Future '38

I have watched this movie at least four times, and every time I catch something I didn't see before. There's always a nice surprise waiting.

Time travel (or time displacement, such as "Demolition Man") is one of my favorite genres, whether it's drama or comedy. But, despite watching every time travel flick I come across, I can think of nothing to compare this with. It isn't "Back to the Future," but it doesn't try to be. Great sight gags, sly references, slapstick, puns ... this movie isn't afraid to try anything. And it succeeds when maybe it probably shouldn't. Yes, there's some "BTTF" here, but there's also some "Airplane!" and hints of Mel Brooks.

I went into my first viewing not knowing anything about it, and for two seconds I thought it was, truly, a resurfaced lost movie. Alas, Neil de Grasse Tyson giving an introduction with a tub of popcorn the size of washing machine pretty much dispelled any idea that something old had been unearthed. But 10 minutes in, I didn't care one bit. The quick word punches, vibrant background gags, and a sincere commitment to the premise made this enormously enthralling. And - dare I say it? - Betty Gilpin struck me as someone who is going to make a strong and serious dramatic turn one day.

There's really no way this movie should have worked, and it amazes me that it did. It's B-movie escapism with a complete lack of self-importance while maintaining respect for the audience. In other words, "let's just have some fun." If there's a message here, it got lost on me. And I don't have a problem with that.

I was really sceptical about watching this, as these retro movies tend to cheap and boring. But "Future 38" was a delight to watch, good performances and some laugh out loud moments. Definitely recommended. Fun entertainment, I rate it 8/10

I'm a big fan of filmmaker Larry Blamire's work, starting with "The Lost Skeleton of Cadavra". This film is made in a similar style, showing a great appreciation and love for its genre (although, not the SAME genre). Mostly unfamiliar actors accompany Betty Gilpin in this homage, and she may be unfamiliar to most, unless you've seen GLOW or the Margaret Mitchell series from earlier this year (I haven't yet, but I will). Loved the spiffy period jargon, and the predictions of future science wonders. (Missed smartphones by THAT much!) It was also great seeing Sean Young in a small but very prominent role. As a plus, it's pleasantly short, not that it couldn't have been longer, but sometimes you don't want a 2+ hour commitment to a movie.

Comedy is hard but the writers of Future '38 were spot on, almost. The repartee was lighting fast but the timing was still perfect and allowed the audience to keep up. There were only a few places where the laughs tapered off, but it always picked up again. The humor was respectful of today's P.C. sensibilities, passing up on some low-hanging jokes that might have crossed the line for some. With the exception of its blatant anti-Germanic bigotry and a few other stereotypes/ethnic jokes (Irish, African American, Jewish), the film is really progressive. ("They're jolly, what of it?... City hall's been hitching jollies for forty years.")

Many in the audience will miss some of the slang and early twentieth century references, but there's enough here to keep everyone laughing. Especially funny was the humorous treatment of time-travel paradoxes and the "parlor tricks" performed by Essex with Elke and others.

The acting was very well done for a comedy of this sort, and the plot was easy to follow. The cinematography was technically adequate and didn't overshadow the players/dialogue, although it would have been nice to put a little more effort into getting the color/tone to match those over-saturated, 80-year-old films. The cue marks were a wonderful touch!

Overall, well worth watching, especially for old movie buffs and scifi fans.

Triggers: Ethnic humor -- anti-Germanic bigotry, Irish, African American, Jewish ethnic jokes/stereotypes; Violence by the protagonists -- fists, gun brandishing (and the obligatory vase smash to the head).

I came across this movie while looking at what else Betty Gilpin (GLOW) has been in. The described plot seemed so odd, I had to watch it. Bonus: For old Blade Runner fans, Sean Young had a very odd but appropriate presence in this story as the "telephone" operator, Mabel.

First thing to note, this movie is most obviously not from 1938. Instead, it's a humorous parody of movies from the past and how they pictured the future. Think of old 1930s and 40s films and comic stips that showed flying cars, and wrist watch phones (errr... they were right on that count). They also combine real 2018 objects, business names, and slang but used in completely different "old fashioned" ways. The thug with a "strap on" (shoulder holster with a gun) who is "gonna nail ya" (shoot you) is a striking example.

Recently I saw the film "Movie, Movie" (1978) which was more of an homage/parody of old 1930s cinema. Future '38 is kind of cut from the same cloth but with less homage and a lot more parody. The production itself is low quality in that once things go in color, it really doesn't try to emulate the look and feel of early color films like The Wizard of Oz. Instead it is digital video run through generic filters. That's OK, because I believe the story and parody are the primary reasons this movie exists.

As interesting as the idea of this movie is, and the pretty well concealed and somewhat anticlimactic twist, it still was hard to watch. The intentionally hammy acting was funny, but also distracting. The occasional insertion of real 21st century business names, slang and the like was a continual reminder that this is fully a 21st century film. "Movie, Movie" actually managed to lure me into feeling like I was watching a movie from cinema's golden age. But that only points more to the fact that this movie was less about honoring old cinema than poking fun at it as well as the 21st century itself.

If you're a fan of offbeat and unusual movies, this would definitely be worth a watch. But don't expect a movie with high production values. Expect an interesting/entertaining story more akin to watching an absurdist play. Additionally, Ethan Phillips (Neelix from Star Trek Voyager) has a role at the start of the film as well. And... Neil DeGrasse Tyson (obviously in on the joke). Don't let other reviews dissuade you from watching it. They're either trolling or just can't cope with absurdist parody.