IMDb RATING
5.2/10
75K
YOUR RATING
America's third political party, the New Founding Fathers of America, comes to power and conducts an experiment: no laws for 12 hours on Staten Island. No one has to stay on the island, but ... Read allAmerica's third political party, the New Founding Fathers of America, comes to power and conducts an experiment: no laws for 12 hours on Staten Island. No one has to stay on the island, but $5,000 is given to anyone who does.America's third political party, the New Founding Fathers of America, comes to power and conducts an experiment: no laws for 12 hours on Staten Island. No one has to stay on the island, but $5,000 is given to anyone who does.
- Awards
- 1 nomination total
D.K. Bowser
- Sharpie
- (as DK Bowser)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'The First Purge' delves into class disparity, racial tension, and governmental manipulation, offering socio-political commentary. Many praise its deeper exploration of the Purge concept, though criticisms arise over its predictable plot and underdeveloped characters. The film's violence and gore are noted as excessive, and its handling of racial themes is controversial. Despite these issues, some view it as an improvement over prior films, appreciating its action sequences and character development attempts.
Featured reviews
If you like the previous movies (though anarchy was the best and the rest aren't that good), then you'll like this too.
It's a dreadful bore, with poor writing, and an incredibly forced depiction of the Black side of this fictional movement. Everything the film tries to start anew feels so out of place and none of it amounts to anything remotely interesting, while everything else feels like a forced tie in product to the other films before it, never directly addressing them, but largely relying on similar setups and situations that the other ones have already dealt with. The acting is incredibly over the top, the screenplay even more so, never knowing what it quite wants to be or wants to say. The direction is harsh, the tone and look of the film bleak, and it never decides on whether it wants to be a trip to empowerment or a social commentary, both of which the film pulls off poorly. The music is forced, the characters thin, and I can't think of many things positive about the film besides potential that the film so poorly executed. In the end, The First Purge is not only a pointless sequel, but a truly lackluster film, with no agenda but to accumulate some more money for this seemingly never ending franchise.
My Rating: 2.5/10
It's not a terrible film, but also not a great film. Go in expecting the same as the last two films (not the first film, that was a completely different type of movie)
Many of these IMDb users are hatin' on this movie simply because they look at that screen and don't see faces/characters/situations that they can relate to. That's fine because that's going to be true for most audiences, but by no means does that make this a bad movie. It just means this movie wasn't made for them.
It was made for people who can relate to the obvious real-life metaphors this film hits on: financial desperation, a scarily-real governmental turn toward autocracy under-girded by racism and exploitation of the urban poor, and the unpredictable spasms of people who REALLY ARE losing it in these tumultuous times.
The plot and story are no less solid than the simplicity of the other films: a menagerie of characters looking to survive the night, with their own agendas, despite structural forces at work against and unknown to them.
Yet, what mass American audience wants to identify with a drug-dealer-turned-urban-Rambo in the main action hero Dmitri (Y'lan Noel)? The catharsis of all movies (but especially dystopian films because of the creepy sub-textual realism) is in getting absorbed emotionally into relatable characters. Most audiences can't relate to Dmitri or Nya (Lex Scott Davis). Those familiar with the hood can; or at least those that can imagine that perspective.
In that sense, The First Purge veers toward Blaxploitation, and it's un-apologetic about it. Yet the sight of Neo-Nazis going door-to-door in legal extermination IS actually terrifying as real-life white supremacists emboldenment across the country is encouraged by autocratic fervor.
As far as dystopian sci-fi goes, we're far closer to that possibility than most audiences want or can imagine. That's part of what makes this film compelling if not technically as slick as the others (which IS admittedly disappointing given a bigger budget than the last).
The last film, Election Year began the politics of the series; with upwards of $80 million gross on a $10 million budget, a politics most audiences had little problem with.
This film is a logical (in a prequel kind of way) next step in the obvious political turn the series took in the last film, only the perspective turns the lens primarily on the plight of the urban poor and criminally enterprising and those in power manipulating things behind the scenes. As for the hood perspective, you're not seeing "bad acting" as some users have accused. It's acting and being that doesn't give a s#!% what outsiders of the hood perspective think.
If you want to see credibly-creepy dystopian fair that's all-too-close to home--and if you're willing to identify with life on the other side of the tracks--this movie is worth a look, but don't expect the stylistic slickness of the other films.
The First Purge is very low-fi compared to the others, but that doesn't make it low-worth. Only those who can't wipe away their lenses for a couple of hours would think that of an otherwise solid movie.
It was made for people who can relate to the obvious real-life metaphors this film hits on: financial desperation, a scarily-real governmental turn toward autocracy under-girded by racism and exploitation of the urban poor, and the unpredictable spasms of people who REALLY ARE losing it in these tumultuous times.
The plot and story are no less solid than the simplicity of the other films: a menagerie of characters looking to survive the night, with their own agendas, despite structural forces at work against and unknown to them.
Yet, what mass American audience wants to identify with a drug-dealer-turned-urban-Rambo in the main action hero Dmitri (Y'lan Noel)? The catharsis of all movies (but especially dystopian films because of the creepy sub-textual realism) is in getting absorbed emotionally into relatable characters. Most audiences can't relate to Dmitri or Nya (Lex Scott Davis). Those familiar with the hood can; or at least those that can imagine that perspective.
In that sense, The First Purge veers toward Blaxploitation, and it's un-apologetic about it. Yet the sight of Neo-Nazis going door-to-door in legal extermination IS actually terrifying as real-life white supremacists emboldenment across the country is encouraged by autocratic fervor.
As far as dystopian sci-fi goes, we're far closer to that possibility than most audiences want or can imagine. That's part of what makes this film compelling if not technically as slick as the others (which IS admittedly disappointing given a bigger budget than the last).
The last film, Election Year began the politics of the series; with upwards of $80 million gross on a $10 million budget, a politics most audiences had little problem with.
This film is a logical (in a prequel kind of way) next step in the obvious political turn the series took in the last film, only the perspective turns the lens primarily on the plight of the urban poor and criminally enterprising and those in power manipulating things behind the scenes. As for the hood perspective, you're not seeing "bad acting" as some users have accused. It's acting and being that doesn't give a s#!% what outsiders of the hood perspective think.
If you want to see credibly-creepy dystopian fair that's all-too-close to home--and if you're willing to identify with life on the other side of the tracks--this movie is worth a look, but don't expect the stylistic slickness of the other films.
The First Purge is very low-fi compared to the others, but that doesn't make it low-worth. Only those who can't wipe away their lenses for a couple of hours would think that of an otherwise solid movie.
The characters are underdeveloped and the acting is bad, which made me indifferent whether they survived or not. There is no real suspense, only random action scenes. Lastly, the "scientific layer" they tried to add, and the stereotypes, are just insulting to the viewer.
Did you know
- TriviaActor Rotimi Paul rode the New York City public subway to his audition for the role of Skeletor in full costume makeup.
- Goofs(at around 1h 13 mins) In one scene an uninjured Dolores looks out of Nya's intact apartment window. In the next scene the window is shattered and Dolores' arm appears to have been grazed by a bullet. This jump is explained by the deleted scene included in the Blu-ray release: Skeletor was hiding in Nya's apartment (hence the "fresh" blood Dolores notices on the floor), inside the closet. When he jumps out and tries to kill Nya, there's a confrontation between him and Isaiah, which leads to Skeletor flying through the window.
- Crazy creditsSPOILER: There is a mid-credit scene featuring a press briefing expressing the success of the Purge, and how as early as next year, there could be a "nationwide Purge".
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: The First Purge (2018)
- How long is The First Purge?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- 12 horas para sobrevivir: el inicio
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $69,488,745
- Opening weekend US & Canada
- $17,374,280
- Jul 8, 2018
- Gross worldwide
- $137,056,262
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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