British punk duo Sleaford Mods have been called "the voice of Britain" by their fans, "Britain's angriest band" by the Guardian and "The world's greatest rock 'n' roll band" by Iggy Pop. "Bu... Read allBritish punk duo Sleaford Mods have been called "the voice of Britain" by their fans, "Britain's angriest band" by the Guardian and "The world's greatest rock 'n' roll band" by Iggy Pop. "Bunch of Kunst" follows them on their two-year journey from Nottingham bedroom recording ses... Read allBritish punk duo Sleaford Mods have been called "the voice of Britain" by their fans, "Britain's angriest band" by the Guardian and "The world's greatest rock 'n' roll band" by Iggy Pop. "Bunch of Kunst" follows them on their two-year journey from Nottingham bedroom recording sessions to chart success.
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Featured reviews
BUNCH OF KUNST is no different. Despite it's strangely vulgar title (just don't flip the 'T' in front of the 'S'), the documentary is more than just an excuse to get a beautiful-looking 18-certificate for "very strong language", it's an excuse to show one of Britain's most important musical acts in a long time.
Not since Boards of Canada and Future Sound of London have I paid much attention to a group. The Mods' documentary details their release and status as a 'punk'-oriented, anti-establishment act as they create their successor to the awesome "Divide & Exit", "Key Markets." Featuring Williamson putting on a towel like the Pharaoh and then seeing Andrew Fearn (the silent, lanky lad with the laptop) talking about canal boats is just comedy gold and very familiar too. Given their origins as an independent group, you feel some of their pain as they try to compensate both their skills and the need for money in the age of austerity.
If you like THIS IS SPINAL TAP or found HATED: G.G. ALLIN, you'll definitely love this un-PC, foul-mouthed, out-there music film that details someone that people might find as just another Streets, Fall rip-off or the next best thing since the Sex Pistols.
Review by, Skinny Ebert (S.E.)
The filmmaker uncannily catches the Sleafords as they are gathering steam but still playing to small, but rabid, audiences mainly in the UK. I think the director chose the subject because she was a fan and that shows as she really lets the band and their manager be the stars of this doc. You sometimes forget there is a camera trained on the subjects. We see daily life in working class England and how that forms the basis of the Sleafords musical genius; as an American it was really helpful for me to better understand how that discontent factors into the music.
The film logically ends at a point where the band gets some surprising success (I won't spoil it) so it ends on a high note... (no pun intended). For the first time director, I would give her an A+ effort on a subject that could easily have been rather difficult to grasp and make human. And the participation of their manager Steve (who I also met at the Q&A and who is a lovely bloke) was a real important angle in this story.
Can''t wait for the DVD and hope the director makes more films.
Did you know
- TriviaWhatever else one might think of the word "Kunst", it's simply the German for "Art".
Details
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- Also known as
- Sleaford Mods: Le plus furieux groupe d'Angleterre
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Box office
- Gross worldwide
- $29,420
- Runtime1 hour 43 minutes
- Color
- Aspect ratio
- 1.78 : 1