Spielberg

Spielberg (2017)

*** 1/2 (out of 4)

This documentary clocks in at just under two and a half hours and has Steven Spielberg talking about his time in Hollywood as well as some personal stories about his family and how this shaped the movies that he would make. Not only do we get interviews with Spielberg himself but we also hear from his parents, his sisters as well as co-workers and friends including Martin Scorsese, George Lucas, Francis Ford Coppola, Richard Dreyfuss, John Williams, Janet Maslin, Sid Sheinberg and various others.

For the most part I thought this was a very good documentary that was put together very well. The film does a very good job at going over Spielberg's career as well as the personal stories that helped shape them. This includes stories about his parents divorce, the fifteen-years he and his father struggled to have a relationship as well as him becoming a father. All of these stories are told in such a good way that it helps when we then get to the movies because it brings some good insight.

The film discussion is certainly the highlight of the series as the director gets to reflect on his career, the films he's proud of and a few moments where he wasn't as happy. Of course, a lot of the lesser films are pretty much overlooked 1941 gets a quick twenty-second comment whereas HOOK, THE LOST WORLD and ALWAYS aren't even mentioned. We do get some terrific stories about JAWS, DUEL and what it was like for a twenty-year-old to try and direct someone like Joan Crawford.

Fans of the director are certainly going to enjoy this documentary and especially since he shares some good stories about their production as well as things that were going on behind-the-scenes.

This documentary does a good job of analyzing Steven Spielberg's film career. It is in rough chronological order, but not exact chronological order. For example the film starts out with "Jaws" (1975) and comes back to Steven's film directorial debut with "Duel" (1971) later.

It goes into details about his home life only when it is relevant to his work as filmmaker, and it is apparently relevant a great deal. The audience knows this because it is Steven Spielberg himself who contributes the most to the commentary. Apparently Steven has a great gift - he has retained a vivid memory of what it was like to be a child all of these years later. That explains why he made some of the films he did, and how he worked with children and could show the viewpoint of children so well. Spielberg talks about how he has had the same team of professionals working with him on films for years, some since the 70s, and he pays tribute particularly to composer John Williams.

It does go into some of his failures, though only briefly. Apparently he considers "1941" (1979) a failure, and I guess I can see how coming off one hit after another in the mid to late 70s he might feel that way.

Many of the actors and actresses that have starred in his film are almost giddy with praise, and I guess we should expect that, but that is countered with Spielberg's criticism of his own work, which is very insightful.

The best stories: the pandemonium and the overruns in time and money on the set of "Jaws", and how Steven Spielberg, the perennial C student, could not get into USC film school no matter what he tried, so in 1968 he simply trespassed on the Universal lot, found a vacant office and took up residency, and began to go on different sets learning how professional directors practiced their craft. He was even thrown off the set of a Hitchcock film once! However, it was six months before anyone even challenged his presence at Universal, and even then he ended up with a seven year contract directing for Universal TV. Things and security have certainly changed in 50 years!

I'd highly recommend this work to anybody who wants the story of Spielberg's career from the mouth of the subject himself. 147 minutes seems like a long documentary, but for me the time just flew by.

What's confusing about this documentary is not what they decided to show, but what they decided to leave out. Maybe its too early for a full retrospective as the subject is still alive and working and creating, but then what exactly is the point of this documentary, other than it comes out on the 40th anniversary year of "Close Encounters"? After Spielberg shuffles off this mortal coil the interviews gained in the process of making this film will serve admirably in the making of what will probably have to be a series of documentary films that follow Steven Spielberg's life and career, but as it stands this seems like a Blu-Ray special feature. There are many years and films that are completely skipped or glossed over, there is barely a mention of all the success he's had as a producer, and there's no real build up or glory to his triumphs or his failures. It's surface-level and polite. it doesn't pose tough questions or try to answer anything either. I get that this is a puff piece, that in no way would anyone sign off on a documentary that paints them in a bad light, but this doesn't even make Spielberg *complicated*, even his relationship with his father is immediately forgiven and then brushed aside. What would be more interesting, and perhaps more revealing, would be Behind the Scenes documentaries that we already have that feature Spielberg, strung together with new interviews, and footage that presents context, and present his life this way. As it stands what this Doc offers is a quick overview and celebrity cameos that isn't all together uninteresting if only hindered by it's inability to commit to deep dives of the subject's career.

In the year 2017, it must be kind of difficult to produce a compelling documentary about a figure such as Steven Spielberg. I mean, in all honesty, what more can be said about the man that hasn't been already?! Where "Spielberg" really manages to shine, then, is in its coverage of Steven's personal life and background.

As per the usual, "Spielberg" covers all the "usual subjects" (Jaws, Indy, Schindler, Saving Private Ryan, etc.) and all the old stories get told yet again. Fortunately, the production values of this doc are good enough (that's what happens with the backing of HBO) that it never really feels old or stale.

Like I said, though, the real highlights are the personal interviews with Spielberg himself (or family members and those who know him closely). I learned many new things about his personal life, and I loved the home videos with wife Kate Capshaw and his seven children. We all know him as a fantastic filmmaker (which he surely is), but this doc does a really good job of portraying him as a person as well.

So, while perhaps not the most ground-breaking documentary of all-time, "Spielberg" is still entertaining (due to the production value) and information (personal information) and never failed to hold my interest during the almost 2.5 hour runtime.

With Spielberg, we have another profile of yet another hugely influential American filmmaker on the heels of De Palma and By Sidney Lumet. And... when it's this filmmaker and this story and this group of films, I don't think for at least some of them (yes, even Jaws and lessor known ones like Empire of the Sun) enough can be spoken about them. It takes often a miracle for a movie to come out good let alone great, and Steven Spielberg has at least nine or ten masterpieces to his name.

I'm glad this one on Spielberg via Susan Lacy (a veteran go-to for American Masters docs) goes the full route on the career and the man in as much depth as possible. Though it lacks much about Hook, Lost World and Always (the latter's not here at all, the former is mentioned for five seconds as an example of 'sometimes he has failed'), I think I need what is presented here as the man's own words on his work, and his colleagues, AND especially the critical community, from Hoberman to AO Scott. You actually get a sense of not only Spielberg's growth or... No, wait, growth is the wrong word since he was already doing what he did so well in 74 and 74 & 75 and even Duel (that shot of the truck going off the bridge is a gorgeous monster movie moment in all cinema), more like a maturity and an expanding sense of what a movie can be. He has his complexities - who else can have Jurassic Park and Munich in his resume - but the critics point that out along with the objective fact that he is to film the major force in Hollywood in the past 45 years.

But it would be one thing if it is all "its the greatest guy ever" etc. This shows that Spielberg hasn't always known what to do on every film; seeing him making Schindlers List and Saving Private Ryan, his two Oscar wins, one gets the sense he had to figure out what to do day to day, and yet that also came out of many years of *doing* it, of understanding and getting even deeper than he already was. This doc does a great job is giving to the audience, whether they've known this about Spielberg before or not, that making ET and Schindler's List were no more or less exceptional efforts on what humanity is all about in all of its highs and lows, its just that an audience will take Nazis more seriously than aliens.

Or... Who knows? But through every anecdote and story from Spielberg, his sisters and parents, his fellow (now elder) "movie brats" who were as Lucas describes their version of Paris in the 1920s (and I think hes right), there's a full portrait of everything with this man. And that's what is the same and yet done unique unto itself as the De Palma and Lumet films. It's not *too* glossed over about what hes been in life (as someone admits about him, "hes a nerd. A lovable nerd, but still a nerd") and yet it cant help but be inspiring and I hope will be an inspiration for future filmmakers who didn't live through seeing Jurassic Park or Ryan or Minority Report or even Lincoln (one of those films that is still somehow underrated despite being a commercial and critical hit) in a first run. It didn't all come out of nowhere ultimately; the message that one comes away with is that passion and inspiration is crucial, but hard work and not showing fear in the process (though one may have it) is key.