Le Vent de la Liberté

I don't understand the bad reviews. This movie is really worth watching . Well buildup and overall performance.

This film is based on a true story and recounts an evasion attempt, from GDR to FRG, in 1979 during the Cold War, with two families ballooning over a heavily guarded area, starting from Pößneck, a small town within Thuringia, knowing that the shortest distance as the crow flies to reach Bavaria and the Western Bloc is about 25 km. We may see this movie as a commemoration of the manifold unsuccessful attempts and also, in slight advance, of the 30 years of the fall of the Berlin Wall (1989) and the German reunification (1990).

It's well played, suspenseful and points up two main issues: 1) The secret preparation of such an expedition, in a country which is supposed to be a republic if one refers naively to the acronym GDR, and which turns out to be a dictatorship controlling every gesture and every word, thanks to the Stasi. 2) Leaving those who are not part of the expedition and who stay in the GDR such as grandparents or friends, in order to start a new life, ex nihilo. Otherwise, even though it might be a part of the same true story, the episode of the cigarette pack and the American embassy is too showy and, in my humble opinion, pollutes the film.

Finally, despite a decade studying German, from college to the end of my studies, I am not sensitive enough to the subtleties of variations of accents between the different Länder, contrary to sh_bronstein, in his review dating from November 2018. Although his rating is harsh, I find that his review is relevant but does not concern me. Fortunately somehow.

'Why do we bother guarding the border? Wouldn't we be better off without those traitors?' This question by a Stasi-official pinpoints the paradox of communism: if a system without freedom would be better than a free society, why would citizens escape this system? The German film 'Ballon' doesn't elaborate on the pros and cons of political systems. Instead, it is a thriller filled with suspense, about two families trying to cross the border between East and West in a home made hot air balloon. The thriller-element is far more important than the political side of the story. The director doesn's shy away from classic Hollywood screenwriting clichés. But he gets away with it. I was gripped by the story, although it's clear that it's made more exciting than it was in reality. The excellent wikipedia-entry 'East German balloon escape' is interesting reading material for those who want to compare the film with reality. Besides being a fine thriller, 'Ballon' also shows very well the effects authoritarian societies have on its citizens. They risk their own lives and those of their young children, in order to stop living in a big lie. Many films have shown the gruesome aspects of East German communism, but once again I was amazed by the cruelty of people oppressing each other.

Balloon is a solid and unpretentious movie built around a cat-and-mouse game between infamous Stasi and two families trying to escape East Germany in a home-made hot air balloon. If it weren't based on a true story it would be difficult to believe how much risk some people would be willing to take with the life of their families while their day to day lives weren't really threatened by the system as long as they played along. However, once their initial attempt for escape fails, they realized they were being chased by Stasi and became desperate to flee the country no matter how.

Balloon has an engaging story, good direction, decent acting performance and above-the-average entertainment value. The recreation of 70's East Germany is well-done and convincing. After the first failing attempt, the pace of the movie indeed sags a bit, especially with the Berlin scenes, but it quickly picks up with the tension and drama kept tight till the end. It's worth watching and highly recommended.

One of the better movies I've seen lately is German suspense movie "Balloon". Although released in Germany in 2018, it was released more recently in the US. Directed by Michael Herbig, the editing and pacing are very good as is the excellent background music. Actress Caroline Schuch anchors as the mother "Doris" giving perhaps the most authentic performace, though all actors do well. The balloon scenes are technically done satisfactorily, though best is the torment and anguish the family feels from the regime fueling their desire. The atmosphere of dialog of control and subtle oppression is underscored. 8/10