Les Témoins de Lendsdorf

Memorable and captivating cinematography. And I will add that the acting was perfect. Believable characters were rendered alive and sympathetic by performers who were sometimes subtle and sometimes intensely engaging . I know how exhausting it is to research my family genealogy and uncover the truth about family members murdered in the Holocaust. Many - including my parents - hid the truth, or refused to speak of it to their children, or were simply unable to endure the emotional pain of recalling the horrors of Nazi Germany and Eastern European pogroms. This film - focusing on just one massacre - encapsulated the frustrations of research, the poverty of memory, and the intense desire (or need) to uncover the truth. I was fortunate to see the film via my library's subscription to HOOPLA. I also recommend readers to read the other user comments for background on the events giving rise to this film. The payoff at the end was very satisfying.

I had the honor and pleasure to watch the premiere at the Haifa Film Festival (First prize in the best film competition), a quality movie experience. The film deals with a complex and sensitive subject in a fascinating plot, Uri Pfeffer in an excellent and moving game. Go and watch it, you will not regret

This film deals head-on with two specific topics: 1) the titanic labor of a historian who fights against time, failing memories, law of silence, ... 2) a man who questions his faith, following an unexpected discovery.

Although the film is a bit messy, some passages are very well played and moving.

The Israeli film Ha'edut was shown in the U.S. with the title The Testament. The movie was written and directed by Amichai Greenberg. Ori Pfeffer portrays Yoel, a researcher who demands the truth about a Polish massacre of Jews that took place at the end of World War II. We all know that the Germans slaughtered Jews as the war ended. However, in this case, it wasn't the Germans who carried out the massacre--it was the local Polish people.

Yoel knows this happened, and he thinks he knows exactly where it happened. It's his job to find the mass grave, and document this atrocity. However, even though a few cooperative local residents tell him that they heard the shots, and they can point out the general area, they can't give him exact instructions.

This situation is bad enough, but it's even worse because local builders want to cover the area with concrete, and then the mass grave will never be found.

Local officials offer a compromise solution. They'll admit that "several dozen" Jews were killed in the area at the end of the war. That's it. No mass grave, no further concessions. Time is running out.

This movie is an important addition to films about the Holocaust. I think that the Holocaust is in the mind of every Jew every day. Films set during this reign of terror are typically very graphic and often horrifying to watch.

The Testament is different. No one is rounding up Jews and no one is slaughtering them. The forms of politeness are maintained throughout. However, the Holocaust is there in every frame. The movie reminds us that truth about the Holocaust is worth seeking and demanding.

We saw this film on the large screen at the JCC Hart Theatre, as part of Rochester's wonderful Jewish Film Festival. It will work very well on DVD.

The synopsis and the explanation of the event that this is based on are on the website already, so to reiterate them is a waste of space. I will simply say that this movie works on a lot of levels. To give too much away will spoil what is a mystery story that unfolds slowly and carefully. But in particular, it is about a very devout person whose entire emotional and religious foundation erodes as he is trying to find evidence of a great crime that took place during WWII.

It also reminds us that things may not be what they seem, and that the responsibilities of giving testimony to real events may have an effect many years after they occur.

This movie is wonderfully written, acted and directed.