Waiting for the Barbarians
- 2019
- Tous publics
- 1h 52m
At an isolated frontier outpost, a colonial magistrate suffers a crisis of conscience when an army colonel arrives looking to interrogate the locals about an impending uprising, using cruel ... Read allAt an isolated frontier outpost, a colonial magistrate suffers a crisis of conscience when an army colonel arrives looking to interrogate the locals about an impending uprising, using cruel tactics that horrify the magistrate.At an isolated frontier outpost, a colonial magistrate suffers a crisis of conscience when an army colonel arrives looking to interrogate the locals about an impending uprising, using cruel tactics that horrify the magistrate.
- Awards
- 1 win & 3 nominations total
Featured reviews
JM Coetzee is the author of the original book, and is rightly lauded for his story telling ability as much as his literary ability. However, his works haven't easily transferred to screen, which is not uncommon for high-end literary works. This one to me is borderline.
What we have is a tale set in the 19th century of a humble wise magistrate of a garrision on the frontiers of an unnamed European Empire (seems like an area bordering around the former Soviet Union states). His stoic nature though is confronted by the entry of a colonel and his forces, who seem hell-bent to start battle with locals who are NOT looking for aggression. The Colonel is everything our magistrate is not, and the whole matter is complicated by the magistrates falling in love with a local lady he helps to return to her people.
Surprisingly this film hasn't been warmly received by the critics which is surprising, as it is actually very good. The main hold is the sublime performance by Mark Rylance in the lead, who can't have been any better than what he has done with the role. You empathise with him, and see his destruction at the hands of his colleagues (which clearly shows that the true Barbarians are at his side and not beyond the walls).
Johnny Depp was fine but seemed out of place, whilst Robert Pattison gets better with every film he stars in. The setting is perfect and beautiful, and the film has a fine slow pace. Admittedly it could have helped to flesh out some other characters more than just the magistrate to give them more weight, especially the mysterious colonel.
I don't get what it is that the critics were downgrading here? It's a fine existential story, and one that some will enjoy revisiting. Fair enough, the subject matter and a number of scenes are uncomfortable to watch, but that's the point! It's not about a rose-tinted look at the colonial past. It's also not 'Zulu' (which admittedly I very much love).
It's a tough watch at times, but very worth a viewing. Mark Rylance will little do better anywhere else ever again. He at least is a major reason to watch this one.
What we have is a tale set in the 19th century of a humble wise magistrate of a garrision on the frontiers of an unnamed European Empire (seems like an area bordering around the former Soviet Union states). His stoic nature though is confronted by the entry of a colonel and his forces, who seem hell-bent to start battle with locals who are NOT looking for aggression. The Colonel is everything our magistrate is not, and the whole matter is complicated by the magistrates falling in love with a local lady he helps to return to her people.
Surprisingly this film hasn't been warmly received by the critics which is surprising, as it is actually very good. The main hold is the sublime performance by Mark Rylance in the lead, who can't have been any better than what he has done with the role. You empathise with him, and see his destruction at the hands of his colleagues (which clearly shows that the true Barbarians are at his side and not beyond the walls).
Johnny Depp was fine but seemed out of place, whilst Robert Pattison gets better with every film he stars in. The setting is perfect and beautiful, and the film has a fine slow pace. Admittedly it could have helped to flesh out some other characters more than just the magistrate to give them more weight, especially the mysterious colonel.
I don't get what it is that the critics were downgrading here? It's a fine existential story, and one that some will enjoy revisiting. Fair enough, the subject matter and a number of scenes are uncomfortable to watch, but that's the point! It's not about a rose-tinted look at the colonial past. It's also not 'Zulu' (which admittedly I very much love).
It's a tough watch at times, but very worth a viewing. Mark Rylance will little do better anywhere else ever again. He at least is a major reason to watch this one.
I expected the film with...fear. Because each adaptation of a great novel remains a try . Because the characters and the atmosphere are more posessions of reader than work of the writer . But the film is decent . Grace to cinematography , reasonable solutions for inner monologue of Magister and, no doubts, for the admirable work of Mark Rylance and Greta Scacchi. And, sure, for not bad Colonel Joll proposed by Johnny Depp. Moments of novel are fresh, the intro is just beautiful and it works, maybe better than as adaptation, like a colonial story. And the barbarians as Mongols remains an inspired solution. In my case, only two surprises - the absence of generous belly of Magister and his so large office. But , obvious, it is a reasonable adaptation. So, just decent.
This film is about how nasty we can be while hiding behind things like authority, law and other euphemisms for power. A slow burn movie, it stars Mark Rylance - in a yet another great role - as a decent man who has no power to control things, but has to observe others. I will have to say that both Johnny Depp and Robert Pattinson did a great job, but their characters barely covered ten minutes of screen taken together. The film is well done, beautifully shot, introspective.
Bottom line: a gem in the mud, a film that was bound to gather low ratings because it is uncomfortable to bear witness to human cruelty, pride and greed. It's a must watch, but be warned that it is not easy to do so.
Bottom line: a gem in the mud, a film that was bound to gather low ratings because it is uncomfortable to bear witness to human cruelty, pride and greed. It's a must watch, but be warned that it is not easy to do so.
Although the cinematography and the acting are almost excellent the slow pace of the story makes Waiting For The Barbarians just a movie that is worth watching once but not more. It just lacks some oomph, maybe some battle scenes to make it better. There is some cruelty and torturing though, physical and mental torture, so the story is still captivating and the excellent acting of Mark Rylance is the best thing of the movie. Johnny Depp and Robert Pattinson are for once the bad people, and they did a very good job playing characters that everybody normal will dislike. All in all it isn't a bad movie but it clearly misses something to make it exceptional.
This film makes the viewers question who are the real barbarians. I find it engaging and introspective. It's beautifully shot too.
Did you know
- TriviaDirector Ciro Guerra's English-language debut.
- SoundtracksSummer
Music by Marco Beltrami & Buck Sanders (ASCAP)
(p) 2019 Pianella Music, Inc.
Courtesy of Marco Beltrami & Pianella Music, Inc.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- В очікуванні варварів
- Filming locations
- Marrakech, Morocco(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €15,362,000 (estimated)
- Gross worldwide
- $764,815
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 2.39 : 1
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