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Cho Seung-woo, Ji Sung, Moon Chae-won, and Kim Sung Kyun in Myung-dang (2018)

News

Myung-dang

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Film Review: Feng Shui (Short Film) Panic Fest 2023 Coverage
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Rate This Movie Film Review: Feng Shui (Short Film) www.fengshuifilm.com/ Synopsis: A man takes on a roommate, only his roommate thinks she lives alone. Review: It’s that time again, it’s time for Panic Fest 2023. I’m so excited. Kamran Rathod directed and wrote Feng Shui along with Nick Chang. We meet The Pale Man (Bobby …

The post Film Review: Feng Shui (Short Film) Panic Fest 2023 Coverage appeared first on Horror News | Hnn.
See full article at Horror News
  • 4/27/2023
  • by Janel Spiegel
  • Horror News
Showbox Launches ‘Sinkhole’ Sales at Busan Market (Exclusive)
Showbox, one of South Korea’s leading studios, is launching sales of disaster comedy “Sinkhole” at the Busan International Film Festival’s Asian Film Market. Helmed by “The Tower” director Kim Ji-hoon, the film is the story of the events that follow the appearance of an urban sinkhole that swallows an entire apartment building.

It stars fashion model-turned-actor Cha Seung-won, Kim Sung-kyun (“Fengshui”) and Lee Kwang-soo (“Tazza: One Eyed Jack”). Aiming for a 2020 release, “Sinkhole” started shooting in August and is currently in production.

Showbox is also handling international sales of “The Man Standing Next,” a film by “Inside Men” director Woo Min-ho. Based on the fact-based novel of the same title, “Man Standing Next” tells an untold story of Korean Central Intelligence Agency and its political maneuvering in the 1970s. With a star-studded cast that includes Lee Byung-hun (“Inside Men”), Lee Sung-min (“Spy Gone North”), and Kwak Do-won (“Steel Rain...
See full article at Variety Film + TV
  • 10/4/2019
  • by Sonia Kil
  • Variety Film + TV
Big Movies Saturate Korean Cinemas Over Holiday, Damaging the Box Office
The outlook for South Korea’s film box office business is decidedly guarded. Over Chuseok holiday period, overall sales increased but business ended up being a zero-sum game.

According to the Korean Film Council’s report, box office managed to sell almost 32% more tickets in September, compared to the same month a year ago. That’s partly because of the holiday, which fell in October in 2017.

Kofic’s box office tracking service Kobis showed that the number of admissions in local theaters was up about 4 million to 16.81 million in September, with revenues up by 42% to $127 million. The number of admissions for homegrown titles grew by 5.78 million to 11.76 million, with revenues increased by 113.6% to $88.23 million.

Big homegrown films release during the holiday week in all likelihood contributed to the hike. Over the past few years, the Chuseok holiday season has grown to one of the peak seasons for the South Korean box office,...
See full article at Variety Film + TV
  • 11/3/2018
  • by Sonia Kil
  • Variety Film + TV
Zo In-sung in The Great Battle (2018)
Korea Box Office: Local Holiday Tentpoles Continue Domination
Zo In-sung in The Great Battle (2018)
The Korean tentpoles which dominated the Chuseok week, continued to rule the South Korean box office over the latest weekend.

Costume action drama “The Great Battle” remained on top, accounting for 43% of the weekend total. The Next Entertainment World release earned $6.43 million between Friday and Sunday for a total of $35 million from 4.53 million admissions after two weekends on release.

Cj Entertainment’s “The Negotiation” climbed to second spot from the previous week’s third. The crime drama earned $2.99 million, for a two-weekend total of $13.7 million. Megabox’s “Fengshui” slipped to third from second, with a week-on-week drop of 58%. The costume drama earned $1.9 million for a total of $15.3 million after two weekends.

Korean independent release, “The Soul-mate” landed in fourth. Opening on Wednesday, the comedy earned $2.81 million over five days. Starring Don Lee (“Train to Busan”), “Soul-mate” revolves around a judo instructor who becomes haunted by a dead police officer’s soul.
See full article at Variety Film + TV
  • 10/1/2018
  • by Sonia Kil
  • Variety Film + TV
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