunsany, Randal Plunkett has created a film that is rich and deep in meaning with many layers to immerse oneself in, a world full of characters both weird wonderful dark & light in a gorgeous bleak Irish landscape of wind, rain, hopes, dreams & fantasy he skilfully weaves the story
with outstanding performances from all of the cast but especially by its leads the always excellent Katharine Isabelle "Simone" in a career best performance & Ireland's brightest star Hazel Doupe as "The KId" their chemistry is electric
If you want to be transported uplifted taken on an original journey of mystery and fantasy dont miss this outstanding piece of cinematic art.
with outstanding performances from all of the cast but especially by its leads the always excellent Katharine Isabelle "Simone" in a career best performance & Ireland's brightest star Hazel Doupe as "The KId" their chemistry is electric
If you want to be transported uplifted taken on an original journey of mystery and fantasy dont miss this outstanding piece of cinematic art.
Did you know
- GoofsThigh slit of Simone's dress changes from right leg to the left.
- How long is The Green Sea?Powered by Alexa
Details
- Runtime1 hour 44 minutes
- Color
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