Don't Leave Home
- 2018
- 1h 26m
IMDb RATING
5.0/10
1.9K
YOUR RATING
An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.
- Awards
- 4 nominations total
Francis J. Tully
- Well Dressed Man 4
- (as Francis Tully)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This could've been a good short for a horror compendium like V/H/S or Southbound. Instead they stretched it out while not filling the gaps with anything interesting, some characters had no development at all, and the mechanics of this mystery are left unclear.
It had some good looks and views, some good and some bad acting, the story was comprehensible, but the ending, while being predictable, still feels a little confusing on why it worked like it did. Overall, this still isn't a good watch even for the fans of small horror/mystery.
It had some good looks and views, some good and some bad acting, the story was comprehensible, but the ending, while being predictable, still feels a little confusing on why it worked like it did. Overall, this still isn't a good watch even for the fans of small horror/mystery.
Actually wanted to like 'Don't Leave Home', and yes there was the intention to judge the film for myself after watching it and even more intention to judge it fairly. Both have always been the case with me when it comes to reviewing a film. The idea was attention-grabbing and it didn't look too bad, so there was potential.
Potential that was not lived up to very well at all. 'Don't Leave Home' was not a waste of time but it is a long way from a must watch from personal opinion. Didn't regret watching it and didn't find that my intelligence was insulted, something that cannot be said for some other films seen recently, it just didn't compel let alone unsettle me which is a primary factor as to why 'Don't Leave Home' as an overall film doesn't work.
Lets start with the good things. 'Don't Leave Home' started off very well, it does draw one right in, sets things up promisingly and has an eerie vibe. It's a decent looking film, with the setting giving off the right amount of unease and the photography has atmosphere. The music is haunting and not too obvious or intrusive.
Generally the acting was better than average, very good actually with the three leads. Nobody over-compensates and nobody looks uncomfortable or robotic.
However, while the characters don't annoy or there could have been much more development to them. The script is an overload of cheese and awkwardness and the direction is at best lethargic.
'Don't Leave Home's' biggest issue is the story. There is very little tension, suspense or dread, with the scares infrequent and being going-through-the-motions-like and obvious when they appear. It is dull too often despite starting off so well and is very predictable from the excessive over-familiarity of a lot of scenes, while it becomes increasingly far-fetched and confused. Not enough is explained properly either, too much is left vague and leaves one scratching their heads.
Not a waste of time but doesn't scare or compel enough. 4/10 Bethany Cox
Potential that was not lived up to very well at all. 'Don't Leave Home' was not a waste of time but it is a long way from a must watch from personal opinion. Didn't regret watching it and didn't find that my intelligence was insulted, something that cannot be said for some other films seen recently, it just didn't compel let alone unsettle me which is a primary factor as to why 'Don't Leave Home' as an overall film doesn't work.
Lets start with the good things. 'Don't Leave Home' started off very well, it does draw one right in, sets things up promisingly and has an eerie vibe. It's a decent looking film, with the setting giving off the right amount of unease and the photography has atmosphere. The music is haunting and not too obvious or intrusive.
Generally the acting was better than average, very good actually with the three leads. Nobody over-compensates and nobody looks uncomfortable or robotic.
However, while the characters don't annoy or there could have been much more development to them. The script is an overload of cheese and awkwardness and the direction is at best lethargic.
'Don't Leave Home's' biggest issue is the story. There is very little tension, suspense or dread, with the scares infrequent and being going-through-the-motions-like and obvious when they appear. It is dull too often despite starting off so well and is very predictable from the excessive over-familiarity of a lot of scenes, while it becomes increasingly far-fetched and confused. Not enough is explained properly either, too much is left vague and leaves one scratching their heads.
Not a waste of time but doesn't scare or compel enough. 4/10 Bethany Cox
This one's a dark mystery of a child disappearance in rural Ireland, but with a visiting American as the lead. It's beautifully shot, with lots of awesome scenery and a wonderful, creepy setting. It's well written, well acted and with a fairly likable lead. No kills, no gore, no sex, no nudity, probably not even any swearing, and it's only somewhat disturbing, but with some very haunting and effective scenes and what I felt was a great ending. There is some extremely brief comic relief in the form of a very creepy, silent, Lurch-looking butler. I recommend it, but it's absolutely a slow one with no kind of action, so just be prepared for an atmospheric mind bender that may be hard to understand and will absolutely confound a great many people who watch it.
I thought this movie had a lot of potential- good acting, great photography, and a promising storyline, however, the dialogue, score, and pacing were too low energy for me to stay fully engaged. Also, I expected more intensity and tension that this movie could have desperately used.
I dont mind a slow-burn movie, but the ending has to make it worth the wait. This fell a bit short.
[5/10]
I dont mind a slow-burn movie, but the ending has to make it worth the wait. This fell a bit short.
[5/10]
This is really an intriguing little horror gem. It centers on an artist from America who creates a series of sculptures based on famous missing person cases. One of them spotlights a priest whom painted a portrait of a young girl who ended up disappearing both from her home and the picture. The priest contracts her with the promise to buy her piece inspired by him, commission a new work and have all her pieces sold to wealthy investors at a private auction. Upon arriving strange things begin to happen including strange dreams and weird happenings that lead her to believe the offer isn't genuine and something more sinister is afoot. It all leads up to a shocking and unexpected conclusion. It's definitely a religious horror film but plays like a strange Lynchian thriller. It's not perfect the pacing is a struggle at times but it has an engaging, dread induced atmosphere that feels otherworldly at times.
3.5/5
3.5/5
Did you know
- TriviaIn a 2018 interview with Dread Central, Michael Tully spoke about the challenges of getting this type of horror movie made: "It took a long time to write... I knew what the movie would feel like. Like it's not specifically horror or graphic, but that sense when I was younger, watching Bad Ronald (1974) or a movie that just felt unsettling. Like more psychological thriller than horror... Now the hook of the film is that it's based on an urban legend of a haunted painting. That didn't come in until like the 15th draft. I could probably make 10 different versions of this movie that don't even look alike... It took about 3 or 4 years, and trying to get enough money. When you're making an original movie that in the 3rd act, it doesn't go like torture porn or Saw (2004), it goes like Andrei Tarkovsky and Ingmar Bergman, that's NOT a recipe for people wanting to throw money at you. But it was sticking to our guns and I felt like that was what I wanted to do."
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Details
- Release date
- Country of origin
- Language
- Also known as
- Не выходи из дома
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.85 : 1
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