Astrid

This is a beautiful piece of Scandinavian film making that held me spellbound from the first minute. The story of Astrid Ericsson's (later Lindgren) early life unfolds lyrically, with sensitive handling of the many controversies that shaped the children's author. While the cinematography is beautiful, and all performances are great, Alba August carries the film with a magical performance as Astrid. Every moment is perfectly told through August's acting, and caught by the director.

I would say that this film isn't quite as subtle as some Scandinavian films, but it's always difficult to fit life stories into a single film. This film made me want to see a series of films about Lindgren's entire life.

This film is very comparable with COLETTE. Both are biopics of major women authors who came along just before the great 20th Century advances in the status of women. In both, the repression and intolerance that still prevailed not so long ago are stunning. Both make up for their inability to incorporate very much of the literary contributions of their subjects with excellent production value and period look. Where COLETTE succeeds readily as a star vehicle, this film surprises by transporting the viewer so thoroughly into 1920s provincial Sweden. The lead actress, Alba August, is in nearly every shot and never disappoints. She reminds me of Lena Stolze or Julia Jentsch. If I had it to do over, I would read up a bit on each subject before seeing the respective movie.

Disclaimer: I'm not the first person who would watch this movie. I got dragged along with my friend to see it but I do know Lingren and know Pippi Longstocking.

The movie starts out at a wonderful pace. We are introduced to a ton of interesting characters. The pace is high and the music fits perfectly. We get to know Astrid, her family, where she lives and the jobs she does. This all changes as she takes on a job as an intern.

Some drastic things happen (I won't spoil what) and the focus shifts. This results in us seeing more of Astrid and less of the rest of the cast. The people she talks to don't get enough screen time to grow attached to. And the movie starts dragging. And dragging. It got so bad I literally had trouble keeping my eyes open.

And here's where to me the major flaw in this movies lies. The script. It's as if the writers focused so much on one aspect they forget that a movie should always be entertaining. With the pace being so low this very uneventful part of the story feels even worse. They got all these characters but you rarely get to see them. You don't know what how their relationship develops over the years. No one is singled out except for Astrid. But to make a movie work you have to have interaction.

There are however, still a couple of highlights. The ending is nice, the pace picks up again and we are finally reunited with characters we met at the beginning.

So all in all it's definitely worth watching for Lindgren fans, but I can't really recommend it for other moviegoers.

Although I do not really know neither Astrid Lindgren nor her characters Pippi Longstocking, Karlsson-on-the-Roof, ... I loved the film which is based on the exceptional performance of the lead actress Alba August as well as an extremely neat photography. We might think that this film is jointly sponsored by the tourist offices and the ministries of culture of both Sweden and Denmark.

This biopic traces the life of Astrid during a small decade, in the 20s. We discover first of all a talented, mischievous and dreamy teen, then a young, fighting and resilient woman. Although the intended public of the books is very young, that of the film excludes, in my humble opinion, the children. Instructive and moving!

Beautifully structured, moving and raw. The movie was done without unnecessary overdramatisation that you see in most biography movies. My view on Astrid changed drastically after. Now I really appreciate her books that were part of my childhood. All those times I had no idea what kind of work was behind those words.