The King

This is a documentary film that was supposed to be about the America that Elvis helped mold with his brand of rock and roll music, swinging hips, and movie stardom. Oh, and let us not forget how saturated his face and image were marketed on from everything from toys to toasters in the 1950's through 1970's and beyond where he is still considered the King of Rock N Roll.

But really what this documentary unfolds and addresses before our very eyes is the director/writer. Eugene Jarecki's left leaning political view that Elvis Presley and by extension Donald Trump destroyed the American dream and made themselves very wealthy on the backs of hard working Americans that did not look like themselves.

I found the documentary an unfair view of a time in America when Americans were actually prosperous both as a country and as hard working immigrants who made it in America and regardless of their race, religion, or ethnicity either simply enjoyed Elvis Presley and/or wanted to see more and more of Elvis on the stage and in the movies.

Any public image of a politician/musician/film star/author/celebrity can always be criticized for not supporting some group or some cause but why do some writers/directors use this platform of film to disparage others who do not share their own view of the world?

I give the film a 4 out of 10 IMDb rating and I really hope that the Amazon censors will allow my review to remain without pulling it as they may not share my own view which is there have always been two sides to every coin and every controversy.

Late one night, I came upon this little ditty on PBS, as the moon was about say adios. To echo what others have said, this film has an abundance of nice images, and it welcomes a plethora of comments from those who respected, love, and even pitied Elvis. There are some poignant moments from those who were close up to the King. One of the most touching moments comes when a contemporary musician feels such empathy for Elvis, that he can't help but shed painful tears.

As "GORTX" (and other reviewers) have wisely pointed out, the director felt compelled to connect some dots in a bit of a reckless way... particularly when he compares the dynamics of Elvis with today's political climate and the American Dream. When he does this, it somehow minimizes certain parts of the singer's dramatic narrative.

You'll will find some good stuff here, even if you think the political references are not justified. Try to absorb the lively rhythm and zesty imagery. Elvis had an easy charm and a distinct voice. His face was unusually striking. While his physicality might seem superficial, his looks served him well, and propelled his fame to a deeper level.

"Celebrity is the industrial disease of creativity." Mike Myers

It is commonly thought that America is in decline for the greatness it knew after WWII. Writer/director Eugene Jarecki has a vision in The King of a similar decline in Elvis Presley' life from unique, authentic talent to a has-been dead in his forties. This best-so-far-this-year documentary begs us to consider the analogy although to its credit, it does not force the similarities.

The film's interesting conceit suggests that both subjects bear their own responsibility for their descent-Elvis giving into commercialism and drugs, America, well, introducing itself to solipsism and commercialism, culminating in the election of Donald Trump. While America is a decline in progress, Elvis gave up 30 years ago but has never been forgotten.

That's the rub-he achieved artistically and financially beyond even Col. Parker's wildest expectations, but Elvis was not able to handle the fame or the money. Or maybe when you can buy all the cheeseburgers and drugs you want, you can watch your belly grow as your mind shuts down. Jarecki uses Elvis's 1963 Rolls Royce to have performers like Immortal Technique and Emi Sunshine sing in the back seat about America.

As Jarecki winds in the Rolls from Memphis to New York, Vegas, and back to Memphis, it slowly becomes clear this should been one of Elvis's pretty Cadillac's; how ironically perfect that it's a Rolls, so out of touch with his roots.

Besides the simple lamentation of greatness gone too soon is the argument that Elvis appropriated Black culture on his road to fame and wealth. Although arguments abound on both sides, this point illustrates the varied richness Jarecki brings to his documentary,

At any rate, having just watched Whitney about her great voice and its descent with the help of drugs, I am dismayed that such is sometimes the fate of the great. America is no different, and the frequently-montaged images from presidents to celebrities are sometimes surprising, sometimes depressing, but never dull. Jarecki has a gallery of shots that would be impressive even without sound. It's a museum of our glory and our loss.

Along this nostalgic road, and America itself seems to be stuck there without a clue about how to save its future from the decision it made in 2016, is the prevailing idea that Elvis also followed the money and the easy way. We see how he ended up, so can we learn and make some tough decisions now?

Still ruminating on this one. The film tries to compare the career of Elvis Presley to the rise and fall of the American dream. While taking a road trip in one of Elvis' Rolls Royce's (not a trademark Cadillac) and interviewing celebs, people who knew him, and people who didn't but live near where he did. Ambitious. Thought provoking. Originally called Promised Land then changed to The King. Just like the change of the title, the allegory doesn't quite work.

Unorthodox documentary not so much "about" Elvis Presley, but about how Elvis affected --and was affected by -- American culture. The gimmick Director Eugene Jarecki employs is that he purchased Elvis' actual Rolls Royce, and then films interviews of a wide variety of folks in that vehicle as it travels across the places that Elvis himself stayed at various points in his life, from his hometown in Tupelo Mississippi to Memphis (although, curiously, Graceland is barely mentioned) and places in between.

Even though Jarecki doesn't give us a straightforward biography of Presley, THE KING does a pretty fine job of covering the bases, even if indirectly. The most effective part of the Doc comes early on in a discussion of whether Elvis was a cultural appropriator of black music, culminating in his early crowning as The King Of Rock And Roll. The movie gives a fair-minded balance of pro and con with people like Presley's guitarist Scotty Moore, Emmylou Harris and John Hiatt on one side and rapper Chuck D on the other (he, of the infamous song lyric: "Elvis was a hero to most. But he never meant **** to me you see."). There's also a clip of Big Mama Thornton's blistering original version of "Hound Dog". Jarecki then follows Elvis' travels to NYC and even bigger fame and riches. Then, it's off to the Army and Presley's decline into B movies and Vegas schmaltz. The clips of 'fat Elvis' at the end are truly shocking even all these decades later.

Where Jarecki over-reaches is that he isn't satisfied just showing Elvis' effect on the public, but then tries to tie it in with today's culture wars. Shot during the 2016 campaign with such guests as Alec Baldwin, Van Jones and James Carville, Jarecki makes tenuous connections. VERY tenuous connections. No question that Elvis was a seismic force when he hit, but, save for the brief glory period after the '68 Comeback Special, Presley can hardly be looked upon as a central artistic force after the very early 60s. While significant figures can certainly have a long influence, the fact that Elvis passed on in 1977 makes it a stretch to say that he is symbol of our Red-Blue state America today. If anything, Elvis is the very definition of 'Purple' celebrity - equally loved by all demos.

Even with this central flaw, there is no question that THE KING is a dense, engaging Documentary. One can't help but feel that they have gone on some sort of journey itself, much like Elvis's well-traveled Rolls itself.